1 00:00:26,726 --> 00:00:28,628 AND WE'RE WALKING. 2 00:00:28,628 --> 00:00:29,629 YEP. 3 00:00:29,629 --> 00:00:32,499 [INDISTINCT CONVERSATIONS] 4 00:00:38,438 --> 00:00:41,774 [APPLAUSE] 5 00:00:41,774 --> 00:00:43,843 Man: NICE TO MEET YOU, MR. DARIN. 6 00:00:43,843 --> 00:00:46,145 BOBBY, YOU'VE GOT AN A.P. INTERVIEW 7 00:00:46,145 --> 00:00:47,246 RIGHT AFTER THE SHOW. 8 00:00:47,246 --> 00:00:48,314 AN A.P. INTERVIEW? JESUS CHRIST. 9 00:00:48,314 --> 00:00:51,350 THIS IS SUPPOSED TO BE THE NIGHT FOR MY WIFE AND KID, 10 00:00:51,350 --> 00:00:53,753 FOR US TO EXPERIENCE IT. 11 00:00:56,756 --> 00:00:59,158 IT'S ONLY 2 MINUTES. THAT'S ALL I'M ASKING. 12 00:00:59,158 --> 00:01:00,593 MY ONE NIGHT WHERE I DON'T HAVE TO DO THAT STUPID SHIT. 13 00:01:00,593 --> 00:01:03,196 IT'S SUPPOSED TO BE MY ANNIVERSARY CELEBRATION. 14 00:01:03,196 --> 00:01:04,297 YOU MISSED THEM IN FLORIDA LAST NIGHT. 15 00:01:04,297 --> 00:01:05,631 WE CAN'T AVOID THEM. 16 00:01:05,631 --> 00:01:06,699 Man: GOOD LUCK, BOBBY! 17 00:01:06,699 --> 00:01:10,770 CAPTIONING MADE POSSIBLE BY LIONS GATE ENTERTAINMENT 18 00:01:10,770 --> 00:01:13,540 [MUSIC PLAYING] 19 00:01:32,258 --> 00:01:33,793 HEY, BOBBY. HAVE A GOOD EVENING. 20 00:01:33,793 --> 00:01:36,396 THANK YOU. 21 00:01:36,762 --> 00:01:38,431 HEY, CHARLIE. 22 00:01:38,431 --> 00:01:41,101 I'LL TAKE THOSE. GIVE ME THAT. 23 00:01:42,301 --> 00:01:44,804 Announcer: AND NOW, LADIES AND GENTLEMEN, 24 00:01:44,804 --> 00:01:48,508 TONIGHT CELEBRATING HIS 10th ANNIVERSARY IN SHOW BUSINESS, 25 00:01:48,508 --> 00:01:50,510 THE COCONUT GROVE IS PROUD TO PRESENT 26 00:01:50,510 --> 00:01:54,814 THE ONE, THE ONLY... BOBBY DARIN! 27 00:01:54,814 --> 00:01:57,383 [APPLAUSE AND CHEERS] 28 00:02:09,595 --> 00:02:11,797 THANK YOU. 29 00:02:11,797 --> 00:02:14,400 3 GUESSES. 30 00:02:15,535 --> 00:02:17,170 WRONG. 31 00:02:17,670 --> 00:02:21,474 ♪ OH, THE SHARK, BABE ♪ 32 00:02:21,474 --> 00:02:24,377 ♪ HAS SUCH TEETH, DEAR ♪ 33 00:02:24,377 --> 00:02:27,180 ♪ AND HE SHOWS THEM ♪ 34 00:02:27,180 --> 00:02:29,615 ♪ PEARLY WHITE ♪ 35 00:02:29,615 --> 00:02:32,718 ♪ JUST A JACKKNIFE, AH-SO, MADE A MOVE ♪ 36 00:02:32,718 --> 00:02:34,654 ♪ WEARS OLD MacHEATH ♪ 37 00:02:34,654 --> 00:02:38,457 ♪ AND HE KEEPS IT ♪ 38 00:02:38,457 --> 00:02:39,258 ♪ OUT OF SIGHT ♪ 39 00:02:39,258 --> 00:02:43,896 ♪ YOU KNOW WHEN THAT SHARK BITES ♪ 40 00:02:43,896 --> 00:02:46,966 ♪ WITH HIS TEETH, BABE ♪ 41 00:02:46,966 --> 00:02:51,971 ♪ SCARLET BILLOWS START TO SPREAD ♪ 42 00:02:51,971 --> 00:02:58,277 ♪ FANCY GLOVES, THOUGH, WEARS OLD MacHEATH ♪ 43 00:02:58,277 --> 00:02:59,912 ♪ SO THERE'S NEVER ♪ 44 00:02:59,912 --> 00:03:04,417 ♪ NEVER A TRACE OF RED, OH, LET THAT THING SWING ♪ 45 00:03:04,417 --> 00:03:06,752 ♪ ON A SIDEWALK ♪ 46 00:03:06,752 --> 00:03:09,655 ♪ SUNDAY MORNING, UH-HUH ♪ 47 00:03:09,655 --> 00:03:11,924 ♪ LIES A BODY ♪ 48 00:03:11,924 --> 00:03:14,727 ♪ JUST OOZING LIFE ♪ 49 00:03:14,727 --> 00:03:15,628 EEE! EEE! 50 00:03:15,628 --> 00:03:19,999 ♪ SOMEONE'S SNEAKING ROUND THE CORNER ♪ 51 00:03:19,999 --> 00:03:23,469 ♪ TELL ME, COULD THAT SOMEONE... ♪ 52 00:03:23,469 --> 00:03:27,607 STOP. STOP. RICHIE, STOP. STOP! 53 00:03:27,607 --> 00:03:28,808 HOLD IT. HOLD IT. 54 00:03:28,808 --> 00:03:30,910 [AUDIENCE MURMURING] 55 00:03:35,581 --> 00:03:37,817 OK, I WANT TO START OVER. I WANT TO DO IT AGAIN. 56 00:03:37,817 --> 00:03:39,952 Man: YOU GOT TO BE KIDDING ME. THAT WAS PERFECT. 57 00:03:39,952 --> 00:03:42,688 NO, I WANT TO DO IT AGAIN. I CAN DO IT BETTER. 58 00:03:42,688 --> 00:03:44,490 YOU KNOW HOW LONG IT TAKES TO SET THIS UP? 59 00:03:44,490 --> 00:03:46,425 I DON'T KNOW HOW MUCH MORE MY CHOPS CAN TAKE TODAY, BOSS. 60 00:03:46,425 --> 00:03:48,527 WELL, MAYBE WHEN YOU START PLAYING IT RIGHT, 61 00:03:48,527 --> 00:03:51,464 WE CAN ALL CALL IT A DAY, BUT WHEN YOU PLAY IT SLOPPY, 62 00:03:51,464 --> 00:03:53,299 LIKE YOU'VE BEEN DOING ALL AFTERNOON, 63 00:03:53,299 --> 00:03:55,701 THEN WE'RE GONNA DO IT AGAIN AND AGAIN AND AGAIN 64 00:03:55,701 --> 00:03:56,669 UNTIL WE GET IT RIGHT! 65 00:03:56,669 --> 00:03:58,404 BOBBY, THE GUYS ARE GETTING TIRED, THAT'S ALL. 66 00:03:58,404 --> 00:04:00,940 HOW DO YOU THINK I FEEL? CALL IT. 67 00:04:00,940 --> 00:04:04,810 Man: OK. LADIES AND GENTLEMEN, I'M GOING TO LET YOU LEAVE 68 00:04:04,810 --> 00:04:07,280 IN A MINUTE BUT-- WHOA! WHOA! WHOA! WHOA! 69 00:04:07,280 --> 00:04:08,414 PLEASE STAY IN YOUR SEATS 70 00:04:08,414 --> 00:04:10,283 UNTIL MR. DARIN HAS LEFT THE SET. 71 00:04:10,283 --> 00:04:12,418 THANK YOU. CAN I HAVE THE BELL UP, PLEASE? 72 00:04:12,418 --> 00:04:14,954 [BELL RINGING] 73 00:04:17,857 --> 00:04:20,459 BOBBY, WE CAN'T KEEP DOING IT 74 00:04:20,459 --> 00:04:21,761 OVER AND OVER AND OVER. 75 00:04:21,761 --> 00:04:24,764 LISTEN, IF BOBBY SAYS HE CAN GET IT BETTER, 76 00:04:24,764 --> 00:04:26,432 THEN HE CAN GET IT BETTER. 77 00:04:26,432 --> 00:04:29,068 BUT WHAT THE HELL IS HE SNAPPING AT EVERYBODY FOR? 78 00:04:29,068 --> 00:04:30,102 JUST LET HIM WALK IT OFF. 79 00:04:30,102 --> 00:04:34,040 MR. DARIN, DO YOU WANT TO START FROM THE VERY TOP? 80 00:04:34,040 --> 00:04:36,542 BOBBY, YOU KNOW WE'VE GOT PRESS ON THE SET TODAY. 81 00:04:36,542 --> 00:04:39,279 CAN YOU GIVE THEM A FEW MINUTES? 82 00:04:49,555 --> 00:04:52,425 Man: OK, PEOPLE, THAT'S 10 MINUTES. 83 00:04:52,425 --> 00:04:55,862 HEY, BUT DON'T WANDER TOO FAR NOW. 84 00:05:07,006 --> 00:05:08,741 HOW ARE YOU DOING? 85 00:05:08,741 --> 00:05:10,576 I DON'T KNOW, CHARLIE. 86 00:05:10,576 --> 00:05:12,545 YOU'LL FIGURE IT OUT. COME ON. 87 00:05:12,545 --> 00:05:13,679 LET'S GO BACK UPSTAIRS. 88 00:05:13,679 --> 00:05:15,114 ALL RIGHT, PUT THOSE 2 PIECES TOGETHER. 89 00:05:15,114 --> 00:05:16,982 I'LL LOOK AT THEM AFTER LUNCH. 90 00:05:16,982 --> 00:05:18,016 YEAH. 91 00:05:18,016 --> 00:05:20,453 MR. DARIN, DAVID SAID I'D GET A FEW MINUTES TODAY. 92 00:05:20,453 --> 00:05:22,355 DO YOU MIND IF WE DO THIS NOW? 93 00:05:22,355 --> 00:05:23,122 HE'S BUSY. 94 00:05:23,122 --> 00:05:24,223 MR. DARIN, NOBODY'S EVER DONE 95 00:05:24,223 --> 00:05:26,359 SOMETHING QUITE LIKE THIS BEFORE ABOUT THEIR OWN LIFE. 96 00:05:26,359 --> 00:05:28,761 SURE THEY HAVE. IT'S A SELF-PORTRAIT ON FILM. 97 00:05:28,761 --> 00:05:29,662 DO YOU REALLY THINK 98 00:05:29,662 --> 00:05:31,897 YOU COULD BE OBJECTIVE ABOUT YOUR OWN LIFE? 99 00:05:31,897 --> 00:05:33,632 LISTEN, THIS GUY WAS RAISED 100 00:05:33,632 --> 00:05:34,533 TO ALWAYS TELL THE TRUTH, 101 00:05:34,533 --> 00:05:36,836 AND THAT'S WHAT HE'S DOING WITH THIS STORY. 102 00:05:36,836 --> 00:05:38,404 I'M SORRY. WHO ARE YOU? 103 00:05:38,404 --> 00:05:39,572 I'M HIS BROTHER-IN-LAW. 104 00:05:39,572 --> 00:05:41,407 SO YOU MESS WITH HIM, YOU MESS WITH ME! 105 00:05:41,407 --> 00:05:42,808 I'M NOT MESSING WITH ANYONE, SIR, 106 00:05:42,808 --> 00:05:43,876 BUT AS LONG AS WE'RE BEING HONEST, 107 00:05:43,876 --> 00:05:47,446 ISN'T THE REAL TRUTH HE'S TOO OLD TO PLAY THIS PART? 108 00:05:47,446 --> 00:05:48,914 HE WAS BORN TO PLAY THE PART, 109 00:05:48,914 --> 00:05:50,616 AND YOU DAMN WELL KNOW IT! 110 00:05:50,616 --> 00:05:53,920 GET OUT OF HERE! 111 00:05:58,457 --> 00:05:59,324 THANKS, CHARLIE. 112 00:05:59,324 --> 00:06:01,394 THAT'S JUST CRAP! HOW CAN YOU BE TOO OLD 113 00:06:01,394 --> 00:06:04,397 TO PLAY YOURSELF? COME ON! LET'S GET STARTED. 114 00:06:04,397 --> 00:06:07,533 OK, EVERYBODY, I WANT TO CHANGE THE OPENING. 115 00:06:07,533 --> 00:06:08,834 WHAT? WHAT? WHY, BOBBY? 116 00:06:08,834 --> 00:06:10,703 BECAUSE WE CAN'T START WITH MACK. 117 00:06:10,703 --> 00:06:11,837 WE BLOW OUR WAD TOO SOON. 118 00:06:11,837 --> 00:06:14,740 OPENING WITH MACK IS BRAVE. 119 00:06:14,740 --> 00:06:18,811 IT SAYS, "YOU WANT ME? FUCK YOU! HERE I AM." 120 00:06:18,811 --> 00:06:20,146 NO. IT'S WRONG. 121 00:06:20,146 --> 00:06:21,881 BOBBY, LET'S JUST DO HELLO, YOUNG LOVERS. 122 00:06:21,881 --> 00:06:24,583 BOBBY, WHY DON'T YOU START WHERE YOU GOT SICK? 123 00:06:24,583 --> 00:06:26,485 NINA, IT'S HIS STORY. LET HIM WORK IT OUT. 124 00:06:26,485 --> 00:06:28,053 NO. DON'T TRY AND SHUT ME UP, 125 00:06:28,053 --> 00:06:29,688 BECAUSE I KNOW WHAT'S IMPORTANT HERE. 126 00:06:29,688 --> 00:06:31,724 EVERYTHING STARTS WHEN HE GOT SICK. 127 00:06:31,724 --> 00:06:34,093 NINA, PLEASE. DON'T. DON'T. DON'T. 128 00:06:34,093 --> 00:06:35,995 NO, I ACTUALLY THINK WE SHOULD START 129 00:06:35,995 --> 00:06:37,496 WHEN THEY BOOED ME OFF THE STAGE. 130 00:06:37,496 --> 00:06:38,998 JESUS CHRIST. NOBODY'S GOING TO COME 131 00:06:38,998 --> 00:06:40,466 SEE YOU GET BOOED OFF THE STAGE. 132 00:06:40,466 --> 00:06:42,735 STICK WITH THE HITS. THAT'S WHAT SELLS. 133 00:06:42,735 --> 00:06:43,736 HOW DO YOU KNOW 134 00:06:43,736 --> 00:06:45,671 WHAT PEOPLE ARE GOING TO COME TO SEE, BOOM-BOOM? 135 00:06:45,671 --> 00:06:47,606 WHEN DID YOU BECOME THE BIG EXPERT? 136 00:06:47,606 --> 00:06:49,074 NINA. YOU TELL HIM, BOBBY. 137 00:06:49,074 --> 00:06:50,142 EXCUSE ME. AS LONG AS I'VE KNOWN YOU, 138 00:06:50,142 --> 00:06:53,746 AS FAR AS YOU'RE CONCERNED, I AM THE EXPERT. 139 00:06:53,746 --> 00:06:56,983 Boy: BULLSHIT! 140 00:07:02,621 --> 00:07:03,422 WHO'S THAT? 141 00:07:03,422 --> 00:07:05,224 THAT'S THE KID PLAYING HIM AS A KID. 142 00:07:05,224 --> 00:07:06,225 HEY, GET DOWN FROM THERE, KID! 143 00:07:06,225 --> 00:07:08,561 I'LL SORT THIS OUT. WE'RE NOT READY FOR YOU YET. 144 00:07:08,561 --> 00:07:12,598 WAIT, WAIT, GUYS. I WANT TO HEAR WHAT HE HAS TO SAY. 145 00:07:12,598 --> 00:07:15,134 JESUS CHRIST! 146 00:07:16,068 --> 00:07:17,803 WHAT DID YOU JUST SAY, KID? 147 00:07:17,803 --> 00:07:20,506 I SAID THAT'S BULLSHIT. 148 00:07:20,506 --> 00:07:21,340 WHAT'S BULLSHIT? 149 00:07:21,340 --> 00:07:23,476 THAT YOU KNOW HIM BETTER THAN ANYBODY. 150 00:07:23,476 --> 00:07:26,011 THAT'S GREAT. WE GET A MINIATURE VERSION OF YOU, 151 00:07:26,011 --> 00:07:30,015 AND HE'S A METHOD ACTOR. I NEED A DRINK. 152 00:07:30,015 --> 00:07:31,217 IT LOOKS JUST LIKE HIM. 153 00:07:31,217 --> 00:07:32,852 I KNOW. IT LOOKS LIKE HIM. 154 00:07:32,852 --> 00:07:33,886 [CHARLIE LAUGHING] 155 00:07:33,886 --> 00:07:35,588 I'LL BE BACK. 156 00:07:35,588 --> 00:07:37,990 HERE WE GO AGAIN. 157 00:07:49,602 --> 00:07:52,271 SO...YOU'RE PLAYING ME? 158 00:07:52,271 --> 00:07:53,806 I AM YOU. 159 00:07:53,806 --> 00:07:56,675 YOU THINK YOU GOT ME DOWN? 160 00:07:56,675 --> 00:07:58,944 I KNOW YOU BETTER THAN THEY DO. 161 00:07:58,944 --> 00:08:00,546 WE COULD DO THIS A HUNDRED TIMES, 162 00:08:00,546 --> 00:08:02,014 IT WOULD NEVER BE GOOD ENOUGH FOR HIM. 163 00:08:02,014 --> 00:08:03,749 IT'S ONE THING IF HE WANTS TO YELL AT ME, 164 00:08:03,749 --> 00:08:05,751 BUT WHEN HE STARTS IN ON THE GUYS, THAT'S ANOTHER. 165 00:08:05,751 --> 00:08:07,253 THEY'VE BEEN WORKING THEIR ASSES OFF FOR HIM. 166 00:08:07,253 --> 00:08:10,590 YEAH. I'VE NEVER WORKED WITH SUCH AN ARROGANT ASSHOLE. 167 00:08:11,590 --> 00:08:12,758 LISTEN, YOU PRICK. 168 00:08:12,758 --> 00:08:14,827 THERE ARE 4 PEOPLE AROUND HERE 169 00:08:14,827 --> 00:08:17,062 WHO CAN'T BE FIRED! YOU'RE NOT ONE OF THEM! 170 00:08:17,062 --> 00:08:18,731 HE MIGHT BE AN ASSHOLE... 171 00:08:18,731 --> 00:08:21,200 Together: BUT HE'S OUR ASSHOLE! 172 00:08:23,536 --> 00:08:27,573 LOOK. HE FINALLY FOUND HIMSELF. 173 00:08:27,573 --> 00:08:30,576 SO HOW DO YOU THINK WE SHOULD START? 174 00:08:30,576 --> 00:08:34,747 YOU WANT SOME TRUTH? I'LL GIVE YOU SOME TRUTH. 175 00:08:34,747 --> 00:08:36,616 [SNAP] 176 00:08:44,723 --> 00:08:47,526 [CHILDREN SHOUTING AND LAUGHING] 177 00:08:51,564 --> 00:08:54,633 Bobby, narrating: THE KID IS RIGHT. 178 00:08:54,633 --> 00:08:56,802 THIS IS HOW TO BEGIN-- 179 00:08:56,802 --> 00:08:58,571 ON THE STREET WHERE I GREW UP 180 00:08:58,571 --> 00:09:01,874 WITH MY SISTER NINA, MY BROTHER-IN-LAW CHARLIE, 181 00:09:01,874 --> 00:09:06,745 AND TO ME, THE GREATEST IN THE WORLD, MY MOTHER POLLY. 182 00:09:06,745 --> 00:09:11,183 MRS. CASSOTTO, I'M SORRY TO HAVE TO TELL YOU... 183 00:09:11,183 --> 00:09:13,252 THE BOY HAS RHEUMATIC FEVER. 184 00:09:13,252 --> 00:09:14,286 WHAT IS IT? 185 00:09:14,286 --> 00:09:15,921 IT'S A STREP INFECTION. 186 00:09:15,921 --> 00:09:17,923 WHY IS IT SO PAINFUL? 187 00:09:17,923 --> 00:09:20,125 RHEUMATIC FEVER DAMAGES THE HEART. 188 00:09:20,125 --> 00:09:23,729 IT AFFECTS THE JOINTS AND THE MUSCLES, TOO. 189 00:09:23,729 --> 00:09:25,030 SO, WHAT DO WE DO, DOCTOR? 190 00:09:25,030 --> 00:09:26,365 HOW DO I MAKE HIM FEEL BETTER? 191 00:09:26,365 --> 00:09:29,101 JUST MAKE HIM AS COMFORTABLE AS POSSIBLE. 192 00:09:29,101 --> 00:09:31,070 JUST TELL US THE TRUTH. 193 00:09:31,070 --> 00:09:34,306 YOU CAN NEVER GO WRONG WITH THE TRUTH. 194 00:09:34,306 --> 00:09:39,244 EVEN WITH THE BEST MEDICAL CARE IN THE WORLD, 195 00:09:39,244 --> 00:09:44,317 THE BOY WILL BE LUCKY TO SEE HIS 15th BIRTHDAY. 196 00:09:47,019 --> 00:09:49,322 [BOY COUGHS] 197 00:09:51,657 --> 00:09:53,359 Charlie: COME SIT DOWN, DOCTOR. 198 00:09:53,359 --> 00:09:56,161 WHAT ARE YOU DOING? COME ON, BOBBY. 199 00:09:56,161 --> 00:09:59,832 THE SILLY MAN DOESN'T KNOW WHAT HE'S TALKING ABOUT. 200 00:09:59,832 --> 00:10:03,902 COME ON. LET'S GET YOU BACK INTO BED. 201 00:10:03,902 --> 00:10:07,039 MAMA, TELL ME ABOUT MY FATHER. 202 00:10:07,039 --> 00:10:09,274 YOU KNOW ALL ABOUT YOUR FATHER. 203 00:10:09,274 --> 00:10:10,909 YOU JUST REST NOW. 204 00:10:10,909 --> 00:10:14,780 BUT I'D LIKE TO HEAR YOU TELL IT. 205 00:10:15,881 --> 00:10:17,016 WELL... 206 00:10:17,016 --> 00:10:21,220 SAM CASSOTTO WAS AN IMPORTANT MAN. 207 00:10:21,220 --> 00:10:23,889 HE WAS A CABINETMAKER, 208 00:10:23,889 --> 00:10:27,393 BUT THEN HE STARTED WORKING FOR ANOTHER MAN. 209 00:10:27,393 --> 00:10:29,261 WHO WAS A GANGSTER? 210 00:10:29,261 --> 00:10:34,299 WALDEN ROBERT CASSOTTO! HE WAS A BUSINESSMAN. 211 00:10:34,299 --> 00:10:36,769 I THOUGHT YOU SAID YOU COULD NEVER 212 00:10:36,769 --> 00:10:39,672 GO WRONG WITH THE TRUTH. 213 00:10:40,339 --> 00:10:42,441 ALL RIGHT. HE WAS A GANGSTER. 214 00:10:42,441 --> 00:10:46,045 BUT HE NEVER DID ANYTHING FOR THIS FAMILY. 215 00:10:46,045 --> 00:10:49,348 BUT YOUR FATHER, SAM CASSOTTO... 216 00:10:49,348 --> 00:10:54,353 HE WAS A LOYAL AND GOOD MAN. 217 00:10:54,353 --> 00:11:00,192 AND HE WOULD HAVE BEEN SO PROUD OF YOU. 218 00:11:05,464 --> 00:11:07,700 KEEP THE NOISE DOWN, ALL RIGHT? 219 00:11:07,700 --> 00:11:09,935 I WANT IT TO BE A SURPRISE. 220 00:11:09,935 --> 00:11:11,937 DON'T WAKE THE KID. UNDERSTAND? 221 00:11:11,937 --> 00:11:13,372 [HORN HONKING] 222 00:11:13,372 --> 00:11:15,207 HEY, YOU WAKE MY KID, 223 00:11:15,207 --> 00:11:18,911 I'M GONNA STICK THAT HORN UP YOUR FAT ASS! 224 00:11:18,911 --> 00:11:20,379 GO CHASE YOURSELF! 225 00:11:20,379 --> 00:11:23,082 [PIANO PLAYING] 226 00:11:50,476 --> 00:11:53,479 ♪ UP A LAZY RIVER BY THE OLD MILL RUN ♪ 227 00:11:53,479 --> 00:11:58,150 ♪ LAZY, LAZY RIVER IN THE NOONDAY SUN ♪ 228 00:11:58,150 --> 00:12:02,221 ♪ LINGER AWHILE IN THE SHADE OF THE TREE ♪ 229 00:12:02,221 --> 00:12:06,859 ♪ THROW AWAY YOUR TROUBLES, DREAM A DREAM OF ME ♪ 230 00:12:06,859 --> 00:12:09,328 YOU KNOW, BEFORE YOUR SISTER WAS BORN, 231 00:12:09,328 --> 00:12:12,064 THIS IS WHAT YOUR MAMA DID FOR A LIVING. 232 00:12:12,064 --> 00:12:15,134 MUSIC OPENED A WHOLE NEW WORLD TO ME. 233 00:12:15,134 --> 00:12:17,069 NO MATTER HOW BAD I FEEL, 234 00:12:17,069 --> 00:12:19,171 NO MATTER HOW SAD OR SICK I AM, 235 00:12:19,171 --> 00:12:21,907 I JUST TOUCH THESE KEYS, AND POOF! 236 00:12:21,907 --> 00:12:25,210 LIKE MAGIC, I ALWAYS SEEM TO FEEL BETTER. 237 00:12:25,210 --> 00:12:27,813 I'VE ALWAYS KNOWN YOU HAD TALENT, BOBBY. 238 00:12:27,813 --> 00:12:32,017 THIS PIANO IS FOR YOU. CHARLIE WORKED HARD FOR IT. 239 00:12:32,017 --> 00:12:34,319 SEE, GOD WOULDN'T HAVE MADE YOU SUFFER SO MUCH 240 00:12:34,319 --> 00:12:38,056 IF HE WEREN'T GOING TO MAKE UP FOR IT LATER. 241 00:12:38,056 --> 00:12:42,227 ♪ HOW HAPPY YOU CAN BE ♪ 242 00:12:42,227 --> 00:12:45,831 ♪ UP A LAZY RIVER ♪ 243 00:12:45,831 --> 00:12:47,366 ♪ WITH ME ♪ 244 00:12:47,366 --> 00:12:50,869 [PLAYING NOTE] 245 00:12:50,869 --> 00:12:53,506 [PLAYING MELODY] 246 00:13:02,281 --> 00:13:05,184 Bobby, narrating: MAMA WAS RIGHT ABOUT MUSIC. 247 00:13:05,184 --> 00:13:07,986 IT OPENED A WHOLE NEW WORLD TO ME, 248 00:13:07,986 --> 00:13:10,088 OUTSIDE OF TIME AND ILLNESS, 249 00:13:10,088 --> 00:13:12,991 A WORLD I COULD LIVE IN. 250 00:13:12,991 --> 00:13:17,095 ♪ THROW AWAY YOUR TROUBLES, BABY ♪ 251 00:13:17,095 --> 00:13:22,968 ♪ DREAM A DREAM WITH ME ♪ 252 00:13:32,177 --> 00:13:36,115 ♪ UP A LAZY RIVER WITH ME ♪ 253 00:13:36,982 --> 00:13:38,951 I KNEW THEN IF I COULD LIVE TO 10, 254 00:13:38,951 --> 00:13:42,487 MAYBE I'D MAKE IT TO 15 AND THEN MAYBE 20. 255 00:13:42,487 --> 00:13:44,022 AND FROM THEN ON, MUSIC WAS 256 00:13:44,022 --> 00:13:46,425 THE MOST IMPORTANT THING IN MY LIFE. 257 00:13:47,860 --> 00:13:49,361 MAMA TAUGHT ME ALL THE MOVES 258 00:13:49,361 --> 00:13:51,096 AND DANCES SHE HAD LEARNED IN VAUDEVILLE 259 00:13:51,096 --> 00:13:52,464 THAT MADE THE GREATS STAND OUT. 260 00:13:52,464 --> 00:13:55,467 I WOULD SPEND MOST DAYS IN BED WITH FEVER, 261 00:13:55,467 --> 00:13:59,238 BUT WHEN I HAD THE STRENGTH, MAMA AND I WOULD PRACTICE 262 00:13:59,238 --> 00:14:01,373 AND PRACTICE AND PRACTICE 263 00:14:01,373 --> 00:14:06,345 UNTIL WE CREATED WHAT SHE CALLED A PLAN. 264 00:14:06,345 --> 00:14:10,282 [ORCHESTRA PLAYING LAZY RIVER] 265 00:14:28,634 --> 00:14:34,206 [PLAYING RANDOM NOTES] 266 00:14:35,040 --> 00:14:37,676 SOON I WOULD BE OLD ENOUGH TO HEAD TO NEW YORK, 267 00:14:37,676 --> 00:14:40,646 BUT MAMA HAD ONE MORE LESSON TO TEACH. 268 00:14:40,646 --> 00:14:43,415 FROM THE HALFWAY MARK... 269 00:14:43,415 --> 00:14:46,585 TO BE A STAR, A BIG STAR, 270 00:14:46,585 --> 00:14:49,922 YOU'VE GOT TO BE TALENTED, OBVIOUSLY, 271 00:14:49,922 --> 00:14:52,190 BUT YOU'VE GOT TO BE TENACIOUS, 272 00:14:52,190 --> 00:14:55,560 HAVE CHARISMA, BUT MOST IMPORTANTLY, 273 00:14:55,560 --> 00:14:58,463 YOU'VE GOT TO HAVE IT, 274 00:14:58,463 --> 00:15:01,300 THE GREAT INTANGIBLE. 275 00:15:01,300 --> 00:15:03,568 AND YOU'VE GOT IT ALL, BOBBY. 276 00:15:03,568 --> 00:15:06,071 YOU'RE GONNA BE BIGGER THAN SINATRA. 277 00:15:06,071 --> 00:15:08,507 I'D SETTLE FOR A LITTLE JOLSON, 278 00:15:08,507 --> 00:15:10,409 MAMA, MAMA, MAMA. 279 00:15:10,409 --> 00:15:14,713 ♪ WE'LL HAVE BLUE SKIES UP ABOVE ♪ 280 00:15:14,713 --> 00:15:18,650 ♪ FOR AS LONG AS WE'RE IN LOVE ♪ 281 00:15:18,650 --> 00:15:22,554 ♪ WE'LL BE UP A LAZY RIVER ♪ 282 00:15:22,554 --> 00:15:27,092 ♪ UP A CRAZY, LAZY RIVER ♪ 283 00:15:27,092 --> 00:15:29,995 ♪ UP A LAZY RIVER ♪ 284 00:15:29,995 --> 00:15:33,298 ♪ I AIN'T GOING YOUR WAY ♪ 285 00:15:33,298 --> 00:15:37,269 ♪ GET OUT OF MY WAY ♪ 286 00:15:37,269 --> 00:15:46,378 ♪ UP A LAZY RIVER WITH ME ♪ 287 00:15:48,747 --> 00:15:51,283 [SHOUTING EXCITEDLY] 288 00:15:54,453 --> 00:15:56,388 Bobby: SO, PART OF MAMA'S PLAN WAS-- 289 00:15:56,388 --> 00:15:59,024 Young Bobby: WAIT A MINUTE. WAIT A MINUTE. 290 00:15:59,024 --> 00:16:00,025 Bobby: WHAT? 291 00:16:00,025 --> 00:16:02,327 YOU DIDN'T GO DANCING DOWN THE STREET LIKE THAT. 292 00:16:02,327 --> 00:16:06,031 I KNOW. IT'S A FANTASY SEQUENCE. 293 00:16:06,031 --> 00:16:07,566 BUT IT'S NOT REAL. 294 00:16:07,566 --> 00:16:08,467 FORGET REAL. 295 00:16:08,467 --> 00:16:12,404 LISTEN, KID. MEMORIES ARE LIKE MOONBEAMS. 296 00:16:12,404 --> 00:16:15,407 WE DO WITH THEM WHAT WE WANT. 297 00:16:15,407 --> 00:16:19,011 OH. OK, THEN. GO ON. 298 00:16:19,011 --> 00:16:22,547 I'LL BE AROUND WHEN YOU NEED ME. 299 00:16:22,547 --> 00:16:25,150 SO, PART OF MAMA'S PLAN WAS TO SURROUND MYSELF WITH THE BEST. 300 00:16:25,150 --> 00:16:28,420 SO I NOW HAD A MANAGER WHO HAD NEVER MANAGED, 301 00:16:28,420 --> 00:16:29,588 STEVE "BOOM-BOOM" BLAUNER; 302 00:16:29,588 --> 00:16:33,258 A PUBLIC RELATIONS GUY WHO HAD NEVER RELATED TO THE PUBLIC, 303 00:16:33,258 --> 00:16:34,426 DAVID GERSHENSON; 304 00:16:34,426 --> 00:16:37,629 DICK BEHRKE, WHO HAD ONLY CONDUCTED THE HIGH-SCHOOL BAND; 305 00:16:37,629 --> 00:16:43,235 AND MY BROTHER-IN-LAW CHARLIE, A GARBAGEMAN, AS MY VALET. 306 00:16:50,642 --> 00:16:53,278 NOT IN THE SCHOOL BAND NOW, HUH, BOBBY? 307 00:16:53,278 --> 00:16:55,647 LET ME TELL YOU, WHEN YOU COME FROM NOTHING 308 00:16:55,647 --> 00:16:56,648 LIKE US, LIKE HIM, 309 00:16:56,648 --> 00:16:59,418 THEN YOU'RE DESTINED TO MAKE A NAME FOR YOURSELF, 310 00:16:59,418 --> 00:17:01,787 AND WE WILL, RICHIE. WE WILL. 311 00:17:01,787 --> 00:17:02,821 DRIVE OVER THERE. 312 00:17:02,821 --> 00:17:04,589 DRIVE OVER TO THOSE FRIGGIN' GIRLS. 313 00:17:04,589 --> 00:17:06,425 GO ON! GO ON! GO ON! GO ON! 314 00:17:06,425 --> 00:17:08,293 HEY, GIRLS! YOU WANT TO SEE A REAL STAR? 315 00:17:08,293 --> 00:17:10,729 SO WHILE SINATRA WAS PLAYING A SELLOUT AT THE COPA, 316 00:17:10,729 --> 00:17:12,697 WALDEN ROBERT CASSOTTO WOULD PLAY 317 00:17:12,697 --> 00:17:14,833 ANYPLACE THAT WOULD BOOK HIM-- 318 00:17:14,833 --> 00:17:16,568 BAR MITZVAHS, WEDDINGS, 319 00:17:16,568 --> 00:17:18,403 AND A FEW DIVES ON LONG ISLAND. 320 00:17:18,403 --> 00:17:20,572 ♪ GOT TO JUMP DOWN, SPIN AROUND, AND PICK A BALE OF COTTON ♪ 321 00:17:20,572 --> 00:17:23,208 ♪ GOT TO JUMP DOWN, SPIN AROUND, AND PICK A BALE A DAY ♪ 322 00:17:23,208 --> 00:17:24,643 ♪ I SAW A SKEETER AROUND MY HEAD ♪ 323 00:17:24,643 --> 00:17:27,212 ♪ SHOOT A TIN PAIL, IT'D STILL BEEN DEAD ♪ 324 00:17:27,212 --> 00:17:29,815 ♪ BUT I JUMP DOWN, SPIN AROUND, AND PICK-- ♪ 325 00:17:29,815 --> 00:17:31,349 YOU AIN'T NO SINATRA. 326 00:17:31,349 --> 00:17:32,383 STOP. STOP. 327 00:17:32,383 --> 00:17:34,352 THEY'RE LAZY, RICHIE! THEY DON'T LIKE TO REHEARSE! 328 00:17:34,352 --> 00:17:35,821 THEY DON'T GET BETTER WHEN THEY DO! 329 00:17:35,821 --> 00:17:37,489 THEY'RE WASTING MY GODDAMN TIME! 330 00:17:37,489 --> 00:17:38,690 IT'S ONLY THE SAFARI CLUB. 331 00:17:38,690 --> 00:17:41,226 I DON'T CARE WHERE IT IS! WE KNOW 3 SONGS. 332 00:17:41,226 --> 00:17:43,128 THEY CAN'T KEEP PACE WITH 2 OF THEM. 333 00:17:43,128 --> 00:17:44,362 BOBBY, LAST WEEK, YOU DIDN'T KNOW 334 00:17:44,362 --> 00:17:46,465 WHAT AN F-SHARP WAS. NOW YOU'RE THE BIG EXPERT? 335 00:17:46,465 --> 00:17:47,232 YEAH, I AM! 336 00:17:47,232 --> 00:17:49,101 BOBBY, YOU'RE THE ONE THAT CALLED 337 00:17:49,101 --> 00:17:50,435 THE SAFARI CLUB A DISEASE. 338 00:17:50,435 --> 00:17:51,569 I THOUGHT YOU GUYS SOUNDED GREAT. 339 00:17:51,569 --> 00:17:53,338 WE SOUNDED LIKE SHIT, AND THE AUDIENCE DESERVES BETTER. 340 00:17:53,338 --> 00:17:55,140 Bobby, narrating: SO I HAD A HOT HEAD, 341 00:17:55,140 --> 00:17:57,576 A WEAK HEART, AND AN EVEN WORSE STAGE NAME. 342 00:17:57,576 --> 00:17:59,611 WALDEN ROBERT CASSOTTO ISN'T EXACTLY A NAME 343 00:17:59,611 --> 00:18:01,313 YOU COULD SEE ON A MARQUEE. 344 00:18:01,313 --> 00:18:02,481 WELL, MAYBE FOR ONE NIGHT ONLY. 345 00:18:02,481 --> 00:18:05,317 AND ONE OF THE THINGS MOST PERFORMERS WERE DOING BACK THEN 346 00:18:05,317 --> 00:18:07,352 WAS TO FIND A GREAT STAGE NAME, 347 00:18:07,352 --> 00:18:09,287 AND THEN ONE DAY, I SAW IT, 348 00:18:09,287 --> 00:18:14,593 THE PERFECT NAME, JUST BLINKING-- 349 00:18:14,593 --> 00:18:16,862 DARIN. DARIN. 350 00:18:16,862 --> 00:18:18,296 BOBBY DARIN. 351 00:18:18,296 --> 00:18:20,765 AND NO SOONER DID I CHANGE MY NAME 352 00:18:20,765 --> 00:18:23,435 THAN I GOT MY FIRST GIG ON TELEVISION. 353 00:18:23,435 --> 00:18:24,536 [GUITAR PLAYING] 354 00:18:24,536 --> 00:18:27,172 ♪ ON THE ROCK ISLAND LINE, IT'S A MIGHTY GOOD ROAD ♪ 355 00:18:27,172 --> 00:18:29,574 ♪ ROCK ISLAND LINE IS THE ROAD TO RIDE ♪ 356 00:18:29,574 --> 00:18:31,877 ♪ ROCK ISLAND LINE IS A MIGHTY GOOD ROAD... ♪ 357 00:18:31,877 --> 00:18:33,578 UNFORTUNATELY, I DIDN'T KNOW THE LYRICS 358 00:18:33,578 --> 00:18:35,313 TO THE SONG I'D DECIDED TO SING, 359 00:18:35,313 --> 00:18:37,215 SO I HAD TO DEVISE MY OWN METHOD 360 00:18:37,215 --> 00:18:39,584 TO GET THROUGH IT ON LIVE TELEVISION. 361 00:18:39,584 --> 00:18:40,719 ♪ OOH-WEE ♪ 362 00:18:40,719 --> 00:18:42,454 ♪ WELL, IT'S A-B-C ♪ 363 00:18:42,454 --> 00:18:43,422 ♪ W-X-Y-Z ♪ 364 00:18:43,422 --> 00:18:44,523 ♪ CAT'S IN THE CORNER, AND HE DON'T SEE ME ♪ 365 00:18:44,523 --> 00:18:48,160 ♪ ON THE ROCK ISLAND LINE, IT'S A MIGHTY FINE ROAD ♪ 366 00:18:48,160 --> 00:18:50,228 ♪ ROCK ISLAND LINE IS THE ROAD TO RIDE ♪ 367 00:18:50,228 --> 00:18:52,564 ♪ ROCK ISLAND LINE, IT'S A MIGHTY FINE ROAD ♪ 368 00:18:52,564 --> 00:18:54,666 ♪ AND IF YOU WANT TO RIDE... ♪ 369 00:18:54,666 --> 00:18:56,468 DIDN'T WIN ME MANY FANS. 370 00:18:56,468 --> 00:19:06,178 ♪ ON THE ROCK ISLAND LINE ♪ 371 00:19:06,178 --> 00:19:08,180 BUT IT DIDN'T FINISH ME EITHER. 372 00:19:08,180 --> 00:19:09,648 MY RECORD COMPANY WAS GIVING ME 373 00:19:09,648 --> 00:19:11,316 ONE LAST CHANCE TO MAKE A HIT. 374 00:19:11,316 --> 00:19:12,918 BOBBY, IT'S ALL ABOUT THE IMAGE, RIGHT? 375 00:19:12,918 --> 00:19:15,387 ARE YOU STARTING AGAIN? IT'S MY LAST SESSION. 376 00:19:15,387 --> 00:19:16,721 BOBBY, YOU LOOK LIKE SHIT. 377 00:19:16,721 --> 00:19:18,323 I KNOW MY HAIR IS FALLING OUT! 378 00:19:18,323 --> 00:19:19,524 I KNOW IT EVERY GODDAMN DAY. 379 00:19:19,524 --> 00:19:22,194 THE NEXT TIME YOU GO ON TELEVISION, WEAR ONE. 380 00:19:22,194 --> 00:19:23,495 IT LOOKS SO GODDAMN FAKE. 381 00:19:23,495 --> 00:19:24,296 JOHN WAYNE WEARS ONE. 382 00:19:24,296 --> 00:19:26,264 HOW MUCH MORE AUTHENTIC CAN YOU GET? 383 00:19:26,264 --> 00:19:27,131 HUMPHREY BOGART WEARS ONE. 384 00:19:27,131 --> 00:19:29,367 BOGART HAS AN ALBUM COMING OUT, DOES HE? 385 00:19:29,367 --> 00:19:30,335 SINATRA WEARS ONE. 386 00:19:30,335 --> 00:19:33,505 [AS JERRY LEWIS] ALL RIGHT, BOOM-BOOM, YOU WIN! 387 00:19:33,505 --> 00:19:35,240 NOW I HAVE TO GO BACK AND MAKING THE VINYL 388 00:19:35,240 --> 00:19:36,975 AND THE RECORDS AND PUTTING THE WAX IN THE THING 389 00:19:36,975 --> 00:19:39,978 AND MAKING IT GO. LET'S SING THE SONG AGAIN. 390 00:19:39,978 --> 00:19:40,812 HELLO. 391 00:19:40,812 --> 00:19:42,380 DOES THIS SONG MAKE ANY SENSE TO YOU? 392 00:19:42,380 --> 00:19:43,648 IT TAKES PLACE IN A TOILET. 393 00:19:43,648 --> 00:19:44,983 IT'S NOT SUPPOSED TO MAKE ANY SENSE. 394 00:19:44,983 --> 00:19:47,552 MAYBE HE SHOULD BE IN A SHOWER INSTEAD OF THE TUB. 395 00:19:47,552 --> 00:19:49,287 GUYS DON'T TAKE BATHS. 396 00:19:49,287 --> 00:19:50,388 I AGREE. 397 00:19:50,388 --> 00:19:51,990 Bobby: I PUT THE TOWEL-- NO, WAIT, WAIT. 398 00:19:51,990 --> 00:19:53,658 I WRAP THE TOWEL AROUND ME, 399 00:19:53,658 --> 00:19:55,927 AND THEN I JUMP BACK IN THE BATH... 400 00:19:55,927 --> 00:19:57,596 HOW COME HE JUMPS BACK IN THE TUB? 401 00:19:57,596 --> 00:19:58,930 DOESN'T HE KNOW THESE PEOPLE? 402 00:19:58,930 --> 00:20:01,866 WHERE ELSE DO YOU WANT HIM TO GO? 403 00:20:01,866 --> 00:20:03,868 PLAY WITH IT ALL YOU WANT. 404 00:20:03,868 --> 00:20:05,303 JUST KEEP IT TO AN HOUR. 405 00:20:05,303 --> 00:20:08,006 THAT'S ALL THE TIME WE GOT, BOBBY. 406 00:20:08,006 --> 00:20:09,708 HEY, TELL ME SOMETHING. 407 00:20:09,708 --> 00:20:11,676 WHO'S THIS GUY YOM KIPPUR 408 00:20:11,676 --> 00:20:13,745 THEY GOT BOOKED ON FRIDAY? 409 00:20:13,745 --> 00:20:16,681 ♪ SPLISH SPLASH, I WAS TAKING A BATH ♪ 410 00:20:16,681 --> 00:20:20,452 ♪ ALONG ABOUT A SATURDAY NIGHT ♪ 411 00:20:20,452 --> 00:20:22,254 [CHEERING] 412 00:20:22,254 --> 00:20:23,488 ♪ JUST RELAXIN' IN THE TUB ♪ 413 00:20:23,488 --> 00:20:26,024 ♪ THINKIN' EVERYTHING WAS ALL RIGHT ♪ 414 00:20:26,024 --> 00:20:28,793 ♪ WELL, I STEPPED OUT OF THE TUB ♪ 415 00:20:28,793 --> 00:20:30,362 ♪ I PUT MY FEET ON THE FLOOR ♪ 416 00:20:30,362 --> 00:20:32,731 Bobby, narrating: SO I FINALLY DID TOP THE CHARTS 417 00:20:32,731 --> 00:20:34,666 WITH A SONG I WROTE IN 20 MINUTES. 418 00:20:34,666 --> 00:20:36,501 NOW, LISTEN CAREFULLY TO THE LYRICS. 419 00:20:36,501 --> 00:20:39,404 THEY'RE VERY PROFOUND. 420 00:20:39,404 --> 00:20:41,806 [CHEERING] 421 00:20:41,806 --> 00:20:43,775 ♪ REELIN' WITH THE FEELIN' ♪ 422 00:20:43,775 --> 00:20:44,542 LOOK AT THAT! 423 00:20:44,542 --> 00:20:46,444 HE SAID HE'D DO IT, AND HE DID IT! 424 00:20:46,444 --> 00:20:49,681 ♪ OOH, YEAH ♪ 425 00:20:49,681 --> 00:20:51,883 [CHEERING] 426 00:20:51,883 --> 00:20:53,318 HE'S GOING TO BE 427 00:20:53,318 --> 00:20:56,622 THE BIGGEST STAR IN SHOW BUSINESS. 428 00:20:58,890 --> 00:21:02,060 ♪ BING BANG, I SAW THE WHOLE GANG ♪ 429 00:21:02,060 --> 00:21:06,031 ♪ DANCIN' ON MY LIVING ROOM RUG ♪ 430 00:21:06,031 --> 00:21:08,466 ♪ FLIP FLOP, THEY WAS DOING THE BOP ♪ 431 00:21:08,466 --> 00:21:11,736 MA, GET AWAY. I CAN'T SEE HIM. 432 00:21:11,736 --> 00:21:13,772 ♪ THERE WAS LOLLIPOP... ♪ 433 00:21:13,772 --> 00:21:15,006 WHAT'S THAT ON HIS HEAD? 434 00:21:15,006 --> 00:21:18,376 ♪ GOOD GOLLY, MISS MOLLY WAS EVEN THERE, TOO ♪ 435 00:21:18,376 --> 00:21:19,511 WHAT IS IT? 436 00:21:19,511 --> 00:21:22,681 IT'S A TOUPEE, ONE OF THOSE. 437 00:21:22,681 --> 00:21:23,515 [LAUGHTER] 438 00:21:23,515 --> 00:21:27,319 ♪ I WAS A-SPLISHIN' AND A-SPLASHIN' ♪ 439 00:21:27,319 --> 00:21:29,788 ♪ I WAS A-ROLLIN' AND A-STROLLIN' ♪ 440 00:21:29,788 --> 00:21:33,625 ♪ YEAH! I WAS A-MOVIN' AND A-GROOVIN', WHOO! ♪ 441 00:21:33,625 --> 00:21:35,560 Bobby: I WAS A TEEN IDOL FOR ABOUT A MINUTE AND A HALF, 442 00:21:35,560 --> 00:21:39,364 BUT MAMA'S PLAN WAS TO BE BIGGER THAN SINATRA. 443 00:21:39,364 --> 00:21:41,733 I WANTED TO DO THE GREAT STANDARDS, 444 00:21:41,733 --> 00:21:43,368 BUT MY PRODUCER THOUGHT I WAS NUTS 445 00:21:43,368 --> 00:21:44,969 TO TURN MY BACK ON ROCK 'N' ROLL. 446 00:21:44,969 --> 00:21:46,738 BOBBY, TEENAGERS AREN'T GOING TO BUY 447 00:21:46,738 --> 00:21:48,340 AN ALBUM OF YOU SINGING STANDARDS. 448 00:21:48,340 --> 00:21:49,941 AHMET, YOU'RE TALKING OUT OF YOUR ASS AGAIN. 449 00:21:49,941 --> 00:21:51,910 HOW DO YOU KNOW WHAT TEENAGERS ARE GOING TO BUY? 450 00:21:51,910 --> 00:21:53,678 WHAT DO YOU GOT, A CRYSTAL BALL BACK THERE? 451 00:21:53,678 --> 00:21:55,013 I'VE BEEN IN THIS BUSINESS LONG ENOUGH 452 00:21:55,013 --> 00:21:56,881 TO KNOW THAT YOU DON'T CHANGE YOUR IMAGE 453 00:21:56,881 --> 00:21:58,083 WHEN YOU'RE HOT LIKE THIS. 454 00:21:58,083 --> 00:21:59,551 OK, THEN YOU'RE RIGHT. YOU KNOW WHAT? 455 00:21:59,551 --> 00:22:01,519 I DON'T WANT TEENAGERS TO BE MY ONLY AUDIENCE. 456 00:22:01,519 --> 00:22:02,620 SO THAT'S PERFECT. 457 00:22:02,620 --> 00:22:04,522 WHY CAN'T YOU BE SATISFIED? YOU JUST DID BANDSTAND! 458 00:22:04,522 --> 00:22:06,124 BANDSTAND IS MOSTLY FOR KIDS. AHMET, I WANT THE COPA! 459 00:22:06,124 --> 00:22:07,759 WITH ROCK-AND-ROLL, THERE'S, LIKE, 460 00:22:07,759 --> 00:22:09,394 A THOUSAND OTHER GUYS OUT THERE, 461 00:22:09,394 --> 00:22:10,762 AND YOU GODDAMN WELL KNOW IT! 462 00:22:10,762 --> 00:22:12,030 I'VE GOT TO PROVE I CAN SING. 463 00:22:12,030 --> 00:22:13,565 I WANT IT ALL. I WANT THE MAJOR LEAGUES. 464 00:22:13,565 --> 00:22:15,633 I WANT NIGHTCLUBS. I WANT VEGAS, MOVIES, TV. 465 00:22:15,633 --> 00:22:17,669 THIS ALBUM WILL MAKE IT HAPPEN, ALL, FAST, 466 00:22:17,669 --> 00:22:19,137 FASTER THAN YOU CAN IMAGINE. 467 00:22:19,137 --> 00:22:21,039 YOU DON'T HAVE TO PROVE ANYTHING! 468 00:22:21,039 --> 00:22:22,640 YOU'RE A STAR ALREADY! 469 00:22:22,640 --> 00:22:24,843 IS THAT WHAT YOU THINK, AHMET? 470 00:22:24,843 --> 00:22:25,644 OF COURSE! 471 00:22:25,644 --> 00:22:28,980 HANG ON A SECOND. HEY, KID! HANG ON. 472 00:22:28,980 --> 00:22:30,014 KID! KID! 473 00:22:30,014 --> 00:22:31,483 I DON'T HAVE TIME FOR THIS, BOBBY. 474 00:22:31,483 --> 00:22:33,051 COME HERE. I JUST GOT A QUESTION. 475 00:22:33,051 --> 00:22:34,719 WILL YOU DO ME A FAVOR? 476 00:22:34,719 --> 00:22:36,521 WILL YOU LOOK AT ME? 477 00:22:36,521 --> 00:22:37,422 WHAT? 478 00:22:37,422 --> 00:22:38,723 JUST LOOK AT ME. 479 00:22:38,723 --> 00:22:40,392 DO YOU KNOW ME? 480 00:22:40,392 --> 00:22:41,025 WHAT? 481 00:22:41,025 --> 00:22:42,494 DO YOU RECOGNIZE ME? 482 00:22:42,494 --> 00:22:44,896 WHAT ARE YOU TALKING ABOUT? 483 00:22:44,896 --> 00:22:46,765 DO I LOOK FAMILIAR TO YOU? 484 00:22:46,765 --> 00:22:47,733 NO, YOU DON'T. I DON'T KNOW YOU. 485 00:22:47,733 --> 00:22:50,969 WOULD YOU LEAVE ME ALONE, YOU CRAZY BASTARDS? 486 00:22:50,969 --> 00:22:52,670 I GOT THINGS TO DO. 487 00:22:52,670 --> 00:22:54,773 THANKS, PAL. 488 00:22:57,542 --> 00:23:00,512 AHMET, WHEN THE DELIVERY GUY KNOWS ME, 489 00:23:00,512 --> 00:23:01,546 THEN I'M A STAR. 490 00:23:01,546 --> 00:23:07,452 ♪ THEY FOUND LITTLE ANNIE ALL COVERED WITH ICE ♪ 491 00:23:07,452 --> 00:23:12,757 ♪ STILL CLUTCHING HER POOR FROZEN SHEARS ♪ 492 00:23:12,757 --> 00:23:18,196 ♪ AMIDST ALL THE BLOSSOMS SHE HAD FASHIONED BY HAND ♪ 493 00:23:18,196 --> 00:23:23,802 ♪ AND WATERED WITH ALL HER YOUNG TEARS ♪ 494 00:23:23,802 --> 00:23:29,507 ♪ THERE MUST BE A HEAVEN WHERE LITTLE ANNIE CAN PLAY ♪ 495 00:23:29,507 --> 00:23:33,912 ♪ IN HEAVENLY GARDENS AND BOWERS ♪ 496 00:23:33,912 --> 00:23:37,182 ♪ AND INSTEAD OF A HALO ♪ 497 00:23:37,182 --> 00:23:39,717 ♪ SHE'LL WEAR ROUND HER HEAD ♪ 498 00:23:39,717 --> 00:23:45,023 ♪ A GARLAND OF GENUINE FLOWERS ♪ 499 00:23:45,023 --> 00:23:47,659 ♪ NO MORE ARTIFICIAL FLOWERS ♪ 500 00:23:47,659 --> 00:23:51,496 ♪ THROW AWAY THOSE ARTIFICIAL FLOWERS ♪ 501 00:23:51,496 --> 00:23:55,200 ♪ FLOWERS FOR LADIES OF SOCIETY TO WEAR ♪ 502 00:23:55,200 --> 00:23:59,737 ♪ THROW AWAY THOSE ARTIFICIAL FLOWERS ♪ 503 00:23:59,737 --> 00:24:02,240 ♪ THOSE DUM-DUM FLOWERS ♪ 504 00:24:02,240 --> 00:24:07,212 ♪ FASHIONED FROM ANNIE'S ♪ 505 00:24:07,212 --> 00:24:16,154 ♪ FASHIONED FROM ANNIE'S DESPAIR ♪ 506 00:24:19,791 --> 00:24:21,593 GIVE HER THE REAL THING. 507 00:24:21,593 --> 00:24:23,661 [APPLAUSE AND CHEERS] 508 00:24:23,661 --> 00:24:25,764 [TELEPHONE RINGING] 509 00:24:28,032 --> 00:24:31,069 Polly: CYPRESS 2672. 510 00:24:31,069 --> 00:24:34,706 BOBBY, YOU'RE TO REMEMBER THIS NUMBER. 511 00:24:34,706 --> 00:24:40,111 ANYTIME, IF YOU NEED ME, NO MATTER WHERE YOU GO, 512 00:24:40,111 --> 00:24:45,583 YOU CALL CYPRESS 2672. 513 00:24:45,583 --> 00:24:47,819 YOU HAVE TO ANSWER IT. 514 00:24:47,819 --> 00:24:49,687 YOU HAVE TO TELL WHAT HAPPENS NEXT. 515 00:24:49,687 --> 00:24:50,989 HEY, NINA, HOW'S IT GOING? 516 00:24:50,989 --> 00:24:53,958 Nina: HONEY, I'VE GOT TO TELL YOU SOMETHING. 517 00:24:53,958 --> 00:24:55,059 WHAT? 518 00:24:55,059 --> 00:24:56,160 [CRYING] 519 00:24:56,160 --> 00:24:59,064 [JAZZ BAND PLAYING UP A LAZY RIVER] 520 00:25:40,772 --> 00:25:47,646 [DRUMMER TAPPING OPENING TO SONG] 521 00:25:53,885 --> 00:25:55,920 GO AHEAD. 522 00:25:55,920 --> 00:25:58,823 YOU HAVE TO GO. 523 00:25:58,823 --> 00:26:02,226 DON'T WORRY ABOUT ME. 524 00:26:02,226 --> 00:26:03,728 I CAN'T. 525 00:26:03,728 --> 00:26:06,565 YOU HAVE TO. 526 00:26:11,936 --> 00:26:14,806 ♪ OH, THE SHARK, BABE ♪ 527 00:26:14,806 --> 00:26:17,742 ♪ HAS SUCH TEETH, DEAR ♪ 528 00:26:17,742 --> 00:26:23,114 ♪ AND HE SHOWS THEM PEARLY-WHITE ♪ 529 00:26:23,114 --> 00:26:25,650 ♪ JUST A JACKKNIFE ♪ 530 00:26:25,650 --> 00:26:29,087 ♪ HAS OLD MacHEATH, BABE ♪ 531 00:26:29,087 --> 00:26:33,958 ♪ AND HE KEEPS IT OUT OF SIGHT ♪ 532 00:26:33,958 --> 00:26:37,328 ♪ YOU KNOW, WHEN THAT SHARK BITES ♪ 533 00:26:37,328 --> 00:26:38,362 ♪ WITH HIS TEETH, BABE ♪ 534 00:26:38,362 --> 00:26:42,800 MAMA, I THINK THIS IS WHAT WE'VE BEEN LOOKING FOR. 535 00:26:42,800 --> 00:26:45,770 ♪ ...START TO SPREAD ♪ 536 00:26:45,770 --> 00:26:46,871 [APPLAUSE] 537 00:26:46,871 --> 00:26:53,044 Ed Sullivan: HERE IS ONE OF THE GREATEST, BOBBY DARIN! 538 00:26:53,044 --> 00:26:56,715 [APPLAUSE] 539 00:26:57,849 --> 00:27:00,652 ♪ ON A SIDEWALK, HO HO ♪ 540 00:27:00,652 --> 00:27:02,920 ♪ SUNDAY MORNING, UH-HUH ♪ 541 00:27:02,920 --> 00:27:05,256 ♪ LIES A BODY ♪ 542 00:27:05,256 --> 00:27:07,859 ♪ JUST OOZING LIFE ♪ 543 00:27:07,859 --> 00:27:08,493 EEE! 544 00:27:08,493 --> 00:27:10,995 ♪ AND SOMEONE'S SNEAKING ♪ 545 00:27:10,995 --> 00:27:13,331 ♪ ROUND THE CORNER ♪ 546 00:27:13,331 --> 00:27:15,400 BEST NEW ARTIST, BEST ALBUM... 547 00:27:15,400 --> 00:27:17,702 BOBBY DARIN. 548 00:27:17,702 --> 00:27:19,137 [APPLAUSE AND CHEERS] 549 00:27:19,137 --> 00:27:21,973 ♪ OH, THERE'S A TUGBOAT ♪ 550 00:27:21,973 --> 00:27:24,676 ♪ DOWN BY THE RIVER, DON'T YOU KNOW? ♪ 551 00:27:24,676 --> 00:27:29,347 ♪ WITH CEMENT BAGS JUST A-HANGING ON DOWN ♪ 552 00:27:29,347 --> 00:27:33,284 ♪ OH, THAT CEMENT IS THERE ♪ 553 00:27:33,284 --> 00:27:35,820 ♪ STRICTLY FOR THE WEIGHT, DEAR ♪ 554 00:27:35,820 --> 00:27:41,259 ♪ FIVE WILL GET YOU TEN OLD MACKY'S BACK IN TOWN ♪ 555 00:27:41,259 --> 00:27:44,128 ♪ DID YOU HEAR ABOUT LOUIE MILLER? ♪ 556 00:27:44,128 --> 00:27:46,764 ♪ HE DONE DISAPPEARED, DEAR ♪ 557 00:27:46,764 --> 00:27:49,901 ♪ AFTER DRAWING OUT, FEELS GOOD ♪ 558 00:27:49,901 --> 00:27:52,270 ♪ ALL HIS HARD-EARNED CASH ♪ 559 00:27:52,270 --> 00:27:55,273 ♪ AND NOW MacHEATH SPENDS ♪ 560 00:27:55,273 --> 00:27:58,910 ♪ JUST LIKE A SAILOR ♪ 561 00:27:58,910 --> 00:27:59,711 ♪ COULD IT BE ♪ 562 00:27:59,711 --> 00:28:03,114 ♪ OUR BOY'S DONE SOMETHING RASH? ♪ 563 00:28:03,114 --> 00:28:04,148 COME ON! COME ON! 564 00:28:04,148 --> 00:28:07,418 ♪ NOW, JENNY DIVER, HO HO ♪ 565 00:28:07,418 --> 00:28:09,721 ♪ SUKEY TAWDRY ♪ 566 00:28:09,721 --> 00:28:12,256 ♪ HELLO, MISS LOTTE LENYA ♪ 567 00:28:12,256 --> 00:28:14,726 ♪ GOOD EVENING, LUCY BROWN ♪ 568 00:28:14,726 --> 00:28:19,964 ♪ OH, THE LINE FORMS WAY ON THE RIGHT, BABE ♪ 569 00:28:19,964 --> 00:28:26,904 ♪ NOW THAT MACKY'S BACK IN OLD L.A. TOWN ♪ 570 00:28:26,904 --> 00:28:31,809 ♪ I SAID JENNY DIVER, LOOK OUT, SUKEY TAWDRY ♪ 571 00:28:31,809 --> 00:28:34,412 ♪ STAY BACK, LOTTE LENYA ♪ 572 00:28:34,412 --> 00:28:37,148 ♪ MOVE IT OVER, LUCY BROWN ♪ 573 00:28:37,148 --> 00:28:42,420 ♪ OH, THE LINE FORMS WAY ON THE RIGHT, BABE ♪ 574 00:28:42,420 --> 00:28:48,259 ♪ NOW THAT MACKY'S ♪ 575 00:28:48,259 --> 00:28:57,468 ♪ BACK IN TOWN ♪ 576 00:28:57,468 --> 00:29:01,038 LOOK OUT. OLD MACKY IS BACK. 577 00:29:01,038 --> 00:29:05,076 [APPLAUSE] 578 00:29:09,046 --> 00:29:12,751 LET'S GO MAKE MOVIES! 579 00:29:14,152 --> 00:29:21,059 [MAN SINGING IN FRENCH ON RECORD] 580 00:29:22,126 --> 00:29:23,861 Bobby, narrating: SO WITH SUCCESS, 581 00:29:23,861 --> 00:29:25,396 HOLLYWOOD CAME KNOCKING. 582 00:29:25,396 --> 00:29:27,298 I FLEW TO ITALY WITH CHARLIE AND NINA 583 00:29:27,298 --> 00:29:32,403 TO MAKE A MOVIE WITH ROCK HUDSON AND SANDRA DEE. 584 00:29:34,405 --> 00:29:37,074 WHAT IS WRONG WITH YOU, YOU STUPID WOP?! 585 00:29:37,074 --> 00:29:39,443 THERE ARE THINGS IN THERE THAT BREAK! 586 00:29:39,443 --> 00:29:40,277 OH, MY GOD! 587 00:29:40,277 --> 00:29:42,547 I'M SORRY, BUT-- NO, I'LL DO IT MYSELF. 588 00:29:42,547 --> 00:29:44,015 Bobby: LOOK WHO'S ON THE COVER 589 00:29:44,015 --> 00:29:46,284 OF SCREEN MAGAZINE, CHARLIE. 590 00:29:46,284 --> 00:29:47,852 Charlie: THIS IS GREAT. 591 00:29:47,852 --> 00:29:50,021 NINA, WE'RE GOING TO TAKE A WALK. 592 00:29:50,021 --> 00:29:51,522 THIS IS A MOVIE. 593 00:29:51,522 --> 00:29:53,057 YOU BET. 594 00:29:53,057 --> 00:29:53,924 CAN YOU ACT? 595 00:29:53,924 --> 00:29:56,294 CHARLIE, I'VE BEEN ACTING MY WHOLE LIFE. 596 00:29:56,294 --> 00:29:59,430 1, 2, 3. AW... 597 00:29:59,430 --> 00:30:01,566 WHAT DID YOU WISH FOR? 598 00:30:01,566 --> 00:30:04,068 OH, IT'S NOT GOOD LUCK TO TELL. 599 00:30:04,068 --> 00:30:06,304 I HOPE YOU GET WHAT YOU WANT. 600 00:30:06,304 --> 00:30:09,473 AW, THAT SURE IS SWEET OF YOU. 601 00:30:09,473 --> 00:30:11,075 CUT. GREAT. 602 00:30:11,075 --> 00:30:12,443 [BELL RINGS] 603 00:30:12,443 --> 00:30:16,013 IT'S LUNCH. WE'LL MOVE ON AFTER LUNCH. 604 00:30:16,013 --> 00:30:17,582 HEY, UH...SANDY. 605 00:30:17,582 --> 00:30:18,416 HMM? 606 00:30:18,416 --> 00:30:19,884 SANDY, WHAT DO YOU SAY 607 00:30:19,884 --> 00:30:21,519 YOU AND ME HAVE DINNER TONIGHT? 608 00:30:21,519 --> 00:30:22,320 OH, NO, THANK YOU. 609 00:30:22,320 --> 00:30:24,222 I'M GOING TO HAVE DINNER IN MY ROOM 610 00:30:24,222 --> 00:30:25,623 AND THEN GO TO BED EARLY. 611 00:30:25,623 --> 00:30:26,924 OH, MY GOODNESS GRACIOUS. 612 00:30:26,924 --> 00:30:28,326 HOW CAN YOU STAND ALL THAT EXCITEMENT? 613 00:30:28,326 --> 00:30:29,527 I'M NOT HERE FOR EXCITEMENT. 614 00:30:29,527 --> 00:30:30,928 I'M HERE TO WORK. MAYBE YOU SHOULD 615 00:30:30,928 --> 00:30:32,296 THINK ABOUT GOING TO SLEEP EARLY, TOO. 616 00:30:32,296 --> 00:30:34,332 HOW DO YOU KNOW I DON'T GO TO SLEEP EARLY? 617 00:30:34,332 --> 00:30:36,334 SANDRA DEE, HAVE YOU BEEN SPYING ON ME? 618 00:30:36,334 --> 00:30:38,569 I HAVE NEVER WORKED WITH SOMEBODY 619 00:30:38,569 --> 00:30:40,438 SO UNPROFESSIONAL IN MY LIFE. 620 00:30:40,438 --> 00:30:43,307 I MEAN, HAVE YOU EVER EVEN ACTED BEFORE? 621 00:30:43,307 --> 00:30:44,174 WELL, I'M LEARNING, 622 00:30:44,174 --> 00:30:46,277 BUT LET ME TELL YOU SOMETHING, BLONDIE. 623 00:30:46,277 --> 00:30:47,612 YOU'RE NOT EXACTLY AUDREY HEPBURN. 624 00:30:47,612 --> 00:30:51,883 Man: OK, PEOPLE. THAT'S LUNCH. ONE HOUR. 625 00:30:51,883 --> 00:30:53,584 HEY, FOOFOO. HOW YOU DOING THERE, BOY? 626 00:30:53,584 --> 00:30:57,188 THE NAME'S POMPOM, AND SHE'S A GIRL. 627 00:30:57,188 --> 00:30:59,090 SANDY, DON'T LET THAT LITTLE CUPCAKE 628 00:30:59,090 --> 00:31:00,191 RUIN YOUR MAKEUP, HMM? 629 00:31:00,191 --> 00:31:02,560 YOU KNOW, MARY, THERE'S SOMETHING 630 00:31:02,560 --> 00:31:04,428 I JUST DON'T UNDERSTAND, I'M A LITTLE STUNNED BY. 631 00:31:04,428 --> 00:31:06,898 YOU'RE GOING TO HAVE TO EXPLAIN IT TO ME. 632 00:31:06,898 --> 00:31:07,599 WHAT? 633 00:31:07,599 --> 00:31:09,400 HOW IS IT POSSIBLE THAT YOU ARE 634 00:31:09,400 --> 00:31:11,535 SANDY'S MOTHER AND NOT HER SISTER? 635 00:31:11,535 --> 00:31:14,372 OH...TSK TSK TSK. 636 00:31:14,372 --> 00:31:15,907 MR. DARIN. 637 00:31:15,907 --> 00:31:16,974 NO, I'M SERIOUS. 638 00:31:16,974 --> 00:31:18,342 I MEAN, LOOK AT THE TWO OF YOU. 639 00:31:18,342 --> 00:31:22,580 SIDE BY SIDE, YOU'RE MIRROR IMAGES OF EACH OTHER. 640 00:31:30,087 --> 00:31:31,923 AND THEN WHEN YOU SMILE, 641 00:31:31,923 --> 00:31:33,524 JUST MAKE IT A REALLY SOFT SMILE. 642 00:31:33,524 --> 00:31:35,927 KEEP THE LIPS... THAT...THAT'S GOOD. 643 00:31:35,927 --> 00:31:37,929 Bobby: THERE SHE IS, CHARLIE-- 644 00:31:37,929 --> 00:31:39,497 THE GIRL I'M GOING TO MARRY. 645 00:31:39,497 --> 00:31:41,499 I WANT YOU TO FIND ME A FLORIST, A GOOD ONE. 646 00:31:41,499 --> 00:31:43,467 I WANT TO SEND 18 YELLOW ROSES 647 00:31:43,467 --> 00:31:45,436 TO HER HOTEL SUITE EVERY DAY. 648 00:31:45,436 --> 00:31:48,005 NO CARD. SHE'LL KNOW WHO THEY'RE FROM. 649 00:31:48,005 --> 00:31:49,674 I GIVE IT A WEEK, MAYBE LESS. 650 00:31:49,674 --> 00:31:51,108 IT WON'T TAKE THAT LONG 651 00:31:51,108 --> 00:31:54,045 FOR MARY TO CAVE. 652 00:31:54,045 --> 00:31:54,912 MARY? 653 00:31:54,912 --> 00:31:56,480 YOU'RE GOING TO SEND ROSES TO THE MOTHER? 654 00:31:56,480 --> 00:31:58,182 CHARLIE, YOU ALWAYS MAKE SURE 655 00:31:58,182 --> 00:31:59,450 THE MAMA DOG LIKES YOU 656 00:31:59,450 --> 00:32:01,118 BEFORE YOU GO NEAR HER PUPPY. 657 00:32:01,118 --> 00:32:04,422 HA HA HA! MARY AIN'T NO RIN TIN TIN. 658 00:32:04,422 --> 00:32:08,392 SHE'S A TOUGH BROAD WITH A STAR TO PROTECT. 659 00:32:08,392 --> 00:32:11,162 YOU'RE GONNA GET YOURSELF IN A LOT OF TROUBLE. 660 00:32:11,162 --> 00:32:13,331 CHARLIE, THIS IS TROUBLE I CAN HANDLE. 661 00:32:13,331 --> 00:32:15,333 THE FLORISTS IS GOING TO MAKE MORE MONEY 662 00:32:15,333 --> 00:32:16,567 OUT OF THIS MOVIE THAN YOU ARE. 663 00:32:16,567 --> 00:32:17,735 Mary: ALWAYS REMEMBER, I KNOW YOU WANT TO ACT 664 00:32:17,735 --> 00:32:20,438 CONVINCINGLY AND EVERYTHING, BUT IN THE FRONT OF YOUR MIND, 665 00:32:20,438 --> 00:32:22,974 THINK, "WHAT ARE MY LIPS DOING NOW? 666 00:32:22,974 --> 00:32:25,476 WHERE ARE MY TEETH?" OK? 667 00:32:25,476 --> 00:32:27,678 Bobby, narrating: SANDY AND I JUST GOT OFF ON THE WRONG FOOT. 668 00:32:27,678 --> 00:32:30,448 IF I COULD JUST GET HER AWAY FROM HER MOTHER. 669 00:32:30,448 --> 00:32:32,216 I MEAN, JUST IMAGINE... 670 00:32:32,216 --> 00:32:34,652 BOBBY DARIN AND SANDRA DEE. 671 00:32:34,652 --> 00:32:36,187 SANDY, WE HAVE A PHOTO SHOOT 672 00:32:36,187 --> 00:32:37,355 IN LESS THAN AN HOUR. 673 00:32:37,355 --> 00:32:38,589 I WANT YOU TO WEAR THE DRESS 674 00:32:38,589 --> 00:32:40,124 THE STUDIO SENT OVER FROM PARIS, 675 00:32:40,124 --> 00:32:41,459 AND DON'T FORGET THE BELT. 676 00:32:41,459 --> 00:32:44,729 THAT'S IT. I'M GOING TO START ALL OVER, 677 00:32:44,729 --> 00:32:45,797 LIKE WE'VE NEVER MET. 678 00:32:45,797 --> 00:32:49,567 ONLY THIS TIME, I'LL ROMANCE HER THE BEST WAY I KNOW. 679 00:32:49,567 --> 00:32:51,068 WELL, HELLO, SANDRA DEE. 680 00:32:51,068 --> 00:32:52,570 I'M BOBBY DARIN. I BELIEVE WE'RE 681 00:32:52,570 --> 00:32:54,338 MAKING A MOVIE TOGETHER. 682 00:32:54,338 --> 00:32:56,040 HELLO. 683 00:33:02,046 --> 00:33:04,682 ♪ SOMEWHERE ♪ 684 00:33:04,682 --> 00:33:07,084 ♪ BEYOND THE SEA ♪ 685 00:33:07,084 --> 00:33:11,389 ♪ SOMEWHERE WAITING FOR ME ♪ 686 00:33:11,389 --> 00:33:16,394 ♪ MY LOVER STANDS ON GOLDEN SANDS ♪ 687 00:33:16,394 --> 00:33:19,063 ♪ AND WATCHES THE SHIPS ♪ 688 00:33:19,063 --> 00:33:22,700 ♪ THAT GO SAILING ♪ 689 00:33:22,700 --> 00:33:25,636 ♪ SOMEWHERE ♪ 690 00:33:25,636 --> 00:33:27,671 ♪ BEYOND THE SEA ♪ 691 00:33:27,671 --> 00:33:31,609 ♪ SHE'S THERE, WATCHING FOR ME ♪ 692 00:33:31,609 --> 00:33:37,214 ♪ IF I COULD FLY LIKE BIRDS ON HIGH ♪ 693 00:33:37,214 --> 00:33:39,650 ♪ THEN STRAIGHT TO HER ARMS ♪ 694 00:33:39,650 --> 00:33:43,554 ♪ I'D GO SAILING ♪ 695 00:33:48,459 --> 00:33:53,764 ♪ IT IS FAR BEYOND THE STARS ♪ 696 00:33:53,764 --> 00:33:55,699 ♪ IT IS NEAR ♪ 697 00:33:55,699 --> 00:33:58,335 ♪ BEYOND THE MOON ♪ 698 00:33:58,335 --> 00:34:02,440 ♪ AND I KNOW ♪ 699 00:34:02,440 --> 00:34:03,808 ♪ BEYOND A DOUBT, UH ♪ 700 00:34:03,808 --> 00:34:10,147 ♪ MY HEART WILL LEAD ME THERE SOON ♪ 701 00:34:10,147 --> 00:34:12,483 ♪ WE'LL MEET ♪ 702 00:34:12,483 --> 00:34:15,186 ♪ BEYOND THE SHORE ♪ 703 00:34:15,186 --> 00:34:16,387 ♪ WE'LL KISS ♪ 704 00:34:16,387 --> 00:34:19,523 ♪ JUST AS BEFORE ♪ 705 00:34:19,523 --> 00:34:24,495 ♪ HAPPY WE'LL BE BEYOND THE SEA ♪ 706 00:34:24,495 --> 00:34:26,630 ♪ AND NEVER AGAIN ♪ 707 00:34:26,630 --> 00:34:31,369 ♪ I'LL GO SAILING ♪ 708 00:35:36,500 --> 00:35:39,870 ♪ AND I KNOW ♪ 709 00:35:39,870 --> 00:35:41,772 ♪ BEYOND A DOUBT, HUH ♪ 710 00:35:41,772 --> 00:35:46,777 ♪ MY HEART WILL LEAD ME THERE SOON ♪ 711 00:35:46,777 --> 00:35:49,780 ♪ WE'LL MEET, I KNOW WE'LL MEET ♪ 712 00:35:49,780 --> 00:35:51,582 ♪ BEYOND THE SHORE ♪ 713 00:35:51,582 --> 00:35:53,450 ♪ WE'RE GONNA KISS ♪ 714 00:35:53,450 --> 00:35:56,187 ♪ JUST AS BEFORE ♪ 715 00:35:56,187 --> 00:36:01,926 ♪ AND HAPPY WE'LL BE BEYOND THE SEA ♪ 716 00:36:01,926 --> 00:36:03,561 ♪ AND NEVER AGAIN ♪ 717 00:36:03,561 --> 00:36:05,729 ♪ I'LL GO SAILING... ♪ 718 00:36:05,729 --> 00:36:08,799 SANDY, WE HAVE TO GO NOW. 719 00:36:08,799 --> 00:36:11,802 I HAVE AN INTERVIEW. 720 00:36:15,272 --> 00:36:19,276 TELL THEM YOU MET BOBBY DARIN, AND HE'S GOING TO MARRY YOU. 721 00:36:19,276 --> 00:36:20,578 COME ON, POMPOM. 722 00:36:20,578 --> 00:36:22,313 NICE HAT, MR. DARIN. 723 00:36:22,313 --> 00:36:24,515 HA HA HA. 724 00:36:27,384 --> 00:36:29,653 I THINK SHE LIKES ME, CHARLIE. 725 00:36:29,653 --> 00:36:30,888 THE MOTHER? 726 00:36:30,888 --> 00:36:32,690 THAT'S A DIFFERENT STORY. 727 00:36:32,690 --> 00:36:35,359 SHE'S JUST DOING HER JOB. 728 00:36:35,359 --> 00:36:36,327 WHAT JOB IS THAT? 729 00:36:36,327 --> 00:36:38,929 STEERING HER DAUGHTER CLEAR OF GUYS LIKE YOU! 730 00:36:38,929 --> 00:36:41,398 YEAH, WELL, GUESS WHAT, CHARLIE. 731 00:36:41,398 --> 00:36:46,670 MAMA'S JOB JUST GOT A WHOLE LOT TOUGHER. 732 00:36:46,670 --> 00:36:47,805 HA HA HA! YEAH! 733 00:36:47,805 --> 00:36:51,275 ♪ NO MORE SAILING ♪ 734 00:36:51,275 --> 00:36:54,545 ♪ SO LONG, SAILING ♪ 735 00:36:54,545 --> 00:36:57,548 ♪ BYE-BYE, SAILING ♪ 736 00:36:57,548 --> 00:36:59,383 Mary: SO, MR. DARIN, I'VE READ 737 00:36:59,383 --> 00:37:02,753 THAT YOU THINK VERY HIGHLY OF YOURSELF. 738 00:37:02,753 --> 00:37:03,988 WELL, MISS DUVAN, 739 00:37:03,988 --> 00:37:06,457 I'M A MAN WHO WAS RAISED TO BELIEVE 740 00:37:06,457 --> 00:37:08,926 THAT YOU SHOULD HAVE A PLAN IN LIFE. 741 00:37:08,926 --> 00:37:10,661 SO ONCE I'VE SET MY MIND 742 00:37:10,661 --> 00:37:12,463 TO ACHIEVING SOMETHING, 743 00:37:12,463 --> 00:37:13,965 THAT'S IT. 744 00:37:17,901 --> 00:37:21,405 WOULD YOU EXCUSE ME FOR A SECOND? 745 00:37:23,274 --> 00:37:24,808 SHE HAS A SLIGHT COLD. 746 00:37:24,808 --> 00:37:26,944 YOU KNOW, MISS DUVAN-- 747 00:37:26,944 --> 00:37:28,312 MARY... 748 00:37:28,312 --> 00:37:29,747 I JUST THINK YOUR DAUGHTER'S 749 00:37:29,747 --> 00:37:31,548 ABSOLUTELY TERRIFIC. I MEAN, I JUST THINK 750 00:37:31,548 --> 00:37:33,817 SHE'S THE MOST WONDERFUL THING ON EARTH. 751 00:37:33,817 --> 00:37:35,419 BUT SHE'S STILL ONLY A CHILD. 752 00:37:35,419 --> 00:37:36,987 WHAT YOU NEED IS AN OLDER WOMAN. 753 00:37:36,987 --> 00:37:39,590 I JUST WANT TO BE FRIENDLY WITH HER, THAT'S ALL. 754 00:37:39,590 --> 00:37:41,458 I MEAN, WE ARE DOING A MOVIE TOGETHER. 755 00:37:41,458 --> 00:37:43,360 SHE ACTS LIKE SHE DON'T EVEN LIKE ME. 756 00:37:43,360 --> 00:37:45,529 GIVE HER TIME, YOU KNOW. 757 00:37:45,529 --> 00:37:47,598 SHE'S NOT VERY COMFORTABLE AROUND STRANGERS. 758 00:37:47,598 --> 00:37:48,365 MARY, I GOT AN IDEA. 759 00:37:48,365 --> 00:37:51,035 WHY DON'T YOU LET ME TAKE HER OUT? 760 00:37:51,035 --> 00:37:52,503 ON A DATE? 761 00:37:52,503 --> 00:37:53,837 NO, FOR PUBLICITY. ONE TIME. 762 00:37:53,837 --> 00:37:56,307 I'VE NEVER LET HER DO ANYTHING LIKE THAT. 763 00:37:56,307 --> 00:37:58,642 WELL, MARY, THINK ABOUT WHAT IT WOULD 764 00:37:58,642 --> 00:38:00,010 MEAN FOR THE MOVIE. 765 00:38:00,010 --> 00:38:01,378 ONE TIME? 766 00:38:01,378 --> 00:38:03,447 ONE TIME. 767 00:38:03,647 --> 00:38:06,950 WELL, MAYBE WE CAN DO SOMETHING... 768 00:38:06,950 --> 00:38:08,819 FOR PUBLICITY. 769 00:38:08,819 --> 00:38:09,987 [CLINK] 770 00:38:09,987 --> 00:38:12,022 I SWEAR UNDYING FEALTY TO THEE, 771 00:38:12,022 --> 00:38:13,991 SANDRA DEE, QUEEN O' THE HOP. 772 00:38:13,991 --> 00:38:17,728 AND I PRONOUNCE THEE SIR SPLISH-SPLASH. 773 00:38:17,728 --> 00:38:19,697 ARISE, SIR SPLISH-SPLASH. 774 00:38:19,697 --> 00:38:22,433 HA HA HA. HOW WAS THAT, GUYS? 775 00:38:22,433 --> 00:38:24,635 [ALL TALKING AT ONCE] 776 00:38:24,635 --> 00:38:26,603 WE'VE HAD A TERRIFIC TIME. ROCK HUDSON IS GREAT. 777 00:38:26,603 --> 00:38:28,072 HE'S GREAT. ISN'T HE GREAT? 778 00:38:28,072 --> 00:38:29,740 I SAY WE DITCH THESE CLOWNS. 779 00:38:29,740 --> 00:38:31,575 AS SOON AS I SAY RUN, RUN. 780 00:38:31,575 --> 00:38:32,876 HOW DO YOU LIKE IT HERE? 781 00:38:32,876 --> 00:38:34,645 ITALY IS TERRIFIC. 782 00:38:34,645 --> 00:38:37,681 OH, MY GOD! OH, MY GOD! 783 00:38:37,681 --> 00:38:39,616 RUN! RUN! 784 00:38:39,616 --> 00:38:42,887 [SHOUTING] 785 00:38:47,858 --> 00:38:49,426 WAIT. WAIT. 786 00:38:49,426 --> 00:38:51,028 [BOTH BREATHING HEAVILY] 787 00:38:51,028 --> 00:38:52,463 HA HA HA. 788 00:38:52,463 --> 00:38:53,430 ARE YOU OK? 789 00:38:53,430 --> 00:38:56,600 I CAN'T BELIEVE I JUST DID THAT. 790 00:38:58,602 --> 00:39:01,005 GOD, YOU'RE BEAUTIFUL. 791 00:39:05,542 --> 00:39:06,910 COME ON. 792 00:39:06,910 --> 00:39:09,046 COME ON. COME ON. 793 00:39:09,046 --> 00:39:11,115 [LAUGHING] 794 00:39:14,518 --> 00:39:17,821 ♪ EVERY NIGHT, I HOPE AND PRAY ♪ 795 00:39:17,821 --> 00:39:22,059 ♪ I DREAM YOUR LOVING WILL COME MY WAY ♪ 796 00:39:22,059 --> 00:39:25,095 ♪ A GIRL TO HOLD IN MY ARMS ♪ 797 00:39:25,095 --> 00:39:28,599 ♪ AND KNOW THE MAGIC OF HER CHARMS ♪ 798 00:39:28,599 --> 00:39:31,101 ♪ BECAUSE I WANT ♪ 799 00:39:31,101 --> 00:39:32,970 ♪ A GIRL ♪ 800 00:39:32,970 --> 00:39:34,605 ♪ TO CALL ♪ 801 00:39:34,605 --> 00:39:36,407 ♪ MY OWN ♪ 802 00:39:36,407 --> 00:39:38,008 ♪ I WANT A DREAM LOVER ♪ 803 00:39:38,008 --> 00:39:39,977 ♪ SO I DON'T HAVE TO... ♪ 804 00:39:39,977 --> 00:39:43,113 YOU OK? YOU LOOK KIND OF PALE. 805 00:39:43,113 --> 00:39:43,980 OH, NO. I'M OK. 806 00:39:43,980 --> 00:39:46,617 I JUST KIND OF RUN OUT OF GAS SOMETIMES, 807 00:39:46,617 --> 00:39:48,719 THAT'S ALL. 808 00:39:50,053 --> 00:39:51,922 IT REALLY MAKES YOU THINK, 809 00:39:51,922 --> 00:39:54,057 BEING IN A PLACE THIS OLD. 810 00:39:54,057 --> 00:39:56,093 I MEAN, PEOPLE HAVE BEEN LIVING HERE 811 00:39:56,093 --> 00:39:58,695 AND LOVING HERE, STRUGGLING, DYING 812 00:39:58,695 --> 00:40:01,732 FOR THOUSANDS OF YEARS. 813 00:40:02,800 --> 00:40:06,137 AND NOW YOU AND I ARE HERE. 814 00:40:08,672 --> 00:40:09,706 SO... 815 00:40:09,706 --> 00:40:12,910 WHAT KIND OF THINGS DO YOU LIKE? 816 00:40:12,910 --> 00:40:15,946 WELL, I CAN THINK OF ONE RIGHT NOW. 817 00:40:15,946 --> 00:40:17,147 HA HA HA! REALLY. 818 00:40:17,147 --> 00:40:20,717 OH, OK. UM... LET ME THINK. 819 00:40:20,717 --> 00:40:23,787 A GREAT MELODY. 820 00:40:23,787 --> 00:40:25,622 SEEING SOMEBODY DO SOMETHING BETTER 821 00:40:25,622 --> 00:40:28,525 THAN ANYBODY ELSE IN THE WHOLE WORLD. 822 00:40:28,525 --> 00:40:29,893 ICE CREAM. 823 00:40:29,893 --> 00:40:31,595 A GOOD BOOK. 824 00:40:31,595 --> 00:40:32,496 WHAT ABOUT YOU? 825 00:40:32,496 --> 00:40:35,132 WHAT KIND OF THINGS DOES SANDRA DEE LIKE? 826 00:40:35,132 --> 00:40:38,101 UH...LONG WALKS ON THE BEACH. 827 00:40:38,101 --> 00:40:41,605 CROSSWORD PUZZLES. 828 00:40:41,605 --> 00:40:45,075 EMPTY STUDIOS. 829 00:40:45,075 --> 00:40:46,977 ELVIS. 830 00:40:46,977 --> 00:40:47,844 HEY. 831 00:40:47,844 --> 00:40:50,113 JUST MAKING SURE YOU'RE PAYING ATTENTION. 832 00:40:50,113 --> 00:40:52,583 I'M PAYING ATTENTION. TRUST ME. 833 00:40:52,583 --> 00:40:54,718 [BOTH LAUGHING] 834 00:40:55,853 --> 00:40:58,689 YOU KNOW, I WAS RIGHT ABOUT YOU. 835 00:40:58,689 --> 00:41:01,459 RIGHT ABOUT WHAT? 836 00:41:01,825 --> 00:41:05,129 YOU'RE GONNA BE EASY TO LOVE. 837 00:41:09,566 --> 00:41:13,003 ♪ SOMEDAY, I DON'T KNOW HOW ♪ 838 00:41:13,003 --> 00:41:16,840 ♪ I HOPE THAT SHE WILL HEAR MY PLEA ♪ 839 00:41:16,840 --> 00:41:20,544 ♪ SOME WAY, I DON'T KNOW HOW ♪ 840 00:41:20,544 --> 00:41:24,648 ♪ SHE'LL BRING HER LOVE TO ME ♪ 841 00:41:24,648 --> 00:41:28,519 MAY I HAVE THIS DANCE, MISS SANDRA DEE? 842 00:41:29,152 --> 00:41:31,655 I WOULD BE HONORED, BOBBY DARIN. 843 00:41:31,655 --> 00:41:34,958 ♪ THAT'S THE ONLY THING TO DO ♪ 844 00:41:34,958 --> 00:41:38,629 ♪ TILL ALL MY LOVER'S DREAMS COME TRUE ♪ 845 00:41:38,629 --> 00:41:40,631 ♪ BECAUSE I WANT ♪ 846 00:41:40,631 --> 00:41:42,599 ♪ A GIRL ♪ 847 00:41:42,599 --> 00:41:44,134 ♪ TO CALL ♪ 848 00:41:44,134 --> 00:41:45,702 ♪ MY OWN ♪ 849 00:41:45,702 --> 00:41:47,771 ♪ I WANT A DREAM LOVER ♪ 850 00:41:47,771 --> 00:41:52,009 ♪ SO I DON'T HAVE TO DREAM ALONE ♪ 851 00:41:52,009 --> 00:41:53,744 Mary: OH, YOU SON OF A BITCH! 852 00:41:53,744 --> 00:41:56,246 I FELT SORRY FOR YOU, AND YOU BETRAYED ME! 853 00:41:56,246 --> 00:41:57,981 MARY, I THINK YOU'RE OVERREACTING. 854 00:41:57,981 --> 00:41:59,283 I TOLD YOU THAT YOU COULD 855 00:41:59,283 --> 00:42:01,151 TAKE MY DAUGHTER OUT SIGHTSEEING 856 00:42:01,151 --> 00:42:02,152 FOR PUBLICITY! 857 00:42:02,152 --> 00:42:03,921 I DIDN'T SAY YOU COULD MARRY HER! 858 00:42:03,921 --> 00:42:06,156 MOTHER! WE ARE ONLY ENGAGED. 859 00:42:06,156 --> 00:42:08,091 YOU... COME WITH ME. 860 00:42:08,091 --> 00:42:10,294 ♪ BECAUSE I WANT ♪ 861 00:42:10,294 --> 00:42:13,797 ♪ A GIRL-- ♪ 862 00:42:13,797 --> 00:42:15,032 SIT! 863 00:42:15,032 --> 00:42:17,568 [POMPOM WHINES] 864 00:42:17,734 --> 00:42:19,736 YOU...YOU...YOU DON'T EVEN KNOW 865 00:42:19,736 --> 00:42:21,305 HOW TO COMB YOUR HAIR WITHOUT ME! 866 00:42:21,305 --> 00:42:23,206 YOU DON'T KNOW HOW TO DRESS WITHOUT ME! 867 00:42:23,206 --> 00:42:24,207 YOU DON'T KNOW HOW TO WALK! 868 00:42:24,207 --> 00:42:26,243 YOU DON'T KNOW HOW TO TALK TO PEOPLE WITHOUT ME! 869 00:42:26,243 --> 00:42:28,612 I'M THE ONE WHO BROUGHT YOU INTO THIS WORLD. 870 00:42:28,612 --> 00:42:29,746 I CREATED YOU! 871 00:42:29,746 --> 00:42:32,883 YOU'D FALL APART IN 15 MINUTES WITHOUT ME. 872 00:42:32,883 --> 00:42:34,151 OH, MOTHER, PLEASE. 873 00:42:34,151 --> 00:42:38,121 WHEN THE TIME IS RIGHT AND YOU'RE READY, 874 00:42:38,121 --> 00:42:40,591 WE WILL FIND A HUSBAND FOR YOU 875 00:42:40,591 --> 00:42:42,159 WHO IS SUITABLE... 876 00:42:42,159 --> 00:42:43,894 WHAT'S GOING ON? 877 00:42:43,894 --> 00:42:46,897 I LOVE HIM. I LOVE HIM WITH ALL MY HEART. 878 00:42:46,897 --> 00:42:48,131 HE'S A LOSER! 879 00:42:48,131 --> 00:42:51,001 NO, HE'S NOT! HE'S SMART, AND HE'S FUNNY. 880 00:42:51,001 --> 00:42:53,971 I WISH YOU'D CONCENTRATED MORE ON ROCK HUDSON. 881 00:42:53,971 --> 00:42:56,907 ROCK HUDSON IS A VERY NICE MAN, MOTHER, 882 00:42:56,907 --> 00:42:58,342 BUT I'M NOT IN LOVE WITH HIM. 883 00:42:58,342 --> 00:43:00,344 HE STILL WOULD HAVE BEEN A BETTER HUSBAND FOR YOU 884 00:43:00,344 --> 00:43:01,912 THAN THAT BOBBY DARIN! 885 00:43:01,912 --> 00:43:03,647 WHY CAN'T YOU, JUST FOR ONCE, 886 00:43:03,647 --> 00:43:05,148 LET ME MAKE A DECISION ON MY OWN? 887 00:43:05,148 --> 00:43:08,285 I DON'T EVEN WANT TO TALK ABOUT THIS ANY FURTHER. 888 00:43:08,285 --> 00:43:10,754 WE'RE LEAVING! 889 00:43:11,822 --> 00:43:15,025 HIM OR ME? 890 00:43:15,025 --> 00:43:17,161 [WHINES] 891 00:43:18,028 --> 00:43:19,296 FINE! 892 00:43:19,296 --> 00:43:21,632 GIVE HER TO ME. 893 00:43:21,632 --> 00:43:23,266 GIVE HER TO ME! 894 00:43:23,266 --> 00:43:25,169 [YELPS] 895 00:43:27,971 --> 00:43:28,705 Nina: MARY! 896 00:43:28,705 --> 00:43:31,708 MARY, WAIT! WAIT! WAIT A MINUTE! 897 00:43:31,708 --> 00:43:33,910 NINA, STAY OUT OF IT! 898 00:43:33,910 --> 00:43:35,078 SHUT UP, CHARLIE. 899 00:43:35,078 --> 00:43:36,680 IT'S NONE OF YOUR BUSINESS! 900 00:43:36,680 --> 00:43:38,348 MARY, I WANT TO TALK TO YOU. 901 00:43:38,348 --> 00:43:39,783 [DOOR CLOSES] 902 00:43:39,783 --> 00:43:42,786 [ALL TALKING AT ONCE] 903 00:43:45,188 --> 00:43:47,391 YOU GONNA PLAN TO HAVE ANY KIDS? 904 00:43:47,391 --> 00:43:49,426 SHOW US THE RING. 905 00:43:49,426 --> 00:43:51,028 HAVE YOU SET THE DATE YET? 906 00:43:51,028 --> 00:43:52,096 OH, MARRIAGE IS SUCH A BIG STEP. 907 00:43:52,096 --> 00:43:55,432 WE'VE DECIDED TO WAIT BEFORE RUSHING INTO ANYTHING. 908 00:43:55,432 --> 00:43:57,000 RIGHT, HONEY? 909 00:43:57,000 --> 00:43:58,301 RIGHT. ABSOLUTELY. 910 00:43:58,301 --> 00:44:00,337 WE ARE DEFINITELY GOING TO WAIT, GENTLEMEN. 911 00:44:00,337 --> 00:44:01,672 ABSOLUTELY. 912 00:44:01,672 --> 00:44:04,141 [SHOUTING] 913 00:44:04,141 --> 00:44:07,177 [WEDDING BELLS RINGING] 914 00:44:07,177 --> 00:44:08,912 OK. 915 00:44:08,912 --> 00:44:10,180 BOBBY. 916 00:44:10,180 --> 00:44:12,182 OK. 917 00:44:12,182 --> 00:44:14,084 THIS... 918 00:44:14,084 --> 00:44:17,187 IS YOUR HOME. 919 00:44:17,187 --> 00:44:18,188 NO? 920 00:44:18,188 --> 00:44:19,456 NOW, I DON'T MIND HAVING 921 00:44:19,456 --> 00:44:21,892 A FEW FRIENDS AROUND EVERY NOW AND THEN, 922 00:44:21,892 --> 00:44:23,794 AND WHEN YOUR MOTHER COMES AROUND, 923 00:44:23,794 --> 00:44:25,829 WHICH I'M SURE SHE FINALLY WILL, 924 00:44:25,829 --> 00:44:27,464 BOY, SHE'LL BE WELCOME, TOO. 925 00:44:27,464 --> 00:44:29,766 BUT FOR THE MOMENT, I THINK IT SHOULD BE 926 00:44:29,766 --> 00:44:32,269 EXCLUSIVELY US-- MR. AND MRS. BOBBY DARIN... 927 00:44:32,269 --> 00:44:34,237 AT HOME. 928 00:44:34,237 --> 00:44:36,440 SANDY? 929 00:44:37,240 --> 00:44:40,310 HEY, WHERE'D YOU GO? 930 00:44:46,717 --> 00:44:50,788 DID YOU GO IN HERE ALREADY? 931 00:44:51,455 --> 00:44:53,356 SANDUSH, WHERE ARE YOU? 932 00:44:53,356 --> 00:44:55,793 [SANDRA CRYING SOFTLY] 933 00:45:13,143 --> 00:45:15,212 HEY, BABY. 934 00:45:21,852 --> 00:45:23,053 BABY, THIS SHOULD BE 935 00:45:23,053 --> 00:45:25,756 THE HAPPIEST NIGHT OF YOUR LIFE. 936 00:45:25,756 --> 00:45:27,190 ALL RIGHT, COME ON. COME ON. 937 00:45:27,190 --> 00:45:29,893 LET'S GET OUT OF HERE. COME ON. 938 00:45:35,031 --> 00:45:36,166 I CAN'T. I CAN'T. 939 00:45:36,166 --> 00:45:38,468 I CAN'T. I CAN'T. I CAN'T. I CAN'T. 940 00:45:38,468 --> 00:45:39,903 YOU CAN'T WHAT? 941 00:45:39,903 --> 00:45:41,304 I CAN'T COME TO YOUR BED. 942 00:45:41,304 --> 00:45:42,906 OF COURSE YOU CAN, BABY. 943 00:45:42,906 --> 00:45:44,941 YOU DON'T WANT TO BE MARRIED TO ME! 944 00:45:44,941 --> 00:45:46,209 I AM MARRIED TO YOU, 945 00:45:46,209 --> 00:45:47,911 AND I'M STAYING MARRIED TO YOU 946 00:45:47,911 --> 00:45:48,979 UNTIL DEATH DO US PART. 947 00:45:48,979 --> 00:45:50,981 HOW DO YOU MARRY SOMEBODY THAT YOU DON'T EVEN KNOW? 948 00:45:50,981 --> 00:45:52,082 WHO DOESN'T KNOW WHO? 949 00:45:52,082 --> 00:45:53,817 I DON'T KNOW YOU, OR YOU DON'T KNOW ME? 950 00:45:53,817 --> 00:45:55,285 I DON'T KNOW WHETHER I KNOW YOU. 951 00:45:55,285 --> 00:45:57,020 I KNOW YOU DON'T KNOW ME! 952 00:45:57,020 --> 00:45:59,923 OH, I KNOW YOU. YOU'RE MRS. BOBBY DARIN. 953 00:45:59,923 --> 00:46:01,057 NO! 954 00:46:01,057 --> 00:46:02,192 [CRYING] 955 00:46:02,192 --> 00:46:04,227 IT'S NEVER GOING TO WORK, BOBBY! 956 00:46:04,227 --> 00:46:05,962 LET'S JUST GET OUT OF IT NOW. 957 00:46:05,962 --> 00:46:07,063 NO WAY. 958 00:46:07,063 --> 00:46:08,532 I'LL MAKE YOU MISERABLE! 959 00:46:08,532 --> 00:46:11,334 DO YOU NOT UNDERSTAND THAT? 960 00:46:11,334 --> 00:46:14,971 I DON'T WANT TO. 961 00:46:14,971 --> 00:46:19,242 I DON'T WANT TO. I CAN'T HELP IT. 962 00:46:19,242 --> 00:46:21,879 [CRYING] 963 00:46:28,852 --> 00:46:31,855 OH, MY GOD. 964 00:46:33,490 --> 00:46:35,526 WHAT? 965 00:46:37,527 --> 00:46:40,230 I LOVE YOU. 966 00:46:42,065 --> 00:46:45,102 I REALLY LOVE YOU. 967 00:46:47,070 --> 00:46:48,038 WAIT A MINUTE. 968 00:46:48,038 --> 00:46:51,975 WAIT A MINUTE. DON'T MOVE. DON'T MOVE A MUSCLE. 969 00:46:54,477 --> 00:46:58,248 OH, GOD! BOBBY, NO! 970 00:46:58,248 --> 00:47:00,183 OH, PLEASE! 971 00:47:00,183 --> 00:47:02,085 HONEY, HONEY. IT'S OK. 972 00:47:02,085 --> 00:47:06,957 I'M NOT GOING TO HURT YOU. JUST WATCH. 973 00:47:07,390 --> 00:47:13,096 MY MAMA USED TO TELL ME A STORY WHEN I WAS A KID 974 00:47:13,096 --> 00:47:15,098 THAT IN THE MIDDLE AGES... 975 00:47:15,098 --> 00:47:17,968 ONE OF THE KNIGHTS IN KING ARTHUR'S COURT, 976 00:47:17,968 --> 00:47:23,974 HE LAID DOWN HIS SWORD BETWEEN HIMSELF AND GUINEVERE, 977 00:47:23,974 --> 00:47:27,644 AND HE PROMISED THAT HE WOULD NEVER CROSS OVER 978 00:47:27,644 --> 00:47:31,348 TO THE OTHER SIDE OF THE BED. 979 00:47:31,348 --> 00:47:33,083 REALLY? 980 00:47:33,083 --> 00:47:39,022 I AM LAYING DOWN THIS SWORD BETWEEN US. 981 00:47:39,422 --> 00:47:42,025 THAT'S MY SIDE OF THE BED, 982 00:47:42,025 --> 00:47:44,027 AND THAT'S YOURS, 983 00:47:44,027 --> 00:47:51,635 AND I WILL NEVER CROSS OVER...EVER. 984 00:47:51,635 --> 00:47:56,373 I DON'T CARE IF WE DON'T TOUCH 985 00:47:56,373 --> 00:48:00,076 FOR A THOUSAND NIGHTS. 986 00:48:00,076 --> 00:48:06,250 ONLY YOU CAN CROSS OVER TO MY SIDE. 987 00:48:07,484 --> 00:48:11,355 ONLY YOU. 988 00:48:17,260 --> 00:48:22,933 ♪ HOW THE BREEZE RUFFLED THROUGH HER HAIR ♪ 989 00:48:22,933 --> 00:48:24,701 ♪ HOW WE ALWAYS LAUGHED ♪ 990 00:48:24,701 --> 00:48:28,338 ♪ AS THOUGH TOMORROW WASN'T THERE ♪ 991 00:48:28,338 --> 00:48:35,979 ♪ WE WERE YOUNG AND DIDN'T HAVE A CARE ♪ 992 00:48:35,979 --> 00:48:37,648 ♪ WHERE DID IT GO? ♪ 993 00:48:51,528 --> 00:48:55,265 ♪ ONCE UPON A TIME ♪ 994 00:48:55,265 --> 00:49:02,272 ♪ THE WORLD WAS SWEETER THAN WE KNEW ♪ 995 00:49:04,240 --> 00:49:08,244 ♪ EVERYTHING WAS OURS ♪ 996 00:49:08,244 --> 00:49:14,651 ♪ HOW HAPPY WE WERE THEN ♪ 997 00:49:15,185 --> 00:49:18,521 ♪ BUT SOMEHOW ONCE UPON A TIME ♪ 998 00:49:18,521 --> 00:49:20,991 [SWORD CLATTERS] 999 00:49:20,991 --> 00:49:28,064 ♪ NEVER COMES AGAIN ♪ 1000 00:49:28,064 --> 00:49:31,268 [INDISTINCT CONVERSATION] 1001 00:49:45,048 --> 00:49:46,483 HI, HONEY. 1002 00:49:46,483 --> 00:49:47,350 HEY, SWEETIE. 1003 00:49:47,350 --> 00:49:48,785 LOOK WHO'S ON THE COVER. 1004 00:49:48,785 --> 00:49:50,086 [WOLF WHISTLES] 1005 00:49:50,086 --> 00:49:55,158 HONEY, THAT'S GREAT. DID YOU SEE THIS? 1006 00:49:55,759 --> 00:49:58,361 [MEN LAUGHING] 1007 00:49:58,361 --> 00:50:00,563 "I WANT TO BE A LEGEND. " 1008 00:50:00,563 --> 00:50:02,766 I CAN'T BELIEVE YOU ACTUALLY SAID THAT. 1009 00:50:02,766 --> 00:50:05,268 Bobby: THAT'S NOT EXACTLY THE WAY I SAID IT. 1010 00:50:05,268 --> 00:50:07,404 Boom-Boom: NEXT TIME, GET HIM THE COVER. 1011 00:50:07,404 --> 00:50:08,071 YEAH! 1012 00:50:08,071 --> 00:50:09,572 COME ON. IT'S A GREAT STORY. 1013 00:50:09,572 --> 00:50:10,506 WAIT. IT GETS BETTER. 1014 00:50:10,506 --> 00:50:12,342 "BRASH, COCKY, AND ARROGANT, DARIN THEN SAYS, 1015 00:50:12,342 --> 00:50:15,612 I HOPE TO SURPASS SINATRA IN EVERYTHING HE DOES." 1016 00:50:15,612 --> 00:50:17,580 [AS ED SULLIVAN] AND NOW, LADIES AND GENTLEMEN, 1017 00:50:17,580 --> 00:50:19,549 ONE TIME ONLY ON OUR STAGE, 1018 00:50:19,549 --> 00:50:21,317 BRASH, COCKY, AND ARROGANT! 1019 00:50:21,317 --> 00:50:24,287 WE OUGHT TO OPEN WITH THAT THE NEXT TIME WE PLAY SOMEWHERE. 1020 00:50:24,287 --> 00:50:25,755 ABSOLUTELY. HEY, BOOM-BOOM, WHAT'S THE PLAN? 1021 00:50:25,755 --> 00:50:26,923 WHERE ARE WE GOING TO BE IN 5 YEARS? 1022 00:50:26,923 --> 00:50:30,760 WHO KNOWS? THE RUSSIANS MAY OWN SHOW BUSINESS IN 5 YEARS. 1023 00:50:30,760 --> 00:50:32,128 THAT'S BULLSHIT, BOOM-BOOM. FORGET 5 YEARS. 1024 00:50:32,128 --> 00:50:33,563 WHAT ABOUT NEXT WEEK, NEXT MONTH, NEXT YEAR? 1025 00:50:33,563 --> 00:50:34,664 I DON'T KNOW ABOUT NEXT YEAR, 1026 00:50:34,664 --> 00:50:37,300 BUT I CAN TELL YOU WHERE WE'RE GOING TO BE NEXT MONTH. 1027 00:50:37,300 --> 00:50:38,835 PLEASE DON'T TELL ME DETROIT. 1028 00:50:38,835 --> 00:50:41,204 YOU KNOW EVERYBODY IN SHOW BUSINESS HATES ME 1029 00:50:41,204 --> 00:50:42,372 BECAUSE OF THE DEALS I GET. 1030 00:50:42,372 --> 00:50:45,742 WHAT DO YOU THINK, GUYS? IS THAT THE REASON THEY HATE HIM? 1031 00:50:45,742 --> 00:50:48,078 WHILE WE'RE ON THE SUBJECT OF WHAT'S NEXT, 1032 00:50:48,078 --> 00:50:50,380 BOBBY, I ALMOST FORGOT TO TELL YOU. 1033 00:50:50,380 --> 00:50:51,815 WE'RE GOING TO NEED A NEW COMEDIAN 1034 00:50:51,815 --> 00:50:54,785 TO OPEN FOR YOU AT THE COPA. 1035 00:50:59,322 --> 00:51:00,790 WHAT DID YOU JUST SAY? 1036 00:51:00,790 --> 00:51:05,462 DIDN'T I TELL YOU? YOU'RE PLAYING THE COPA. 1037 00:51:06,463 --> 00:51:07,597 YOU'RE FRIGGIN' KIDDING ME. 1038 00:51:07,597 --> 00:51:09,799 I GOT THE CALL THIS MORNING, BIG SHOT. 1039 00:51:09,799 --> 00:51:14,170 NO! NO! NO! WE GOT THE COPA! 1040 00:51:14,170 --> 00:51:15,638 [ALL SHOUTING] 1041 00:51:15,638 --> 00:51:17,707 WE GOT THE--OH, GOD! 1042 00:51:17,707 --> 00:51:19,409 WE GOT THE COPA! 1043 00:51:19,409 --> 00:51:23,346 BOOM-BOOM, I'VE GOT TO KISS YOU! 1044 00:51:23,346 --> 00:51:24,714 GODDAMN LUNATIC. 1045 00:51:24,714 --> 00:51:26,516 SANDRA, I'M PLAYING-- SAN--SANDY! 1046 00:51:26,516 --> 00:51:29,285 I'M PLAYING THE COPA! I'M PLAYING THE COPA! 1047 00:51:29,285 --> 00:51:30,253 WE'RE PLAYING THE COPA! 1048 00:51:30,253 --> 00:51:33,289 MY DREAM HAS COME TRUE! I'M PLAYING THE COPA! 1049 00:51:33,289 --> 00:51:35,291 THAT'S GREAT, SWEETIE. 1050 00:51:35,291 --> 00:51:36,292 [MWAH] 1051 00:51:36,292 --> 00:51:38,728 WHAT'S THE COPA? 1052 00:51:39,596 --> 00:51:40,664 Polly: THE COPACABANA 1053 00:51:40,664 --> 00:51:43,566 IS THE MOST IMPORTANT NIGHTCLUB IN THE WHOLE WORLD. 1054 00:51:43,566 --> 00:51:45,702 EVERYBODY FAMOUS HAS PLAYED HERE. 1055 00:51:45,702 --> 00:51:48,671 ONE DAY, YOU'RE GOING TO PLAY HERE, BOBBY, 1056 00:51:48,671 --> 00:51:52,809 AND YOU'RE GOING TO BREAK ALL HIS BOX-OFFICE RECORDS. 1057 00:51:52,809 --> 00:51:56,746 YOU GOT THAT RIGHT. 1058 00:52:02,519 --> 00:52:05,555 Girls: BOBBY! BOBBY! BOBBY! 1059 00:52:05,555 --> 00:52:06,556 BOBBY! BOBBY! 1060 00:52:06,556 --> 00:52:09,459 GEORGE KIRBY IS THE FUNNIEST COMIC WORKING TODAY. 1061 00:52:09,459 --> 00:52:12,195 I NEVER SAID HE WASN'T FUNNY. 1062 00:52:12,195 --> 00:52:13,563 I SAID HE WAS A NEGRO. 1063 00:52:13,563 --> 00:52:15,198 HE'S BREAKING HOUSE RECORDS-- 1064 00:52:15,198 --> 00:52:17,500 LOOK, IF THEY'RE A BIG ACT, LIKE SAMMY DAVIS, 1065 00:52:17,500 --> 00:52:18,902 THEY CAN HEADLINE HERE, 1066 00:52:18,902 --> 00:52:21,471 BUT THEY NEVER-- AND YOU KNOW THAT-- 1067 00:52:21,471 --> 00:52:23,206 THEY NEVER OPEN AT THE COPA. 1068 00:52:23,206 --> 00:52:25,508 LOOK, MR. PODELL, THERE'S A FIRST TIME FOR EVERYTHING. 1069 00:52:25,508 --> 00:52:27,644 WHY NOT LET ONE OF THE GREAT COMEDIANS 1070 00:52:27,644 --> 00:52:29,412 IN THIS COUNTRY PLAY HERE? 1071 00:52:29,412 --> 00:52:30,747 BECAUSE I SAY SO. 1072 00:52:30,747 --> 00:52:32,849 YOU UNDERSTAND? IT'S POLICY. 1073 00:52:32,849 --> 00:52:34,350 SURE, I UNDERSTAND POLICY, 1074 00:52:34,350 --> 00:52:36,319 BUT FRANKLY, TO HELL WITH POLICY. 1075 00:52:36,319 --> 00:52:38,254 THIS IS 1960, NOT 1860. 1076 00:52:38,254 --> 00:52:40,523 I HEARD YOU HAD A MOUTH ON YOU, KID. 1077 00:52:40,523 --> 00:52:42,325 SAVE IT FOR SINGING. 1078 00:52:42,325 --> 00:52:43,293 Bobby: LISTEN... 1079 00:52:43,293 --> 00:52:45,895 MR. PODELL, I RESPECT THAT THIS IS YOUR CLUB. 1080 00:52:45,895 --> 00:52:46,863 I TRULY DO. 1081 00:52:46,863 --> 00:52:49,265 BUT IF YOU DON'T LET GEORGE KIRBY OPEN FOR ME, 1082 00:52:49,265 --> 00:52:51,701 I CAN'T BE RESPONSIBLE FOR THE CONSEQUENCES. 1083 00:52:51,701 --> 00:52:53,436 YOU THREATENING ME? HMM? 1084 00:52:53,436 --> 00:52:55,371 I'M CAUTIONING YOU, MR. PODELL. 1085 00:52:55,371 --> 00:52:59,309 HAVE YOU NEVER HEARD OF A SIT-IN? 1086 00:52:59,309 --> 00:53:00,210 A SIT WHAT? 1087 00:53:00,210 --> 00:53:03,313 IT'S A VERY POPULAR FORM OF PROTEST TODAY. 1088 00:53:03,313 --> 00:53:05,415 IT'S WHERE MEMBERS OF THE BLACK COMMUNITY 1089 00:53:05,415 --> 00:53:07,884 AND THE WHITE COMMUNITY-- ACTUALLY, ALL COMMUNITIES-- 1090 00:53:07,884 --> 00:53:10,220 THEY COME TOGETHER TO AN ESTABLISHMENT 1091 00:53:10,220 --> 00:53:11,288 THAT THEY FEEL IS BEING... 1092 00:53:11,288 --> 00:53:14,591 WELL, FRANKLY, UNFAIR TO THEIR BROTHERS AND SISTERS, 1093 00:53:14,591 --> 00:53:17,393 AND THE MEDIA SHOWS UP, THEY HOLD HANDS, 1094 00:53:17,393 --> 00:53:19,262 THEY SIT. AND THEY SIT... 1095 00:53:19,262 --> 00:53:21,531 SOMETIMES FOR DAYS. 1096 00:53:21,531 --> 00:53:23,666 THEY SIT? 1097 00:53:23,666 --> 00:53:26,769 YEAH, THEY SIT, AND, UM... 1098 00:53:26,769 --> 00:53:29,973 AND THEY SING, YOU KNOW, SONGS LIKE... 1099 00:53:29,973 --> 00:53:34,277 WHAT'S THE...OH. WE SHALL OVERCOME. 1100 00:53:34,277 --> 00:53:39,516 OVERCOME? OVERCOME WHAT? 1101 00:53:42,652 --> 00:53:46,456 POLICY, MR. PODELL. 1102 00:53:50,994 --> 00:53:53,997 OUTDATED POLICY. 1103 00:53:56,499 --> 00:53:59,369 [APPLAUSE AND DRUM ROLL] 1104 00:54:05,475 --> 00:54:07,477 Kirby: THANK YOU SO VERY MUCH. 1105 00:54:07,477 --> 00:54:09,012 I DON'T KNOW IF YOU'VE NOTICED 1106 00:54:09,012 --> 00:54:10,747 WHAT A WONDERFUL THING TELEVISION IS TODAY. 1107 00:54:10,747 --> 00:54:13,616 I GOT HOLLYWOOD, CALIFORNIA, ON ONE OF MY CHANNELS, 1108 00:54:13,616 --> 00:54:15,818 AND OF ALL PEOPLE, I GOT LOUELLA PARSONS. 1109 00:54:15,818 --> 00:54:17,920 I'LL NEVER FORGET, SHE STARTED OUT HER PROGRAM 1110 00:54:17,920 --> 00:54:23,793 BY SAYING, "GOOD EVENING FROM HOLLYWOOD." 1111 00:54:23,793 --> 00:54:26,796 [LAUGHTER AND APPLAUSE] 1112 00:54:30,533 --> 00:54:33,470 [NINA ARGUING WITH MAN OUTSIDE] 1113 00:54:37,974 --> 00:54:40,043 Nina: DON'T PUT YOUR HANDS ON ME! 1114 00:54:40,043 --> 00:54:43,913 DON'T TELL ME WHERE I'M GOIN'! 1115 00:54:43,913 --> 00:54:47,417 I'M GOING RIGHT OVER THERE TO SEE MR. DARIN! 1116 00:54:47,417 --> 00:54:48,751 I'M HIS SISTER! 1117 00:54:48,751 --> 00:54:51,487 YOU DON'T SAY ANYTHING TO ME! 1118 00:54:51,487 --> 00:54:53,323 NINA. 1119 00:54:53,323 --> 00:54:54,490 NINA, WHAT'S GOING ON? 1120 00:54:54,490 --> 00:54:56,559 THESE GOONS WON'T LET ME BACK TO SEE YOU. 1121 00:54:56,559 --> 00:54:57,760 IS THAT RIGHT? I AM FAMILY! 1122 00:54:57,760 --> 00:54:59,796 THEY'RE TREATING ME LIKE SOME GODDAMN FAN! 1123 00:54:59,796 --> 00:55:01,497 HONEY, THEY HAVE INSTRUCTIONS 1124 00:55:01,497 --> 00:55:02,899 NOT TO LET ANYBODY BACK 1125 00:55:02,899 --> 00:55:03,900 THIS CLOSE TO THE SHOW. 1126 00:55:03,900 --> 00:55:06,602 OH, WELL, THEN I GUESS I'M JUST ANYONE THEN, HUH? 1127 00:55:06,602 --> 00:55:07,970 GUYS, GIVE ME A MOMENT, GUYS. 1128 00:55:07,970 --> 00:55:09,839 NINA, I HAVE TO PREPARE TO GO ON. 1129 00:55:09,839 --> 00:55:12,075 WHY DO YOU HAVE US SITTING IN THE BACK AGAIN? 1130 00:55:12,075 --> 00:55:13,476 WHAT ARE YOU TALKING ABOUT? 1131 00:55:13,476 --> 00:55:14,744 MY TABLE IS PRACTICALLY IN THE KITCHEN. 1132 00:55:14,744 --> 00:55:16,679 MAYBE I SHOULD BRING YOU OUT SOME COFFEE 1133 00:55:16,679 --> 00:55:17,680 WHILE I'M IN THERE. 1134 00:55:17,680 --> 00:55:19,048 JESUS CHRIST, NINA. YOU KNOW THE TABLES UP FRONT 1135 00:55:19,048 --> 00:55:20,650 ARE FOR THE BOYS I GOT TO TAKE CARE OF. 1136 00:55:20,650 --> 00:55:22,018 THEY'VE GOT SANDY SITTING RIGHT UP FRONT. 1137 00:55:22,018 --> 00:55:23,820 THAT'S WHERE THEY WANT HER--RIGHT UP FRONT. 1138 00:55:23,820 --> 00:55:25,054 WHY DON'T YOU JUST SAY IT? 1139 00:55:25,054 --> 00:55:26,789 YOU ARE EMBARRASSED BY ME AND CHARLIE. 1140 00:55:26,789 --> 00:55:28,358 I AM NOT EMBARRASSED, HONEY, 1141 00:55:28,358 --> 00:55:29,759 BUT THOSE ARE PODELL'S TABLES. 1142 00:55:29,759 --> 00:55:31,427 THAT'S BULLSHIT, AND YOU KNOW IT. 1143 00:55:31,427 --> 00:55:32,795 IT IS NOT BULLSHIT, HONEY. 1144 00:55:32,795 --> 00:55:34,030 NOW JUST GO ENJOY THE SHOW. 1145 00:55:34,030 --> 00:55:35,665 IT'S THE MOST IMPORTANT NIGHT OF MY LIFE. 1146 00:55:35,665 --> 00:55:37,734 I'LL DO MY BEST. I WON'T SEE ANYTHING. 1147 00:55:37,734 --> 00:55:38,702 HONEY-- 1148 00:55:38,702 --> 00:55:42,372 MAYBE THE MAITRE D' WILL TELL ME HOW IT WENT! 1149 00:55:42,705 --> 00:55:46,809 Announcer: LADIES AND GENTLEMEN, BOBBY DARIN! 1150 00:55:46,809 --> 00:55:49,646 [BAND PLAYING FANFARE] 1151 00:55:58,054 --> 00:56:01,358 [BAND PLAYING LIVELY TUNE] 1152 00:56:02,759 --> 00:56:04,961 THANK YOU. 1153 00:56:06,996 --> 00:56:10,566 ♪ HELLO, YOUNG LOVERS, WHOEVER YOU ARE ♪ 1154 00:56:10,566 --> 00:56:13,603 ♪ I HOPE YOUR TROUBLES ARE FEW ♪ 1155 00:56:13,603 --> 00:56:16,639 ♪ ALL MY GOOD WISHES GO WITH YOU TONIGHT ♪ 1156 00:56:16,639 --> 00:56:18,474 ♪ I'VE BEEN IN LOVE LIKE YOU ♪ 1157 00:56:18,474 --> 00:56:23,112 ♪ YOU BE BRAVE, YOUNG LOVERS, AND FOLLOW YOUR STARS ♪ 1158 00:56:23,112 --> 00:56:25,915 ♪ GREAT AND FAITHFUL AND TRUE ♪ 1159 00:56:25,915 --> 00:56:29,652 ♪ AND CLING VERY CLOSE TO EACH OTHER TONIGHT ♪ 1160 00:56:29,652 --> 00:56:32,088 ♪ I'VE BEEN IN LOVE LIKE YOU ♪ 1161 00:56:32,088 --> 00:56:35,558 ♪ AND I KNOW HOW IT FEELS TO HAVE WINGS ON YOUR HEELS ♪ 1162 00:56:35,558 --> 00:56:38,461 ♪ AND TO FLY DOWN THE STREET IN A TRANCE ♪ 1163 00:56:38,461 --> 00:56:41,664 ♪ YOU WING DOWN THAT STREET ON THE CHANCE THAT YOU'LL MEET ♪ 1164 00:56:41,664 --> 00:56:45,134 ♪ AND YOU'LL MEET, NOT BY CHANCE ♪ 1165 00:56:45,134 --> 00:56:48,204 ♪ DON'T CRY, YOUNG LOVERS, WHATEVER YOU DO ♪ 1166 00:56:48,204 --> 00:56:51,040 ♪ SAY, DON'T CRY BECAUSE I'M ALONE ♪ 1167 00:56:51,040 --> 00:56:54,477 ♪ ALL OF MY MEMORIES ARE HAPPY TONIGHT ♪ 1168 00:56:54,477 --> 00:56:57,647 ♪ I'VE HAD A LOVE OF MY OWN, HALLELUJAH ♪ 1169 00:56:57,647 --> 00:57:01,017 ♪ I'VE HAD A LOVE OF MY OWN LIKE YOURS ♪ 1170 00:57:01,017 --> 00:57:03,986 ♪ I HAVE HAD A LOVE ♪ 1171 00:57:03,986 --> 00:57:09,859 ♪ OF MY OWN ♪ 1172 00:57:09,859 --> 00:57:11,828 [APPLAUSE] 1173 00:57:14,063 --> 00:57:16,966 THANK YOU, AND WELCOME TO THE COPACABANA. 1174 00:57:16,966 --> 00:57:20,937 HOW ABOUT RICHARD BEHRKE RIGHT THERE, LADIES AND GENTLEMEN? 1175 00:57:20,937 --> 00:57:23,173 [APPLAUSE] 1176 00:57:25,675 --> 00:57:28,778 I'M VERY HONORED TO BE HERE TONIGHT AT THE COPACABANA. 1177 00:57:28,778 --> 00:57:33,015 IT'S ALWAYS BEEN, UH... MY DREAM 1178 00:57:33,015 --> 00:57:34,784 TO PLAY THIS CLUB, 1179 00:57:34,784 --> 00:57:38,020 AND IN CONNECTION WITH THAT, 1180 00:57:38,020 --> 00:57:42,024 I WOULD LIKE TO PAY TRIBUTE TO... 1181 00:57:42,024 --> 00:57:44,927 TO 2 WOMEN IN MY LIFE. 1182 00:57:44,927 --> 00:57:47,730 MY MOTHER POLLY... 1183 00:57:47,730 --> 00:57:49,665 ALWAYS DREAMED AND BELIEVED 1184 00:57:49,665 --> 00:57:53,603 THAT ONE DAY I WOULD PLAY THE COPACABANA. 1185 00:57:53,603 --> 00:57:57,206 AND SO TONIGHT, THIS IS FOR HER, FOR MY MOM. 1186 00:57:57,206 --> 00:58:00,776 AND THE OTHER WOMAN, WHO IS HERE TONIGHT, 1187 00:58:00,776 --> 00:58:04,213 IS, OF COURSE, MY LOVELY NEW WIFE SANDRA DEE, 1188 00:58:04,213 --> 00:58:06,516 THE WOMAN YOU'RE ALL LOOKING AT 1189 00:58:06,516 --> 00:58:08,618 WHEN I'M TRYING TO WORK. 1190 00:58:08,618 --> 00:58:11,221 [APPLAUSE] 1191 00:58:13,789 --> 00:58:17,693 AH, WOULD YOU LOOK AT THAT? SHE'S BLUSHING. 1192 00:58:17,693 --> 00:58:19,061 THANK YOU FOR MAKING HER FEEL 1193 00:58:19,061 --> 00:58:20,129 SO WELCOME TONIGHT, LADIES AND GENTLEMEN, 1194 00:58:20,129 --> 00:58:22,798 AND FOR THAT, I WANT TO DO A SPECIAL NUMBER FOR HER. 1195 00:58:22,798 --> 00:58:24,901 I WANT TO DEDICATE THIS SONG... 1196 00:58:24,901 --> 00:58:26,269 COME ON. [CRYING SOFTLY] 1197 00:58:26,269 --> 00:58:28,671 I LOVE YOU, SANDRA. 1198 00:58:28,671 --> 00:58:29,705 [BAND PLAYING] 1199 00:58:29,705 --> 00:58:32,174 ♪ I CAN ONLY GIVE YOU LOVE THAT LASTS FOREVER ♪ 1200 00:58:32,174 --> 00:58:35,311 ♪ AND THE PROMISE TO BE NEAR EACH TIME YOU CALL ♪ 1201 00:58:35,311 --> 00:58:39,649 ♪ AND THE ONLY HEART I OWN, FOR YOU AND YOU ALONE ♪ 1202 00:58:39,649 --> 00:58:40,816 ♪ THAT'S ALL ♪ 1203 00:58:40,816 --> 00:58:42,184 ♪ THAT'S ALL ♪ 1204 00:58:42,184 --> 00:58:45,688 ♪ I CAN ONLY GIVE YOU COUNTRY WALKS IN SPRINGTIME ♪ 1205 00:58:45,688 --> 00:58:49,158 ♪ AND A HAND TO HOLD WHEN LEAVES BEGIN TO FALL ♪ 1206 00:58:49,158 --> 00:58:51,060 ♪ AND A LOVE WHOSE BURNING LIGHT ♪ 1207 00:58:51,060 --> 00:58:52,695 ♪ WILL WARM THE WINTER NIGHT ♪ 1208 00:58:52,695 --> 00:58:53,829 ♪ THAT'S ALL ♪ 1209 00:58:53,829 --> 00:58:54,863 ♪ THAT'S ALL ♪ 1210 00:58:54,863 --> 00:58:58,267 ♪ THERE ARE THOSE, I AM SURE, WHO HAVE TOLD YOU ♪ 1211 00:58:58,267 --> 00:59:01,804 ♪ THEY WOULD GIVE YOU THE WORLD FOR A TOY ♪ 1212 00:59:01,804 --> 00:59:04,840 ♪ ALL I HAVE ARE THESE ARMS TO ENFOLD YOU ♪ 1213 00:59:04,840 --> 00:59:07,677 ♪ AND A LOVE TIME CAN NEVER DESTROY ♪ 1214 00:59:07,677 --> 00:59:10,713 ♪ IF YOU'RE WONDERING WHAT I'M ASKING IN RETURN, DEAR ♪ 1215 00:59:10,713 --> 00:59:14,750 ♪ YOU'LL BE GLAD TO KNOW THAT MY DEMANDS ARE SMALL ♪ 1216 00:59:14,750 --> 00:59:16,319 ♪ SAY IT'S ME THAT YOU'LL ADORE ♪ 1217 00:59:16,319 --> 00:59:18,321 ♪ FOR NOW AND EVERMORE ♪ 1218 00:59:18,321 --> 00:59:20,690 ♪ THAT'S ALL ♪ 1219 00:59:20,690 --> 00:59:22,825 ♪ THAT'S ALL ♪ 1220 00:59:33,369 --> 00:59:35,772 [SINGING SCAT] 1221 00:59:47,783 --> 00:59:51,754 ♪ THERE ARE THOSE, I AM SURE, WHO HAVE TOLD YOU ♪ 1222 00:59:51,754 --> 00:59:55,124 ♪ THEY WOULD GIVE YOU THE WORLD FOR A TOY ♪ 1223 00:59:55,124 --> 00:59:58,227 ♪ ALL I HAVE ARE THESE ARMS TO ENFOLD YOU ♪ 1224 00:59:58,227 --> 01:00:01,097 ♪ AND A LOVE TIME CAN NEVER DESTROY ♪ 1225 01:00:01,097 --> 01:00:04,800 ♪ IF YOU'RE WONDERING WHAT I'M ASKING IN RETURN, DEAR ♪ 1226 01:00:04,800 --> 01:00:08,004 ♪ YOU'LL BE GLAD TO KNOW THAT MY DEMANDS ARE SMALL ♪ 1227 01:00:08,004 --> 01:00:10,706 ♪ SAY IT'S ME THAT YOU'LL ADORE ♪ 1228 01:00:10,706 --> 01:00:14,710 ♪ YEAH, IT'S ME THAT YOU'LL ADORE ♪ 1229 01:00:14,710 --> 01:00:18,114 ♪ FOR NOW AND EVERMORE ♪ 1230 01:00:18,114 --> 01:00:20,182 ♪ THAT'S ALL ♪ 1231 01:00:20,182 --> 01:00:21,217 [APPLAUSE] 1232 01:00:21,217 --> 01:00:22,818 Man: IN THOSE LONG-AGO YEARS, 1233 01:00:22,818 --> 01:00:24,920 IT SEEMED AS IF BOBBY DARIN AND SANDRA DEE 1234 01:00:24,920 --> 01:00:27,690 WERE THE MOST TALKED-ABOUT COUPLE ON THE PLANET. 1235 01:00:27,690 --> 01:00:30,192 AFTER THE BIRTH OF DODD MITCHELL CASSOTTO 1236 01:00:30,192 --> 01:00:32,228 ON DECEMBER 16th, THEY BOTH STAYED 1237 01:00:32,228 --> 01:00:34,130 IN LOS ANGELES TO MAKE MOVIES-- 1238 01:00:34,130 --> 01:00:36,032 SANDRA IN ANOTHER TAMMY PICTURE 1239 01:00:36,032 --> 01:00:39,702 AND BOBBY IN A SUPPORTING ROLE IN CAPTAIN NEWMAN, M.D.-- 1240 01:00:39,702 --> 01:00:41,737 SHH! QUIET. 1241 01:00:41,737 --> 01:00:43,039 [AHEM] 1242 01:00:43,039 --> 01:00:44,774 I'M SORRY. 1243 01:00:44,774 --> 01:00:47,143 OK. IT'S QUIET ON THE SET. 1244 01:00:47,143 --> 01:00:49,078 AND ROLLING. 1245 01:00:49,078 --> 01:00:50,713 SPEED... 1246 01:00:50,713 --> 01:00:52,048 [MARKER CLAPS] 1247 01:00:52,048 --> 01:00:54,216 AND...ACTION, BOBBY. 1248 01:00:54,216 --> 01:00:56,152 OK, BIG JIM. YOU GO ON. 1249 01:00:56,152 --> 01:01:00,322 YOU GET THIS TWO-BIT CORN-FEEDER OFF THE GROUND, HUH? 1250 01:01:00,322 --> 01:01:02,725 HA HA HA. HEY, BUCK. BUCK. 1251 01:01:02,725 --> 01:01:05,261 I THINK WE OUGHT TO GET A COUPLE OF BROADS 1252 01:01:05,261 --> 01:01:06,929 WHEN WE GET OURSELVES BACK HOME. 1253 01:01:06,929 --> 01:01:09,732 I MEAN, ONES WITH REAL BUILDS ON THEM THAT WON'T QUIT. 1254 01:01:09,732 --> 01:01:10,700 YOU KNOW WHAT I MEAN? 1255 01:01:10,700 --> 01:01:12,802 I'M TALKING ABOUT SOME REAL BALLOON SMUGGLERS. 1256 01:01:12,802 --> 01:01:14,704 YOU KNOW WHAT I MEAN? JESUS. WHAT WAS THAT? 1257 01:01:14,704 --> 01:01:19,241 WE GOT HIT? BUCK! BUCK, WE'RE GOING DOWN! 1258 01:01:19,241 --> 01:01:22,011 OH, JESUS! WE'RE GOING TO CRASH! 1259 01:01:22,011 --> 01:01:24,380 I GOT TO GET OUT. I GOT TO USE THE ESCAPE HATCH. 1260 01:01:24,380 --> 01:01:29,251 OH, COME ON! OH, NO! HE DOESN'T HAVE A HEAD! 1261 01:01:29,251 --> 01:01:30,486 OH, NO! OH, GOD! 1262 01:01:30,486 --> 01:01:34,890 PLEASE, CAN'T YOU FIX HIM THE WAY HE WAS BEFORE? 1263 01:01:34,890 --> 01:01:36,459 OH, GOD! NO! 1264 01:01:36,459 --> 01:01:39,128 AND CUT. FANTASTIC. 1265 01:01:39,128 --> 01:01:40,930 [BELL RINGING] 1266 01:01:40,930 --> 01:01:42,398 [APPLAUSE] 1267 01:01:42,398 --> 01:01:45,401 HONEY, YOU WERE WONDERFUL! 1268 01:01:45,401 --> 01:01:47,169 [MWAH] 1269 01:01:47,169 --> 01:01:48,504 OH, MY BABY. 1270 01:01:48,504 --> 01:01:50,272 BOBBY, THANKS. THAT WAS INCREDIBLE. 1271 01:01:50,272 --> 01:01:52,141 IT'S THE BEST PART I'VE EVER HAD. 1272 01:01:52,141 --> 01:01:53,342 YEAH, I TOLD YOU IT WAS A GREAT SCRIPT. 1273 01:01:53,342 --> 01:01:56,312 BUT HOW CAN YOU GO WRONG WITH GREGORY PECK AND TONY CURTIS? 1274 01:01:56,312 --> 01:01:57,346 AND ANGIE DICKINSON. 1275 01:01:57,346 --> 01:01:59,215 DON'T FORGET ANGIE. THANKS, ANGIE. 1276 01:01:59,215 --> 01:02:00,816 I'LL SEE YOU SOON. 1277 01:02:00,816 --> 01:02:02,184 SO, WHAT'S NEXT? 1278 01:02:02,184 --> 01:02:03,853 I DON'T KNOW. BOOM-BOOM, WHAT'S NEXT? 1279 01:02:03,853 --> 01:02:06,388 WE OPEN IN TAHOE FOR 3 NIGHTS ON THE 20th. 1280 01:02:06,388 --> 01:02:08,791 THEN WE GOT PHILLY, CHICAGO, AND MIAMI BEACH. 1281 01:02:08,791 --> 01:02:10,226 Man: THANK YOU. GOOD LUCK. 1282 01:02:10,226 --> 01:02:11,894 WHAT'S HE TALKING ABOUT? 1283 01:02:11,894 --> 01:02:12,661 THE TOUR, BABY. 1284 01:02:12,661 --> 01:02:14,396 I'M NOT DONE FILMING MY MOVIE YET. 1285 01:02:14,396 --> 01:02:16,899 THAT'S OK. YOU AND DODD CAN JOIN ME WHEN YOU'RE DONE. 1286 01:02:16,899 --> 01:02:18,267 I'M NOT BRINGING THE BABY ON THE ROAD. 1287 01:02:18,267 --> 01:02:20,302 THEN LEAVE HIM WITH THE NANNY. THAT'S WHY WE HIRED HER. 1288 01:02:20,302 --> 01:02:22,037 I DON'T WANT DODD TO BE RAISED BY THE NANNY. 1289 01:02:22,037 --> 01:02:23,873 HONEY, HE'S NOT GOING TO BE RAISED BY THE NANNY. 1290 01:02:23,873 --> 01:02:25,474 WHAT AM I GOING TO DO ON THE ROAD? 1291 01:02:25,474 --> 01:02:28,878 WHO AM I GOING TO SING TO IF YOU'RE NOT THERE? 1292 01:02:28,878 --> 01:02:30,412 BACK TO MY SET. 1293 01:02:30,412 --> 01:02:31,914 DON'T BE MAD. 1294 01:02:31,914 --> 01:02:33,149 I'M NOT MAD. 1295 01:02:33,149 --> 01:02:34,050 YOU LOOK MAD. 1296 01:02:34,050 --> 01:02:35,484 I'M NOT MAD. THE SOONER I FINISH MY MOVIE, 1297 01:02:35,484 --> 01:02:37,486 THE SOONER I CAN JOIN YOU. 1298 01:02:37,486 --> 01:02:38,554 MMM... 1299 01:02:38,554 --> 01:02:41,857 HONEY, YOU KNOW, YOUR TOUPEE WAS ON A LITTLE CROOKED. 1300 01:02:41,857 --> 01:02:44,527 WHAT? YOU KIDDING? SHOOT! 1301 01:02:44,527 --> 01:02:46,896 HEY, GIRLS! HOW MANY TIMES HAVE I TOLD YOU, 1302 01:02:46,896 --> 01:02:48,397 YOU'VE GOT TO WATCH MY HAIR! 1303 01:02:48,397 --> 01:02:49,565 GREAT TIMING, STEVE. 1304 01:02:49,565 --> 01:02:51,133 BE NICE TO HAVE HIM HOME FOR A WHILE. 1305 01:02:51,133 --> 01:02:54,337 IT'S A WONDER DODD EVEN KNOWS WHAT HE LOOKS LIKE. 1306 01:02:55,938 --> 01:02:58,941 GREAT HAVING THEM BOTH AT THE SAME STUDIO, 1307 01:02:58,941 --> 01:03:01,010 ISN'T IT? 1308 01:03:01,811 --> 01:03:07,550 ♪ THERE ARE SO MANY FABULOUS FARAWAY PLACES TO SEE ♪ 1309 01:03:07,550 --> 01:03:14,290 ♪ SUCH AS MEXICO, SWEDEN, HAWAII, JAPAN, AND CAPRI ♪ 1310 01:03:14,290 --> 01:03:17,560 ♪ THERE'S SO MANY EXCITING AND WONDERFUL PLACES ♪ 1311 01:03:17,560 --> 01:03:21,197 ♪ MOUNTAINS AND JUNGLES AND DESERT OASES ♪ 1312 01:03:21,197 --> 01:03:24,433 ♪ PLEASANT AS HOME IS, IT ISN'T WHAT ROME IS ♪ 1313 01:03:24,433 --> 01:03:26,235 ♪ SO WHY STAY THERE? ♪ 1314 01:03:26,235 --> 01:03:32,508 ♪ WHEN THERE ARE SO MANY FABULOUS FARAWAY PLACES TO SEE ♪ 1315 01:03:33,108 --> 01:03:36,011 ♪ WHY SHOULD SPAIN AND TAHITI AND RIO ♪ 1316 01:03:36,011 --> 01:03:39,281 ♪ JUST BE ONLY NAMES TO YOU AND ME? ♪ 1317 01:03:39,281 --> 01:03:43,085 ♪ I FEEL CERTAIN THERE'S PEOPLE WE'D BE GLAD TO KNOW THERE ♪ 1318 01:03:43,085 --> 01:03:46,255 ♪ SO TELL ME, WHY DON'T WE GET UP AND JUST GO THERE? ♪ 1319 01:03:46,255 --> 01:03:51,961 ♪ GO TO THOSE FABULOUS PLACES WHERE WE LONG TO BE ♪ 1320 01:03:51,961 --> 01:03:55,998 ♪ LIKE BANGKOK AND HONG KONG AND PARIS AND VENICE ♪ 1321 01:03:55,998 --> 01:03:59,368 ♪ TOKYO AND CAIRO AND LISBON AND LONDON ♪ 1322 01:03:59,368 --> 01:04:02,304 ♪ SIAM, SIENA, VIENNA, VERONA ♪ 1323 01:04:02,304 --> 01:04:05,641 ♪ JAVA, JAMAICA, BOMBAY, BARCELONA ♪ 1324 01:04:05,641 --> 01:04:10,379 ♪ SHOW ME THOSE FABULOUS PLACES ♪ 1325 01:04:10,379 --> 01:04:13,149 ♪ WE'RE LONGING TO SEE ♪ 1326 01:04:35,404 --> 01:04:40,576 SO, THIS IS YOUR SUITE, BOBBY AND MRS. DARIN. 1327 01:04:40,576 --> 01:04:42,244 BAR, FIRE PIT. 1328 01:04:42,244 --> 01:04:43,612 THE BATHROOM'S OVER THERE, 1329 01:04:43,612 --> 01:04:45,447 AND THE LIVING ROOM IS THIS WAY, SIR. 1330 01:04:45,447 --> 01:04:47,149 I'LL JUST PUT YOUR LUGGAGE DOWN. 1331 01:04:47,149 --> 01:04:48,150 I'LL BE BACK IN A MINUTE. 1332 01:04:48,150 --> 01:04:51,287 GREAT. THANK YOU VERY MUCH. LOOK AT THIS, BABY. 1333 01:04:51,287 --> 01:04:52,121 MM-HMM. 1334 01:04:52,121 --> 01:04:54,924 IT'S GOING TO BE A HOT NIGHT IN VEGAS. 1335 01:05:00,562 --> 01:05:02,164 Bellhop: ANYTHING ELSE I CAN DO FOR YOU? 1336 01:05:02,164 --> 01:05:04,300 NO. THAT'S ALL FOR THE MOMENT. THANK YOU VERY MUCH. 1337 01:05:04,300 --> 01:05:06,035 WOULD YOU LIKE TO HAVE SOME ICE 1338 01:05:06,035 --> 01:05:07,303 FOR A DRINK OR ANYTHING? 1339 01:05:07,303 --> 01:05:08,671 NO, I'M GREAT. THANK YOU VERY MUCH. 1340 01:05:08,671 --> 01:05:10,539 THERE YOU GO. WHERE ARE YOU FROM? 1341 01:05:10,539 --> 01:05:11,406 I'M FROM GERMANY. 1342 01:05:11,406 --> 01:05:13,542 THAT'S A TERRIFIC CITY. THANK YOU MUCH. 1343 01:05:13,542 --> 01:05:14,409 I'M A BIG FAN, MR. DARIN. 1344 01:05:14,409 --> 01:05:16,445 THAT'S VERY KIND. THANK YOU. GOOD NIGHT. 1345 01:05:16,445 --> 01:05:18,915 THANK YOU. GOOD NIGHT. 1346 01:05:20,049 --> 01:05:23,285 HEY, SANDUSH, DON'T YOU THINK 1347 01:05:23,285 --> 01:05:26,488 YOU'RE DRINKING A LITTLE BIT TOO MUCH LATELY? 1348 01:05:26,488 --> 01:05:29,124 NO. ACTUALLY, I DON'T THINK 1349 01:05:29,124 --> 01:05:31,193 I'VE HAD ENOUGH TO DRINK. 1350 01:05:31,193 --> 01:05:33,162 OK. WHAT'S THE PROBLEM? 1351 01:05:33,162 --> 01:05:35,331 I JUST WANT US TO BE TOGETHER. 1352 01:05:35,331 --> 01:05:36,532 WE ARE TOGETHER, BABY. LOOK. 1353 01:05:36,532 --> 01:05:38,634 I'M TALKING ABOUT SOME KIND OF NORMAL SCHEDULE. 1354 01:05:38,634 --> 01:05:39,668 WE HAVE A BABY NOW, 1355 01:05:39,668 --> 01:05:41,670 AND IF I DON'T SEE YOU UP ON STAGE, 1356 01:05:41,670 --> 01:05:43,272 I DON'T SEE YOU AT ALL. 1357 01:05:43,272 --> 01:05:44,506 WELL, YOU'RE HERE, TOO. 1358 01:05:44,506 --> 01:05:47,042 YEAH. RECORDING OR PERFORMING OR FILMING 1359 01:05:47,042 --> 01:05:48,377 OR MAKING APPEARANCES. 1360 01:05:48,377 --> 01:05:50,312 WHY CAN'T WE JUST STAY HOME? 1361 01:05:50,312 --> 01:05:52,414 HONEY, PERFORMING IS MY LIFE. 1362 01:05:52,414 --> 01:05:54,316 WELL, WHAT ABOUT ME? 1363 01:05:54,316 --> 01:05:56,185 WELL, YOU'RE HERE, AREN'T YOU? 1364 01:05:56,185 --> 01:05:58,220 YEAH, WITH ALL OF THEM! 1365 01:05:58,220 --> 01:05:59,655 BABY, THEY'RE A PART OF MY LIFE, 1366 01:05:59,655 --> 01:06:01,590 JUST LIKE MARY IS A PART OF YOUR LIFE 1367 01:06:01,590 --> 01:06:02,591 AND NOW A PART OF OURS. 1368 01:06:02,591 --> 01:06:04,727 THEY ARE OUR FAMILY, ALL OF THEM, LIKE IT OR NOT. 1369 01:06:04,727 --> 01:06:06,328 HONEY, I CAN'T JUST STOP WORKING 1370 01:06:06,328 --> 01:06:08,263 AND KEEP GOING ON TOUR WITH YOU. 1371 01:06:08,263 --> 01:06:09,331 YES, YOU CAN. 1372 01:06:09,331 --> 01:06:11,767 NO, I CAN'T. NO. I'M AN ACTRESS. 1373 01:06:11,767 --> 01:06:13,702 MAKING MOVIES IS WHAT I DO. 1374 01:06:13,702 --> 01:06:16,271 KISSING TROY DONAHUE IS NOT ACTING. 1375 01:06:16,271 --> 01:06:18,741 OH, YEAH? THEN YOU TRY IT. 1376 01:06:18,741 --> 01:06:20,576 I'D RATHER NOT. 1377 01:06:20,576 --> 01:06:24,347 HEY. WHAT A FACE. 1378 01:06:40,029 --> 01:06:42,064 YOU SHOULD LOCK THE DOOR. 1379 01:06:42,064 --> 01:06:42,698 WHY? 1380 01:06:42,698 --> 01:06:44,400 BEFORE SOMEONE COMES IN. 1381 01:06:44,400 --> 01:06:45,434 NOBODY'S COMING IN. 1382 01:06:45,434 --> 01:06:47,569 YESTERDAY, CHARLIE WALKED IN ON ME TAKING A SHOWER. 1383 01:06:47,569 --> 01:06:49,505 YOU'RE KIDDING. WHAT DID HE WANT? 1384 01:06:49,505 --> 01:06:53,308 HE ASKED ME IF I WANTED A CORNED BEEF SANDWICH. 1385 01:06:53,308 --> 01:06:55,310 [LAUGHS] 1386 01:06:55,310 --> 01:06:56,612 DO YOU? 1387 01:06:56,612 --> 01:06:58,747 HA HA. HMM... 1388 01:06:58,747 --> 01:07:01,083 MMM... 1389 01:07:03,218 --> 01:07:06,255 IT'S OK. IT'S JUST US. 1390 01:07:06,255 --> 01:07:07,056 [DOOR OPENS] 1391 01:07:07,056 --> 01:07:09,191 BOBBY! WHOA. SORRY. BUT I WAS RIGHT 1392 01:07:09,191 --> 01:07:11,693 ABOUT THE WAR PICTURE. GET YOUR SPEECH READY, 1393 01:07:11,693 --> 01:07:13,595 BECAUSE AS SOON AS THIS TOUR IS OVER, 1394 01:07:13,595 --> 01:07:15,497 YOU'RE GOING TO THE OSCARS, PAL. 1395 01:07:15,497 --> 01:07:17,199 YOU JUST GOT NOMINATED. 1396 01:07:17,199 --> 01:07:19,234 HALLELUJAH! YES! YES! 1397 01:07:19,234 --> 01:07:21,737 OH, CHRIST. 1398 01:07:21,737 --> 01:07:23,338 Woman: AND THE NOMINEES ARE... 1399 01:07:23,338 --> 01:07:26,542 NICK ADAMS, IN TWILIGHT OF HONOR... 1400 01:07:26,542 --> 01:07:27,443 [APPLAUSE] 1401 01:07:27,443 --> 01:07:30,679 BOBBY DARIN IN CAPTAIN NEWMAN, M.D... 1402 01:07:30,679 --> 01:07:32,247 [APPLAUSE] 1403 01:07:32,247 --> 01:07:33,816 MELVYN DOUGLAS IN HUD... 1404 01:07:33,816 --> 01:07:34,850 [APPLAUSE] 1405 01:07:34,850 --> 01:07:37,419 HUGH GRIFFITH IN TOM JONES... 1406 01:07:37,419 --> 01:07:38,754 [APPLAUSE] 1407 01:07:38,754 --> 01:07:39,588 HELLO! 1408 01:07:39,588 --> 01:07:43,292 AND JOHN HUSTON IN THE CARDINAL. 1409 01:07:43,292 --> 01:07:45,527 AND THE WINNER IS... 1410 01:07:45,527 --> 01:07:48,330 [PAPER RUSTLING] 1411 01:07:50,365 --> 01:07:52,367 MELVYN DOUGLAS! MELVYN DOUGLAS! 1412 01:07:52,367 --> 01:07:54,336 MY BLOOD IS UP THERE ON THE SCREEN, 1413 01:07:54,336 --> 01:07:56,572 AND THEY GIVE IT TO MELVYN DOUGLAS! 1414 01:07:56,572 --> 01:07:58,173 UNZIP ME, PLEASE. 1415 01:07:58,173 --> 01:08:00,209 "YOU DON'T CARE ABOUT PEOPLE, HUD. 1416 01:08:00,209 --> 01:08:04,480 YOU DON'T GIVE A DAMN ABOUT 'EM." 1417 01:08:09,585 --> 01:08:11,487 I HEARD HE WAS DYING OR SOMETHING. 1418 01:08:11,487 --> 01:08:12,754 IT'S A SYMPATHY VOTE. 1419 01:08:12,754 --> 01:08:14,289 HE'S DYING? I'M THE ONE DYING! 1420 01:08:14,289 --> 01:08:16,291 WAY BEFORE HE WAS DYING, I WAS DYING! 1421 01:08:16,291 --> 01:08:17,493 WHERE'S MY SYMPATHY? 1422 01:08:17,493 --> 01:08:18,760 YOU'RE DOING A PRETTY GOOD JOB 1423 01:08:18,760 --> 01:08:20,229 OF FEELING SORRY FOR YOURSELF ALL ALONE. 1424 01:08:20,229 --> 01:08:22,531 "STICK YOUR FINGER UP MY ASS, ALMA, AND WIGGLE IT, 1425 01:08:22,531 --> 01:08:24,333 JUST LIKE THE DOCTOR DOES. " 1426 01:08:24,333 --> 01:08:26,435 ANYWAY, IT'S AN HONOR JUST TO BE NOMINATED. 1427 01:08:26,435 --> 01:08:27,736 I'VE NEVER BEEN NOMINATED. 1428 01:08:27,736 --> 01:08:29,171 ALL YOUR GODDAMN HOLLYWOOD FRIENDS, 1429 01:08:29,171 --> 01:08:30,906 THEY'RE THE ONES WHO PROBABLY VOTED AGAINST ME. 1430 01:08:30,906 --> 01:08:32,174 I VOTED FOR YOU, BOBBY. 1431 01:08:32,174 --> 01:08:33,542 HEY, IT'S B.D. WHAT TIME'S THE CAR? 1432 01:08:33,542 --> 01:08:34,810 ALL RIGHT. I'LL SEE YOU THEN. 1433 01:08:34,810 --> 01:08:35,778 ALL THE SLAPS AND THE SMILES. 1434 01:08:35,778 --> 01:08:37,479 IN THE MEANTIME, I'M A GODDAMN JOKE OUT THERE! 1435 01:08:37,479 --> 01:08:39,548 NOT AS BIG OF A JOKE AS YOU ARE RIGHT NOW. 1436 01:08:39,548 --> 01:08:40,415 YOU KNOW WHAT IT IS? 1437 01:08:40,415 --> 01:08:41,884 WARREN BEATTY IS THERE WITH LESLIE CARON, 1438 01:08:41,884 --> 01:08:43,752 WHO'S NOMINATED FOR BEST ACTRESS, 1439 01:08:43,752 --> 01:08:45,487 AND I'M THERE WITH GIDGET! 1440 01:08:45,487 --> 01:08:47,556 LESLIE CARON IS NOT BOX-OFFICE! 1441 01:08:47,556 --> 01:08:48,757 THOSE PEOPLE DON'T CARE ABOUT BOX-OFFICE. 1442 01:08:48,757 --> 01:08:50,626 THAT'S ALL THEY GIVE A SHIT ABOUT, BOBBY! 1443 01:08:50,626 --> 01:08:52,294 ONLY PEOPLE FROM THE BRONX 1444 01:08:52,294 --> 01:08:53,762 ACTUALLY CARE ABOUT THE OSCARS. 1445 01:08:53,762 --> 01:08:55,898 MELVYN DOUGLAS IS MARRIED TO A CONGRESSWOMAN, 1446 01:08:55,898 --> 01:08:57,566 AND I'M MARRIED TO TAMMY. 1447 01:08:57,566 --> 01:08:59,601 WELL, IT TOOK MELVYN DOUGLAS 40 YEARS 1448 01:08:59,601 --> 01:09:01,236 TO GET A SUPPORTING ACTOR'S FACE. 1449 01:09:01,236 --> 01:09:04,573 YOU SHOULD BE HAPPY YOU DID IT IN JUST 2. 1450 01:09:04,573 --> 01:09:06,575 [FOOTSTEPS RECEDING] 1451 01:09:06,575 --> 01:09:09,811 YOU KNOW WHAT? MAYBE I'LL JUST GO BACK OUT ON TOUR. 1452 01:09:09,811 --> 01:09:11,446 OH, THAT'S JUST GREAT, BOBBY! 1453 01:09:11,446 --> 01:09:12,915 THAT'S JUST FUCKING GREAT! 1454 01:09:12,915 --> 01:09:14,850 LIKE USUAL, YOU LEAVE DODD AND ME BEHIND! 1455 01:09:14,850 --> 01:09:16,785 YEAH. YOU KNOW WHAT? WHEN YOU'RE ON THE BOARDS, 1456 01:09:16,785 --> 01:09:19,488 IT'S REAL. IT FEELS REAL. THE AUDIENCE IS RIGHT THERE. 1457 01:09:19,488 --> 01:09:20,522 YOU CAN FEEL THEM. 1458 01:09:20,522 --> 01:09:21,957 MAYBE MOVIE AUDIENCES ARE TOO SOBER FOR YOU THEN. 1459 01:09:21,957 --> 01:09:23,692 NO, IT'S REALITY, BABY. IT'S REALITY. 1460 01:09:23,692 --> 01:09:25,194 THE NIGHTCLUBS ARE REALITY. 1461 01:09:25,194 --> 01:09:26,695 IT'S NOT LIKE THE FRICKIN' MOVIES 1462 01:09:26,695 --> 01:09:27,963 THAT ARE ALL GODDAMN FAKE! 1463 01:09:27,963 --> 01:09:29,765 I JUST HAVE ONE THING TO SAY TO YOU, 1464 01:09:29,765 --> 01:09:31,833 MR. REALITY, MR. KING OF REALITY! 1465 01:09:31,833 --> 01:09:33,502 YOUR TOUPEE'S ON CROOKED! 1466 01:09:33,502 --> 01:09:35,237 YOU'RE ALWAYS DOING THAT TO ME! 1467 01:09:35,237 --> 01:09:36,605 YOU'RE TRYING TO UNDERMINE ME 1468 01:09:36,605 --> 01:09:37,973 EVERY TIME I GO ONSTAGE LIKE THAT! 1469 01:09:37,973 --> 01:09:39,775 TELLING ME I GOT A PIMPLE ON MY NOSE! 1470 01:09:39,775 --> 01:09:41,577 WELL, I'M GODDAMN SICK OF IT! 1471 01:09:41,577 --> 01:09:42,744 WHAT ARE YOU DOING? 1472 01:09:42,744 --> 01:09:44,513 WHAT DOES IT LOOK LIKE I'M DOING? 1473 01:09:44,513 --> 01:09:47,249 NO, YOU DON'T! OH, NO, YOU DON'T! 1474 01:09:47,249 --> 01:09:50,686 YOU DON'T LEAVE ME! I LEAVE YOU! 1475 01:09:50,686 --> 01:09:52,921 AND THE CARS AND THE CLOTHES 1476 01:09:52,921 --> 01:09:55,257 AND THE HAIR AND THE PREMIERE! 1477 01:09:55,257 --> 01:09:56,992 I'M SICK OF ALL OF IT! 1478 01:09:56,992 --> 01:09:59,394 I'M TELLING YOU, I'M OUT OF HERE! 1479 01:09:59,394 --> 01:10:00,529 YOU'RE STAYING RIGHT HERE 1480 01:10:00,529 --> 01:10:02,297 BECAUSE YOU'VE GOT TO TAKE CARE OF DODD! 1481 01:10:02,297 --> 01:10:05,567 THE NANNY'S HERE! HE'S FINE! 1482 01:10:05,567 --> 01:10:07,502 YOU HAD A CHANCE TO BE HAPPY, 1483 01:10:07,502 --> 01:10:09,838 AND YOU MESSED IT UP! 1484 01:10:11,506 --> 01:10:15,010 YOU DO NOT... COME BACK HERE! 1485 01:10:15,010 --> 01:10:17,479 [SHOUTING CONTINUES INDISTINCTLY] 1486 01:10:17,479 --> 01:10:21,617 YOU THINK IT'LL BE EASY TO FIND SOMEBODY TO LOVE YOU, 1487 01:10:21,617 --> 01:10:24,319 A BIG-NOSED, SELF-CENTERED, 1488 01:10:24,319 --> 01:10:27,623 MEAN, NASTY, BALDING LITTLE SHIT-HEAD 1489 01:10:27,623 --> 01:10:29,458 WITH A BAD HEART! 1490 01:10:29,458 --> 01:10:31,727 WELL, YOU GO FOR IT, BOBBY! 1491 01:10:31,727 --> 01:10:34,563 BECAUSE I'M THROUGH! 1492 01:10:37,032 --> 01:10:38,533 SANDY! 1493 01:10:38,533 --> 01:10:39,501 SANDY! 1494 01:10:39,501 --> 01:10:42,838 ♪ I TURNED AND YOU WERE GONE ♪ 1495 01:10:42,838 --> 01:10:46,341 ♪ WHILE FROM THE DARKENED WINGS ♪ 1496 01:10:46,341 --> 01:10:50,379 ♪ THE MUSIC BOX PLAYS ON AND ON ♪ 1497 01:10:50,379 --> 01:10:53,815 ♪ SAD LITTLE SERENADE ♪ 1498 01:10:53,815 --> 01:10:57,452 ♪ A SONG OF MY HEART'S COMPOSING ♪ 1499 01:10:57,452 --> 01:11:01,890 ♪ I HEAR IT STILL, I GUESS I ALWAYS WILL ♪ 1500 01:11:01,890 --> 01:11:05,927 ♪ BEST ON THE BILL ♪ 1501 01:11:05,927 --> 01:11:12,368 ♪ CHARADE ♪ 1502 01:11:14,036 --> 01:11:16,438 [CAR DOOR CLOSES] 1503 01:11:33,355 --> 01:11:35,824 OH, BABY. 1504 01:11:39,094 --> 01:11:40,929 MAYBE YOU'RE RIGHT. MAYBE YOU'RE RIGHT 1505 01:11:40,929 --> 01:11:44,833 ABOUT ALL THESE PEOPLE BEING AROUND US ALL THE TIME. 1506 01:11:44,833 --> 01:11:48,670 MAYBE IT SHOULD JUST BE US. 1507 01:11:48,670 --> 01:11:53,108 ♪ WHATEVER YOU'VE DONE, IT'S ALL OVER ♪ 1508 01:11:53,108 --> 01:11:54,943 [SCREAMING] 1509 01:11:54,943 --> 01:12:00,415 ♪ WHATEVER YOU'VE BEEN IS SO STRANGE ♪ 1510 01:12:00,415 --> 01:12:02,951 ♪ YESTERDAY'S LONG GONE... ♪ 1511 01:12:02,951 --> 01:12:05,954 DADDY, I FOUND YOUR HAIR. 1512 01:12:05,954 --> 01:12:07,122 OH, THAT'S GOOD, MOOSE, 1513 01:12:07,122 --> 01:12:11,327 BECAUSE, YOU KNOW, I LEFT IT SOMEWHERE! 1514 01:12:12,561 --> 01:12:15,597 Bobby, narrating: SO I DID STAY HOME FOR A WHILE. 1515 01:12:15,597 --> 01:12:18,433 THE 1960s RUSHED BY LIKE A LOCOMOTIVE 1516 01:12:18,433 --> 01:12:20,936 WHILE DODD GREW UP LIKE A MOOSE. 1517 01:12:20,936 --> 01:12:22,971 SANDY AND I DID A COUPLE OF MOVIES TOGETHER, 1518 01:12:22,971 --> 01:12:24,106 BUT THEY WERE ALL DOGS. 1519 01:12:24,106 --> 01:12:25,807 THE MUSIC SCENE WAS CHANGING 1520 01:12:25,807 --> 01:12:28,043 AS DRAMATICALLY AS THE COUNTRY. 1521 01:12:28,043 --> 01:12:28,910 NIGHTCLUBS WERE OUT, 1522 01:12:28,910 --> 01:12:31,480 AND BIG VENUES, LIKE STADIUMS, WERE IN. 1523 01:12:31,480 --> 01:12:33,548 I WAS SUDDENLY IRRELEVANT, 1524 01:12:33,548 --> 01:12:35,751 MY STAGE LITERALLY DISAPPEARING. 1525 01:12:35,751 --> 01:12:37,552 I TRIED TO WRITE NEW MUSIC 1526 01:12:37,552 --> 01:12:38,987 AND GOT INVOLVED IN POLITICS 1527 01:12:38,987 --> 01:12:42,057 BECAUSE WE WERE NOW A COUNTRY AT WAR. 1528 01:12:42,057 --> 01:12:45,794 BUT THE FACT WAS, I WAS A BALDING CHART SINGER 1529 01:12:45,794 --> 01:12:48,430 WHO HADN'T HAD A HIT IN YEARS 1530 01:12:48,430 --> 01:12:50,098 AND WHO SHOULD BE DEAD. 1531 01:12:50,098 --> 01:12:52,000 Man: SO, WHY KENNEDY? 1532 01:12:52,000 --> 01:12:53,635 LIKE MOST PEOPLE IN THIS COUNTRY, 1533 01:12:53,635 --> 01:12:55,036 I'M FED UP WITH ALL THE INSANITY. 1534 01:12:55,036 --> 01:12:56,905 THE ASSASSINATION OF OUR PRESIDENT, 1535 01:12:56,905 --> 01:12:57,973 VIETNAM, THE RIOTS. 1536 01:12:57,973 --> 01:13:01,176 I GUESS I'M LOOKING FOR SOME SALVATION 1537 01:13:01,176 --> 01:13:02,110 FROM ALL THE MADNESS, 1538 01:13:02,110 --> 01:13:03,845 AND THEN ALONG COMES ANOTHER GUY NAMED BOBBY. 1539 01:13:03,845 --> 01:13:05,981 NOW, HERE IS A NO-BULLSHIT GUY 1540 01:13:05,981 --> 01:13:08,150 WHO IS COMMITTED, PASSIONATE, 1541 01:13:08,150 --> 01:13:09,118 WHO REALLY CARES ABOUT PEOPLE. 1542 01:13:09,118 --> 01:13:11,686 I'VE COMPLETELY DEDICATED MYSELF TO THIS MAN. 1543 01:13:11,686 --> 01:13:15,123 I THINK HE MAY BE THIS COUNTRY'S LAST HOPE. 1544 01:13:15,123 --> 01:13:15,957 GO OUT AND VOTE. 1545 01:13:15,957 --> 01:13:17,893 Bobby, narrating: WHILE IT LOOKED LIKE 1546 01:13:17,893 --> 01:13:19,494 BOBBY KENNEDY MIGHT HEAL THE COUNTRY, 1547 01:13:19,494 --> 01:13:21,963 SANDY AND I DRIFTED FARTHER AND FARTHER APART. 1548 01:13:21,963 --> 01:13:26,769 BOBBY, WHY DO YOU SING THE SAME SONGS EVERY NIGHT? 1549 01:13:28,170 --> 01:13:29,871 ISN'T IT BORING? 1550 01:13:29,871 --> 01:13:31,473 WELL, HONEY, IT'S AN ACT. 1551 01:13:31,473 --> 01:13:32,841 WHAT DO YOU EXPECT ME TO DO, 1552 01:13:32,841 --> 01:13:33,875 SING DIFFERENT SONGS EVERY NIGHT? 1553 01:13:33,875 --> 01:13:36,711 WHY NOT? I DON'T MAKE THE SAME MOVIES EVERY TIME. 1554 01:13:36,711 --> 01:13:38,146 WELL, ACTUALLY, YOU DO. 1555 01:13:38,146 --> 01:13:39,881 SWEET LITTLE INNOCENT SANDY. 1556 01:13:39,881 --> 01:13:42,083 EXCUSE ME, BUT I THINK I KNOW 1557 01:13:42,083 --> 01:13:45,187 WHAT PEOPLE WANT IN THE MOVIES NOWADAYS, OK? 1558 01:13:45,187 --> 01:13:48,490 YOU MAY BE THE EXPERT IN MUSIC, 1559 01:13:48,490 --> 01:13:50,459 BUT I... I... 1560 01:13:50,459 --> 01:13:53,128 HAVE HAD YEARS OF MOVIE EXPERIENCE. 1561 01:13:53,128 --> 01:13:55,497 NOT BAD, SAN. 1562 01:13:55,497 --> 01:13:56,498 WOULD HAVE BEEN EVEN BETTER 1563 01:13:56,498 --> 01:13:59,568 IF YOU'D SAID IT WITHOUT THE SLUR IN YOUR VOICE. 1564 01:14:02,471 --> 01:14:04,840 Bobby, narrating: MY SISTER CAME OUT TO STAY WITH US, 1565 01:14:04,840 --> 01:14:06,541 BUT HER REAL REASON FOR COMING 1566 01:14:06,541 --> 01:14:08,210 I COULDN'T HAVE POSSIBLY IMAGINED. 1567 01:14:08,210 --> 01:14:09,911 LISTEN, BOBBY, THERE'S A REASON 1568 01:14:09,911 --> 01:14:13,715 I FELT I HAD TO COME AND STAY WITH YOU. 1569 01:14:13,715 --> 01:14:15,050 YEAH? WHAT? 1570 01:14:15,050 --> 01:14:17,519 I HEARD YOU WERE GOING INTO POLITICS. 1571 01:14:17,519 --> 01:14:19,921 YOU STILL THINKING ABOUT DOING THAT? 1572 01:14:19,921 --> 01:14:21,523 WELL, I'M CONSIDERING IT. 1573 01:14:21,523 --> 01:14:23,158 I MEAN, THEY'VE ASKED ME. 1574 01:14:23,158 --> 01:14:24,693 WELL, YOU KNOW HOW THE PAPERS 1575 01:14:24,693 --> 01:14:26,728 TRY AND SMEAR PEOPLE WITH THINGS FROM THEIR PAST 1576 01:14:26,728 --> 01:14:29,865 WHEN, YOU KNOW, THEY'RE GOING TO RUN FOR AN OFFICE. 1577 01:14:29,865 --> 01:14:32,033 YEAH. SO WHAT? 1578 01:14:32,033 --> 01:14:33,635 THERE'S SOMETHING ABOUT YOUR PAST 1579 01:14:33,635 --> 01:14:37,772 THAT I THINK IT'S FINALLY TIME FOR YOU TO KNOW. 1580 01:14:37,772 --> 01:14:39,975 WHAT ARE YOU TALKING ABOUT? 1581 01:14:39,975 --> 01:14:42,110 IT'S ABOUT POLLY. 1582 01:14:42,110 --> 01:14:44,813 SHE WASN'T WHO YOU THOUGHT SHE WAS, BOBBY. 1583 01:14:44,813 --> 01:14:46,114 SHE WAS THE BEST MOTHER 1584 01:14:46,114 --> 01:14:47,516 IN THE WHOLE GODDAMN WORLD. 1585 01:14:47,516 --> 01:14:48,517 WHAT ARE YOU TALKING ABOUT? 1586 01:14:48,517 --> 01:14:50,952 SHE WAS A GREAT MOTHER BECAUSE SHE WAS MY MOTHER. 1587 01:14:50,952 --> 01:14:51,552 SO I KNOW IT'S TRUE. 1588 01:14:51,552 --> 01:14:52,287 THEN YOU TAKE THAT BACK. 1589 01:14:52,287 --> 01:14:54,990 I KNOW SHE WAS A WONDERFUL PERSON 1590 01:14:54,990 --> 01:14:56,658 AND A WONDERFUL MOTHER, BUT WHAT I THINK 1591 01:14:56,658 --> 01:14:59,027 YOU REALLY NEED NOW IS THE TRUTH... 1592 01:14:59,027 --> 01:15:01,863 THE TRUTH ABOUT YOUR MOTHER. 1593 01:15:01,863 --> 01:15:06,234 AND THE TRUTH IS... 1594 01:15:06,234 --> 01:15:09,938 POLLY WAS NOT YOUR MOTHER. 1595 01:15:09,938 --> 01:15:13,876 SAM WAS NOT YOUR FATHER. 1596 01:15:14,910 --> 01:15:18,113 YOU AIN'T MY BROTHER, BOBBY. 1597 01:15:22,150 --> 01:15:24,853 WE SWORE WE WOULD... 1598 01:15:24,853 --> 01:15:28,590 NEVER LET YOU FIND OUT. 1599 01:15:31,793 --> 01:15:35,063 POLLY WAS MY MOTHER... 1600 01:15:36,598 --> 01:15:39,268 AND NOT YOURS. 1601 01:15:40,669 --> 01:15:45,007 SHE WAS YOUR GRANDMOTHER. 1602 01:15:46,141 --> 01:15:47,909 SWEETHEART... 1603 01:15:47,909 --> 01:15:52,748 I'M NOT YOUR SISTER. 1604 01:15:56,017 --> 01:15:59,788 BOBBY, I'M YOUR MOTHER. 1605 01:16:01,122 --> 01:16:06,795 WE MADE A PACT THAT WE WOULD NEVER TELL YOU. 1606 01:16:06,795 --> 01:16:09,030 IS SHE KIDDING? 1607 01:16:09,030 --> 01:16:12,767 SHE GOT PREGNANT WHEN SHE WAS 17. 1608 01:16:12,767 --> 01:16:13,868 IT'S TRUE, BOBBY. 1609 01:16:13,868 --> 01:16:15,637 I DIDN'T WANT YOU TO BE A BASTARD, 1610 01:16:15,637 --> 01:16:16,738 SO I GAVE YOU TO MAMA. 1611 01:16:16,738 --> 01:16:18,740 SO THAT WAY, NO ONE COULD CALL YOU ONE. 1612 01:16:18,740 --> 01:16:20,809 SHE COULDN'T GIVE YOU UP FOR ADOPTION. 1613 01:16:20,809 --> 01:16:22,777 WHEN I WENT OFF TO THE HOSPITAL, 1614 01:16:22,777 --> 01:16:24,913 WHEN IT WAS TIME FOR YOU TO BE BORN, 1615 01:16:24,913 --> 01:16:26,314 MAMA MOVED US TO THE BRONX, 1616 01:16:26,314 --> 01:16:28,216 WHERE WE DIDN'T KNOW NOBODY, 1617 01:16:28,216 --> 01:16:29,985 AND THEN WHEN I CAME BACK, 1618 01:16:29,985 --> 01:16:33,888 WE SAID THAT YOU WERE HER BABY, NOT MINE. 1619 01:16:33,888 --> 01:16:36,725 BUT THAT WAY, I COULD KEEP YOU. 1620 01:16:36,725 --> 01:16:39,394 DO YOU REALIZE WHAT YOU'RE SAYING TO ME? 1621 01:16:39,394 --> 01:16:41,930 WE DID IT TO PROTECT YOU, BOBBY. 1622 01:16:41,930 --> 01:16:43,198 YOU NEED ME NOW. 1623 01:16:43,198 --> 01:16:45,734 I CAN REALLY BE HERE FOR YOU. 1624 01:16:45,734 --> 01:16:48,903 YOU'RE LOST. YOU CAN FINALLY HAVE THE MOTHER 1625 01:16:48,903 --> 01:16:50,905 THAT YOU NEVER REALLY HAD. 1626 01:16:50,905 --> 01:16:54,943 [THE ROLLING STONES' LET IT LOOSE BEGINS] 1627 01:16:58,013 --> 01:17:02,784 Mick Jagger: ♪ WHO'S THAT WOMAN ON YOUR ARM? ♪ 1628 01:17:07,989 --> 01:17:14,429 ♪ ALL DRESSED UP TO DO YOU HARM ♪ 1629 01:17:14,429 --> 01:17:17,766 ♪ AND I'M HIP TO WHAT SHE'LL DO ♪ 1630 01:17:17,766 --> 01:17:20,035 WHO WAS MY FATHER? 1631 01:17:20,035 --> 01:17:25,940 OH, BOBBY, I WAS DATING A LOT OF GUYS BACK THEN. 1632 01:17:25,940 --> 01:17:29,111 WHO WAS MY FATHER?! 1633 01:17:36,751 --> 01:17:41,323 ♪ BIT OFF MORE THAN I CAN CHEW ♪ 1634 01:17:44,426 --> 01:17:52,167 ♪ AND I KNEW, YEAH, KNEW WHAT IT WAS LEADING TO ♪ 1635 01:17:52,167 --> 01:17:56,938 ♪ SOME THINGS, WELL, I CAN'T REFUSE ♪ 1636 01:17:56,938 --> 01:18:01,242 ♪ I CAN'T REFUSE ♪ 1637 01:18:01,242 --> 01:18:02,711 ♪ ONE OF THEM ♪ 1638 01:18:02,711 --> 01:18:12,054 ♪ ONE OF THEM THE BEDROOM BLUES ♪ 1639 01:18:14,289 --> 01:18:22,997 ♪ SHE DELIVERS RIGHT ON TIME ♪ 1640 01:18:22,997 --> 01:18:29,337 ♪ I CAN'T RESIST A CORNY LINE ♪ 1641 01:18:29,337 --> 01:18:34,142 ♪ BUT TAKE THE SHINE RIGHT OFF YOUR SHOES ♪ 1642 01:18:34,142 --> 01:18:38,246 ♪ YEAH, RIGHT OFF YOUR SHOES ♪ 1643 01:18:38,246 --> 01:18:39,881 ♪ CARRYIN' ♪ 1644 01:18:39,881 --> 01:18:43,184 ♪ CARRYIN' THE BEDROOM BLUES ♪ 1645 01:18:43,184 --> 01:18:47,355 ♪ OH, OH ♪ 1646 01:21:00,989 --> 01:21:06,895 ♪ COME SING A SIMPLE SONG OF FREEDOM ♪ 1647 01:21:08,096 --> 01:21:14,469 ♪ SING IT LIKE YOU'VE NEVER SUNG BEFORE ♪ 1648 01:21:14,469 --> 01:21:17,205 ♪ LET IT FILL THE AIR ♪ 1649 01:21:17,205 --> 01:21:22,310 ♪ TELL THE PEOPLE EVERYWHERE ♪ 1650 01:21:22,310 --> 01:21:28,116 ♪ WE, THE PEOPLE HERE, DON'T WANT A WAR ♪ 1651 01:21:29,484 --> 01:21:32,253 Man, on radio: SENATOR, HOW ARE YOU GOING TO COUNTER 1652 01:21:32,253 --> 01:21:34,355 MR. HUMPHREY AND HIS BACKGROUNDING YOU 1653 01:21:34,355 --> 01:21:36,457 AS FAR AS THE DELEGATE VOTES GO? 1654 01:21:36,457 --> 01:21:39,627 Kennedy: WE'RE JUST GOING TO START TO STRUGGLE FOR IT. 1655 01:21:39,627 --> 01:21:40,394 [WOMAN SCREAMS] 1656 01:21:40,394 --> 01:21:42,263 Man: SENATOR KENNEDY HAS BEEN SHOT! 1657 01:21:42,263 --> 01:21:46,234 IS THAT POSSIBLE? IS THAT POSSIBLE? 1658 01:21:46,234 --> 01:21:47,435 [MEN SHOUTING] 1659 01:21:47,435 --> 01:21:50,004 IS IT POSSIBLE, LADIES AND GENTLEMEN? 1660 01:21:50,004 --> 01:21:52,140 IT IS POSSIBLE. HE HAS BEEN... 1661 01:21:52,140 --> 01:21:54,642 SENATOR KENNEDY. OH, MY GOD. 1662 01:21:54,642 --> 01:21:57,379 [VOICE FADES] 1663 01:22:26,641 --> 01:22:29,143 [FOOTSTEPS APPROACHING] 1664 01:22:29,143 --> 01:22:30,244 UH! 1665 01:22:30,244 --> 01:22:31,479 CHARLIE. 1666 01:22:31,479 --> 01:22:34,149 HA HA HA. 1667 01:22:40,021 --> 01:22:44,993 HOW YOU BEEN DOING? YOU OK? 1668 01:22:48,997 --> 01:22:50,431 Bobby: HOW CAN I STAND ON STAGE 1669 01:22:50,431 --> 01:22:52,767 AND SING THE SAME OLD CRAP WHEN THOUSANDS OF AMERICAN KIDS 1670 01:22:52,767 --> 01:22:54,302 ARE GETTING THEIR HEADS BLOWN OFF 1671 01:22:54,302 --> 01:22:56,137 IN SOME RICE FIELD HALF THE WORLD AWAY? 1672 01:22:56,137 --> 01:22:57,505 WE'VE BEEN LIED TO, CHARLIE. 1673 01:22:57,505 --> 01:22:58,606 THE GOVERNMENT LIES TO US EVERY DAY. 1674 01:22:58,606 --> 01:23:01,242 THERE'S NO END TO THIS WAR. THE PRESIDENT LIES TO US. 1675 01:23:01,242 --> 01:23:04,212 THE PEOPLE WE TRUST THE MOST--THEY LIE TO US. 1676 01:23:04,212 --> 01:23:05,646 YOU'RE JUST ALL WORKED UP. 1677 01:23:05,646 --> 01:23:06,480 NO, IT'S NOT THAT. 1678 01:23:06,480 --> 01:23:08,583 BOBBY KENNEDY TRIED TO TELL THE TRUTH, 1679 01:23:08,583 --> 01:23:09,517 AND LOOK WHAT THEY DID TO HIM. 1680 01:23:09,517 --> 01:23:12,387 LOOK WHAT HE DID WITH THE TIME THAT HE HAD. 1681 01:23:12,387 --> 01:23:15,189 HE DIDN'T WASTE HIS TIME. 1682 01:23:15,189 --> 01:23:17,658 WHAT ARE YOU DOING OUT HERE? 1683 01:23:17,658 --> 01:23:20,028 SANDY MISSES YOU. 1684 01:23:20,028 --> 01:23:22,664 DODD MISSES YOU. 1685 01:23:27,635 --> 01:23:30,338 WHEN DID YOU MEET NINA? WHAT YEAR? 1686 01:23:30,338 --> 01:23:31,305 WELL, I DON'T KNOW. 1687 01:23:31,305 --> 01:23:33,708 UH...NINETEEN- THIRTY-SOMETHING. 1688 01:23:33,708 --> 01:23:36,811 DO YOU KNOW WHO MY FATHER IS, CHARLIE? 1689 01:23:36,811 --> 01:23:41,016 NO, BOBBY. I DON'T KNOW. 1690 01:23:41,449 --> 01:23:44,386 I WISH I KNEW WHO HE WAS. 1691 01:23:45,119 --> 01:23:48,556 LOOK, BOBBY, I KNOW... 1692 01:23:48,556 --> 01:23:51,492 I KNOW I AIN'T NO COLLEGE BOY, 1693 01:23:51,492 --> 01:23:53,361 BUT I ALWAYS KIND OF FELT 1694 01:23:53,361 --> 01:23:55,296 LIKE I WAS YOUR FATHER. 1695 01:23:55,296 --> 01:23:58,132 CHARLIE, YOU'VE BEEN MORE THAN A FATHER TO ME. 1696 01:23:58,132 --> 01:23:59,667 YOU KNOW THAT. 1697 01:23:59,667 --> 01:24:01,169 I JUST WISH I KNEW. 1698 01:24:01,169 --> 01:24:03,204 WELL, YOU STAY OUT HERE MUCH LONGER, 1699 01:24:03,204 --> 01:24:04,539 AND DODD'S GONNA BE SAYING 1700 01:24:04,539 --> 01:24:07,141 THE SAME THING ABOUT YOU. 1701 01:24:07,141 --> 01:24:08,409 LOOK... 1702 01:24:08,409 --> 01:24:11,646 YOU MAY NOT KNOW WHO YOUR FATHER IS, 1703 01:24:11,646 --> 01:24:14,282 BUT YOU GOT 2 MOTHERS OUT OF THE DEAL, 1704 01:24:14,282 --> 01:24:15,716 AND BOTH OF THEM ARE GREAT. 1705 01:24:15,716 --> 01:24:18,686 HAVE YOU THOUGHT HOW HARD IT'S BEEN FOR HER-- 1706 01:24:18,686 --> 01:24:21,255 NOT TO BE ABLE TO TELL ANYBODY 1707 01:24:21,255 --> 01:24:22,824 THAT YOU WERE HER SON? 1708 01:24:22,824 --> 01:24:24,659 YOU WANT TO FIND YOURSELF, 1709 01:24:24,659 --> 01:24:26,761 GET BACK ON THE STAGE. 1710 01:24:26,761 --> 01:24:28,396 YOU ARE BOBBY DARIN. 1711 01:24:28,396 --> 01:24:30,531 YEAH, THAT'S WHO I THOUGHT I WAS. 1712 01:24:30,531 --> 01:24:31,332 OK, OK. 1713 01:24:31,332 --> 01:24:35,169 THEN YOU'RE WALDEN ROBERT CASSOTTO. 1714 01:24:35,169 --> 01:24:37,405 NO, I'M NOT, CHARLIE. 1715 01:24:37,405 --> 01:24:38,639 I'M NOT EVEN HIM. 1716 01:24:38,639 --> 01:24:42,710 WELL, MAYBE YOU'RE BOTH. 1717 01:24:49,317 --> 01:24:52,286 Bobby: OK, BOOM-BOOM, LET'S GO. WE GOT A SHOW TO DO. 1718 01:24:52,286 --> 01:24:53,855 COME ON! GET IT ON! 1719 01:24:53,855 --> 01:24:55,189 ♪ WHOO-WHOO ♪ 1720 01:24:55,189 --> 01:24:58,359 ♪ AH, YEAH, YEAH, YEAH, YEAH, YEAH ♪ 1721 01:24:58,359 --> 01:25:00,428 ♪ AH-AH-AH-AH-HA ♪ 1722 01:25:00,428 --> 01:25:02,830 ♪ I'LL LET THEM KNOW, YEAH ♪ 1723 01:25:02,830 --> 01:25:05,433 ♪ I'VE GOT NO MAMA, GOT NO PAPA ♪ 1724 01:25:05,433 --> 01:25:06,701 ♪ JUST GOT MYSELF ♪ 1725 01:25:06,701 --> 01:25:10,438 ♪ THAT'S WHAT I GO-O-O-OT, WHOO ♪ 1726 01:25:10,438 --> 01:25:14,408 ♪ COME AND SING A SIMPLE SONG OF FREEDOM ♪ 1727 01:25:14,408 --> 01:25:16,177 [PEOPLE CHATTERING LOUDLY] 1728 01:25:16,177 --> 01:25:19,814 ♪ SING IT LIKE YOU'VE NEVER SUNG BEFORE ♪ 1729 01:25:19,814 --> 01:25:22,717 SING DREAM LOVER! HA HA! 1730 01:25:22,717 --> 01:25:24,685 ♪ LET IT FILL THE AIR ♪ 1731 01:25:24,685 --> 01:25:27,288 ♪ TELL THE PEOPLE EVERYWHERE ♪ 1732 01:25:27,288 --> 01:25:28,222 Man: LET'S GET OUTTA HERE. 1733 01:25:28,222 --> 01:25:33,394 ♪ WE, THE PEOPLE HERE, DON'T WANT A WAR ♪ 1734 01:25:34,228 --> 01:25:36,264 ♪ 700 MILLION, ARE YOU LISTENING? ♪ 1735 01:25:36,264 --> 01:25:40,301 Man: HEY, BOBBY! WHERE'D YOUR HAIR GO?! 1736 01:25:40,301 --> 01:25:41,269 Second man: WHAT A WASTE. 1737 01:25:41,269 --> 01:25:44,438 ♪ MOST OF WHAT YOU READ IS MADE OF LIES... ♪ 1738 01:25:44,438 --> 01:25:46,174 SING SPLISH SPLASH! 1739 01:25:46,174 --> 01:25:48,576 [ALL LAUGH] 1740 01:25:48,576 --> 01:25:51,312 WHAT IS THIS? HMM? 1741 01:25:51,312 --> 01:25:52,380 IS IT A JOKE? 1742 01:25:52,380 --> 01:25:54,615 ♪ TO WAKE TO IN THE MORNING... ♪ 1743 01:25:54,615 --> 01:25:57,785 Boom-Boom: BOBBY, YOU'RE TURNING INTO A TOTAL HIPPIE! 1744 01:25:57,785 --> 01:25:59,554 YOU KNOW, I DON'T HAVE MUCH TIME LEFT. 1745 01:25:59,554 --> 01:26:00,621 I'M A DYING MAN. 1746 01:26:00,621 --> 01:26:01,622 HEY, STOP THAT TALK. 1747 01:26:01,622 --> 01:26:02,857 I'M NOT GONNA LISTEN TO THAT SHIT! 1748 01:26:02,857 --> 01:26:04,659 IT'S NOT SHIT! IT'S THE TRUTH! 1749 01:26:04,659 --> 01:26:05,493 WE'RE ALL DYING, BOBBY. 1750 01:26:05,493 --> 01:26:07,261 NO, THAT'S NOT WHAT I'M TALKING ABOUT, 1751 01:26:07,261 --> 01:26:08,729 AND YOU KNOW IT. EVERY DAY I LIVE 1752 01:26:08,729 --> 01:26:09,630 IS A MODERN MEDICAL MIRACLE. 1753 01:26:09,630 --> 01:26:12,200 I KNOW, YOU WEREN'T SUPPOSED TO REACH 16. 1754 01:26:12,200 --> 01:26:13,501 DON'T YOU MAKE FUN OF ME, STEVE! 1755 01:26:13,501 --> 01:26:14,835 I'M NOT MAKIN' FUN OF YOU, BOBBY! 1756 01:26:14,835 --> 01:26:16,704 HOW AM I SUPPOSED TO REACT 1757 01:26:16,704 --> 01:26:18,439 WHEN YOU TELL ME THE SAME THING 1758 01:26:18,439 --> 01:26:19,574 FOR THE 2,000th TIME? 1759 01:26:19,574 --> 01:26:20,375 THEY BOOED ME OFF THE STAGE. 1760 01:26:20,375 --> 01:26:22,243 THEY BOOED ME OFF THE GODDAMN STAGE 1761 01:26:22,243 --> 01:26:23,311 LIKE I'D SWINDLED THEM 1762 01:26:23,311 --> 01:26:25,213 OUT OF THEIR LAST 15 FREAKIN' BUCKS! 1763 01:26:25,213 --> 01:26:27,515 THEY WANTED TO HEAR DREAM LOVER! 1764 01:26:27,515 --> 01:26:28,816 THEY'RE NOT READY FOR THE NEW YOU! 1765 01:26:28,816 --> 01:26:31,385 THEY OUGHT TO TAKE ME AS I AM, OR I DON'T WANT THEM! 1766 01:26:31,385 --> 01:26:34,689 BOBBY, IN 7 YEARS, YOU'VE MADE 10 FILMS, 1767 01:26:34,689 --> 01:26:38,459 WON 2 GRAMMYS, HAD 7 TOP-TEN SINGLES, 1768 01:26:38,459 --> 01:26:41,429 GOT NOMINATED FOR AN ACADEMY AWARD. 1769 01:26:41,429 --> 01:26:43,698 WHAT THE HELL MORE DO YOU WANT? 1770 01:26:43,698 --> 01:26:47,435 I JUST GOTTA FIND MYSELF, THAT'S ALL. 1771 01:26:47,435 --> 01:26:51,505 EVERYBODY ELSE SEEMS TO KNOW WHO YOU ARE. 1772 01:26:51,505 --> 01:26:54,242 BUT YOU KEEP LOOKING. 1773 01:26:54,442 --> 01:26:56,911 WHEN YOU FIND YOURSELF, GIVE ME A CALL. 1774 01:26:56,911 --> 01:26:59,480 THEN WE'LL SEE WHERE WE ARE. 1775 01:27:02,383 --> 01:27:04,419 STEVE... 1776 01:27:05,686 --> 01:27:09,257 YOU DON'T REALLY THINK I'M CRAZY? 1777 01:27:17,331 --> 01:27:20,335 MY WATCH IS SLOWING DOWN. 1778 01:27:22,637 --> 01:27:25,473 BETTER GET THIS FIXED. 1779 01:27:32,780 --> 01:27:35,783 WHAT DOES "YOUR TIME'S UP" MEAN? 1780 01:27:35,783 --> 01:27:38,619 WHAT ARE YOU TALKIN' ABOUT? 1781 01:27:38,619 --> 01:27:43,291 MY FRIEND GREGORY SAID THAT "MY TIME'S UP." 1782 01:27:43,291 --> 01:27:44,692 HEH. "TIME'S UP." 1783 01:27:44,692 --> 01:27:45,559 BULLSHIT. 1784 01:27:45,559 --> 01:27:49,597 HERE. YOU WEAR THAT WHEN YOU GET OLDER. 1785 01:27:49,597 --> 01:27:51,366 HMM? 1786 01:27:54,001 --> 01:27:56,604 I'M GONNA GET OLDER? 1787 01:27:56,604 --> 01:27:58,572 WELL, SURE, YOU ARE. 1788 01:27:58,572 --> 01:28:00,608 BUT YOU GOTTA BELIEVE IT. 1789 01:28:00,608 --> 01:28:02,877 YOU ALWAYS GOTTA BELIEVE IT, BOBBY. 1790 01:28:02,877 --> 01:28:06,514 AS LONG AS YOU REALLY BELIEVE IT, 1791 01:28:06,514 --> 01:28:08,349 IT'S TRUE. 1792 01:28:08,349 --> 01:28:11,386 [BEEPING] 1793 01:28:12,920 --> 01:28:15,590 [BEEPING] 1794 01:28:25,599 --> 01:28:27,468 HEY. 1795 01:28:27,468 --> 01:28:29,503 YOU'RE BACK. 1796 01:28:29,503 --> 01:28:30,871 HEH HEH. 1797 01:28:30,871 --> 01:28:33,908 HOW DO YOU FEEL? 1798 01:28:36,510 --> 01:28:39,847 LIKE SOMEBODY'S HAD THEIR HANDS IN MY CHEST. 1799 01:28:39,847 --> 01:28:42,350 YEAH. THEY SAID IT WENT WELL. 1800 01:28:42,350 --> 01:28:45,720 THEY REPLACED BOTH VALVES. 1801 01:28:48,756 --> 01:28:51,492 IT WON'T LAST, CHARLIE. 1802 01:28:51,492 --> 01:28:54,762 AH, THAT'S JUST THE MEDICATION TALKING. 1803 01:28:54,762 --> 01:28:56,364 YOU NEED TO EAT. 1804 01:28:56,364 --> 01:28:57,932 I NEED TO EAT? 1805 01:28:57,932 --> 01:29:00,501 YEAH. HEH HEH. 1806 01:29:00,835 --> 01:29:02,636 YOU CAN'T HAVE THIS YET, 1807 01:29:02,636 --> 01:29:06,006 BUT I WANT YOU TO HAVE SOMETHING TO LOOK FORWARD TO. 1808 01:29:06,006 --> 01:29:07,475 WELL, WHAT IS IT? 1809 01:29:07,475 --> 01:29:08,609 WELL, I GOT... 1810 01:29:08,609 --> 01:29:10,611 I GOT GOOD MANICOTTI... 1811 01:29:10,611 --> 01:29:13,114 AND NINA SENT HER SPAGHETTI 1812 01:29:13,114 --> 01:29:15,583 ALL THE WAY FROM NEW YORK. 1813 01:29:15,583 --> 01:29:16,517 NINA'S SPAGHETTI? 1814 01:29:16,517 --> 01:29:18,753 WHAT ARE YOU TRYIN' TO DO, KILL ME, CHARLIE? 1815 01:29:18,753 --> 01:29:23,057 HA HA HA HA! SHE MISSES YOU, BOBBY. 1816 01:29:25,993 --> 01:29:27,628 I'LL JUST CALL HER AND SANDY 1817 01:29:27,628 --> 01:29:31,099 AND TELL EVERYBODY THAT YOU'RE OK. OK? 1818 01:29:34,635 --> 01:29:35,903 [BLOWS] 1819 01:29:35,903 --> 01:29:37,638 [ALL CHEER] 1820 01:29:37,638 --> 01:29:39,907 Boom-Boom: 9 HOURS ON THE OPERATING TABLE, 1821 01:29:39,907 --> 01:29:40,941 AND HE KEEPS ON TICKING. 1822 01:29:40,941 --> 01:29:43,611 OH, YEAH. YOU KNOW, I JUST HAVE ONE THING TO SAY-- 1823 01:29:43,611 --> 01:29:44,745 I BET OLD DR. ANDRETTI-- 1824 01:29:44,745 --> 01:29:47,782 OLD DEAD DR. ANDRETTI-- WOULD SURE BE SURPRISED 1825 01:29:47,782 --> 01:29:50,017 TO SEE I MADE IT TO MY 36th BIRTHDAY. 1826 01:29:50,017 --> 01:29:50,784 OHH! OUCH! 1827 01:29:50,784 --> 01:29:53,888 [MUSIC PLAYING, PEOPLE CHATTERING] 1828 01:29:56,891 --> 01:29:59,994 DON'T STEAL THAT. IT'S NOT YOURS. 1829 01:30:05,900 --> 01:30:06,967 HA-HAPPY BIRTHDAY. 1830 01:30:06,967 --> 01:30:09,069 OH, THANK YOU, NINA. YOU LOOK GREAT. 1831 01:30:09,069 --> 01:30:10,538 THAT'S A NICE OUTFIT. 1832 01:30:10,538 --> 01:30:11,439 YOU LIKE IT? MM. 1833 01:30:11,439 --> 01:30:13,808 'CAUSE I GOT IT SPECIAL FOR YOUR BIRTHDAY. 1834 01:30:13,808 --> 01:30:14,642 I WANTED YOU TO KNOW 1835 01:30:14,642 --> 01:30:18,112 THAT YOUR MOTHER CAN BE A CLASSY LADY. 1836 01:30:19,613 --> 01:30:21,716 WHAT, BOBBY? 1837 01:30:22,116 --> 01:30:24,685 WHAT, BOBBY? 1838 01:30:24,685 --> 01:30:27,655 IT'S OK, NINA. I THINK I KNOW WHY YOU TOLD ME. 1839 01:30:27,655 --> 01:30:30,625 EXCUSE ME FOR A MINUTE. 1840 01:30:32,693 --> 01:30:34,495 HEY. DON'T HE LOOK GREAT? 1841 01:30:34,495 --> 01:30:35,763 DON'T HE LOOK GREAT? 1842 01:30:35,763 --> 01:30:36,464 HE LOOKS GREAT. 1843 01:30:36,464 --> 01:30:38,032 HE LOOKS LIKE A MILLION BUCKS. 1844 01:30:38,032 --> 01:30:40,201 HE'S GONNA LIVE TO BE 100. HE'S A SHARK. 1845 01:30:40,201 --> 01:30:41,702 HEY. HI. 1846 01:30:41,702 --> 01:30:43,504 I'VE BEEN LOOKIN' FOR YOU ALL DAY. 1847 01:30:43,504 --> 01:30:44,839 NO, YOU HAVEN'T, YOU LIAR. 1848 01:30:44,839 --> 01:30:46,907 I HAVE, I HAVE. HEH HEH. 1849 01:30:46,907 --> 01:30:48,576 YOU LOOK SO GOOD. 1850 01:30:48,576 --> 01:30:49,777 OHH, I FEEL GOOD. 1851 01:30:49,777 --> 01:30:51,178 I FEEL GREAT, PHYSICALLY. 1852 01:30:51,178 --> 01:30:54,048 I MEAN, INSOMUCH AS I CAN ACTUALLY BREATHE EASY 1853 01:30:54,048 --> 01:30:56,784 FOR THE FIRST TIME SINCE I CAN REMEMBER. 1854 01:30:56,784 --> 01:30:58,653 HEH. 1855 01:30:58,819 --> 01:31:01,989 DODD MISSES YOU BEING HOME. 1856 01:31:03,491 --> 01:31:06,060 I MISS YOU. 1857 01:31:08,062 --> 01:31:10,064 I'M PROUD OF YOU, BABY. 1858 01:31:10,064 --> 01:31:12,166 I'M REALLY TRYING, BOBBY. 1859 01:31:12,166 --> 01:31:13,767 I KNOW YOU ARE. 1860 01:31:13,767 --> 01:31:15,503 THAT'S NOT WHY YOU LEFT. 1861 01:31:15,503 --> 01:31:17,037 IT WAS MORE THAN THAT. 1862 01:31:17,037 --> 01:31:19,006 I'M NOT WHAT YOU WANT ME TO BE. 1863 01:31:19,006 --> 01:31:20,508 I'M NOT AN INTELLECTUAL, 1864 01:31:20,508 --> 01:31:21,909 I'M NOT AS SMART AS YOU. 1865 01:31:21,909 --> 01:31:25,513 YEAH, YOU'RE SMART ENOUGH FOR 10 OF ME. 1866 01:31:25,513 --> 01:31:29,250 BUT LOOK WHAT WE DID TOGETHER. 1867 01:31:31,652 --> 01:31:32,920 YOU GONNA SING AGAIN? 1868 01:31:32,920 --> 01:31:34,922 OH, I'D LOVE TO. I'M JUST NOT ENTIRELY SURE 1869 01:31:34,922 --> 01:31:38,058 I CAN GET USED TO THE IDEA OF BOOING AS A NIGHTLY RITUAL. 1870 01:31:38,058 --> 01:31:38,725 [LAUGHS] 1871 01:31:38,725 --> 01:31:40,661 HONEY, YOU CAN'T BLAME THEM. 1872 01:31:40,661 --> 01:31:41,929 THEY DON'T UNDERSTAND. 1873 01:31:41,929 --> 01:31:44,532 YOU WERE ALWAYS AHEAD OF YOUR TIME. 1874 01:31:44,532 --> 01:31:46,000 THEY'RE SO SHALLOW. 1875 01:31:46,000 --> 01:31:49,603 PEOPLE HEAR WHAT THEY SEE, ANYWAY. 1876 01:31:49,603 --> 01:31:52,907 YEAH, I KNOW, THE-- 1877 01:31:53,641 --> 01:31:55,242 WHAT DID YOU JUST SAY? 1878 01:31:55,242 --> 01:31:56,109 THAT YOU CAN'T BLAME THEM-- 1879 01:31:56,109 --> 01:31:59,947 NO, NO, NO. ABOUT PEOPLE HEARING...WHAT? 1880 01:31:59,947 --> 01:32:01,916 Bobby: BOOM-BOOM! BOOM-BOOM! BOOM-BOOM! 1881 01:32:01,916 --> 01:32:05,820 BOOM-BOOM! BOOM-BOOM! BOOM-BOOM... 1882 01:32:07,288 --> 01:32:09,056 BOOK ME BACK IN VEGAS. 1883 01:32:09,056 --> 01:32:11,325 HA HA HA HA HA! 1884 01:32:11,325 --> 01:32:13,027 YOU DON'T WANT TO GO BACK TO VEGAS. 1885 01:32:13,027 --> 01:32:15,095 OH, YES, I DO. I WANT TO GO BACK TO VEGAS, 1886 01:32:15,095 --> 01:32:16,931 AND I WANT TO GO BACK ON STAGE. 1887 01:32:16,931 --> 01:32:19,099 DON'T TELL ME YOU FOUND YOURSELF. 1888 01:32:19,099 --> 01:32:19,733 NO. 1889 01:32:19,733 --> 01:32:21,201 HE'S GOING BACK TO VEGAS? 1890 01:32:21,201 --> 01:32:22,235 FIRST I'VE HEARD. 1891 01:32:22,235 --> 01:32:24,338 I'M A NIGHTCLUB ANIMAL, BOOM-BOOM, AND I LOVE IT. 1892 01:32:24,338 --> 01:32:25,806 AND, QUITE FRANKLY, I THINK I DO IT BETTER 1893 01:32:25,806 --> 01:32:27,341 THAN ANYBODY ELSE IN THE WHOLE GODDAMN WORLD. 1894 01:32:27,341 --> 01:32:29,343 YOU'RE ALSO ONE OF THE MOST MODEST PEOPLE 1895 01:32:29,343 --> 01:32:30,678 I'VE EVER MET IN MY LIFE, 1896 01:32:30,678 --> 01:32:32,012 BUT I DON'T WANT YOU GOING BACK THERE. 1897 01:32:32,012 --> 01:32:34,281 IT'S GONNA WORK THIS TIME. I CAN BE WHAT I WANT, 1898 01:32:34,281 --> 01:32:37,651 I CAN SAY WHAT I WANT, I CAN SING WHAT I WANT. 1899 01:32:37,651 --> 01:32:40,754 SANDY JUST SAID IT. SHE JUST SAID IT BEAUTIFULLY. 1900 01:32:40,754 --> 01:32:42,156 WHAT? 1901 01:32:42,323 --> 01:32:45,226 "PEOPLE HEAR WHAT THEY SEE." 1902 01:32:45,659 --> 01:32:48,195 [MUSIC PLAYING] 1903 01:32:56,103 --> 01:32:59,306 Bobby: IT'S FUNNY. YOU WEREN'T A GIRL 1904 01:32:59,306 --> 01:33:01,742 A GUY LIKE ME WAS SUPPOSED TO GET. 1905 01:33:01,742 --> 01:33:04,044 I MEAN, THERE I WAS, A SINGER FROM THE BRONX, 1906 01:33:04,044 --> 01:33:08,849 AND THERE YOU WERE... A MOVIE STAR. 1907 01:33:15,089 --> 01:33:18,859 BOBBY, WHAT'S GONNA HAPPEN TO ME? 1908 01:33:19,960 --> 01:33:22,796 NO MATTER WHAT HAPPENS, BABY... 1909 01:33:22,796 --> 01:33:26,200 YOU'LL ALWAYS BE SANDRA DEE. 1910 01:33:50,891 --> 01:33:51,825 WHY CAN'T I OPEN IT? 1911 01:33:51,825 --> 01:33:53,360 BECAUSE IT'S NOT LIKE THE GIFTS 1912 01:33:53,360 --> 01:33:54,361 YOU'RE USED TO GETTING. 1913 01:33:54,361 --> 01:33:55,963 THIS ONE IS VERY, VERY SPECIAL, 1914 01:33:55,963 --> 01:33:58,732 AND NOBODY CAN KNOW YOU HAVE IT. 1915 01:33:58,732 --> 01:34:00,868 WHAT'S IN IT? 1916 01:34:01,168 --> 01:34:03,437 [IMITATING WALTER MATTHAU] $2 MILLION HARD CASH, 1917 01:34:03,437 --> 01:34:06,206 BUT UNFORTUNATELY, IT'S CONFEDERATE MONEY, SO-- 1918 01:34:06,206 --> 01:34:07,741 DAD. 1919 01:34:07,741 --> 01:34:08,642 NO. 1920 01:34:08,642 --> 01:34:10,944 IT'S JUST SOME THINGS I WANT YOU TO HAVE. 1921 01:34:10,944 --> 01:34:13,313 SO NOBODY CAN KNOW I HAVE IT? NOT EVEN MOM? 1922 01:34:13,313 --> 01:34:16,083 NOT MOM, NOT CHARLIE, NOT AUNT NINA, 1923 01:34:16,083 --> 01:34:18,986 OR GRANDMA. NOBODY BUT YOU AND ME. 1924 01:34:18,986 --> 01:34:20,721 IT'S A SECRET. 1925 01:34:20,721 --> 01:34:23,224 WHEN CAN I OPEN IT? 1926 01:34:25,325 --> 01:34:27,662 WHEN I'M GONE. 1927 01:34:28,729 --> 01:34:31,265 I DON'T WANT YOU TO DIE, DAD. 1928 01:34:31,265 --> 01:34:32,433 WELL, YOU KNOW, MOOSE, 1929 01:34:32,433 --> 01:34:34,134 I'M NO DIFFERENT THAN ANYBODY ELSE. 1930 01:34:34,134 --> 01:34:36,704 MY TIME MIGHT JUST COME A LITTLE SOONER, 1931 01:34:36,704 --> 01:34:37,938 THAT'S ALL. 1932 01:34:37,938 --> 01:34:39,373 WHAT ABOUT ME? 1933 01:34:39,373 --> 01:34:40,841 WHAT ABOUT YOU? 1934 01:34:40,841 --> 01:34:43,143 YOU'RE GONNA BE JUST FINE... 1935 01:34:43,143 --> 01:34:46,046 IF YOU'RE THE MAN I THINK YOU ARE. 1936 01:34:46,046 --> 01:34:48,248 YOU KNOW, I HAD TO FIGHT MY WAY 1937 01:34:48,248 --> 01:34:49,249 OUT OF THE BRONX 1938 01:34:49,249 --> 01:34:51,385 TO MAKE SOMETHING OF MYSELF. 1939 01:34:51,385 --> 01:34:53,020 BUT NOT NEARLY AS HARD 1940 01:34:53,020 --> 01:34:54,388 AS YOU'RE GONNA HAVE TO FIGHT 1941 01:34:54,388 --> 01:34:57,992 TO GET OUT OF BEVERLY HILLS. 1942 01:35:11,839 --> 01:35:14,108 HOW YOU DOIN' IN THERE? 1943 01:35:14,108 --> 01:35:16,844 Bobby: TRYING TO FIND A HEARTBEAT. 1944 01:35:16,844 --> 01:35:18,378 THAT'S NOT FUNNY. 1945 01:35:18,378 --> 01:35:21,014 MY TUX AND TOUPEE LAID OUT? 1946 01:35:21,014 --> 01:35:22,082 YEAH. 1947 01:35:22,082 --> 01:35:25,753 YOU GOT NOTHIN' TO WORRY ABOUT. 1948 01:35:26,820 --> 01:35:28,255 YOU DON'T LOOK SO GOOD. 1949 01:35:28,255 --> 01:35:31,024 WELL, TO TELL YOU THE TRUTH, CHARLIE, 1950 01:35:31,024 --> 01:35:32,526 I DON'T FEEL SO HOT. 1951 01:35:32,526 --> 01:35:34,294 I GOTTA GO UNDER THE KNIFE AGAIN. 1952 01:35:34,294 --> 01:35:36,263 THAT'S WHY WE'RE TAKING OFF EARLY. 1953 01:35:36,263 --> 01:35:38,332 I GOT--I GOT BLOOD POISONING. 1954 01:35:38,332 --> 01:35:39,433 IT'S CATCHING UP. 1955 01:35:39,433 --> 01:35:41,468 LOOK, WE DON'T HAVE TO DO THIS. 1956 01:35:41,468 --> 01:35:43,771 WE CAN CALL IT OFF. 1957 01:35:43,771 --> 01:35:47,074 CHARLIE, I GOTTA GET READY NOW. 1958 01:35:49,109 --> 01:35:53,814 I GOTTA GO MAKE SURE NINA'S AT A GOOD TABLE. 1959 01:35:56,083 --> 01:35:59,486 CHARLIE, I WOULDN'T HAVE GONE THIS FAR WITHOUT YOU. 1960 01:35:59,486 --> 01:36:03,390 KID, YOU WERE A RUNAWAY TRAIN. 1961 01:36:03,390 --> 01:36:04,992 JUST GET THROUGH TONIGHT. 1962 01:36:04,992 --> 01:36:08,495 YEAH. ALWAYS LEAVE 'EM WANTING MORE, CHARLIE. 1963 01:36:08,495 --> 01:36:10,464 YEAH. 1964 01:36:30,517 --> 01:36:32,152 Announcer: LADIES AND GENTLEMEN, 1965 01:36:32,152 --> 01:36:35,889 WOULD YOU PLEASE WELCOME BACK TO THE FLAMINGO STAGE 1966 01:36:35,889 --> 01:36:37,057 AN OLD FRIEND, 1967 01:36:37,057 --> 01:36:40,394 ONE OF THIS COUNTRY'S GREATEST ENTERTAINERS, 1968 01:36:40,394 --> 01:36:42,262 ACADEMY AWARD-NOMINEE, 1969 01:36:42,262 --> 01:36:45,933 2-TIME GRAMMY-WINNER... 1970 01:36:45,933 --> 01:36:48,235 SING DREAM LOVER! 1971 01:36:48,235 --> 01:36:49,069 [LAUGHTER] 1972 01:36:49,069 --> 01:36:55,075 THE FLAMINGO HOTEL PROUDLY PRESENTS... 1973 01:36:56,043 --> 01:37:00,147 THE LEGENDARY BOBBY DARIN. 1974 01:37:00,147 --> 01:37:02,115 [MUSIC PLAYING] 1975 01:37:02,115 --> 01:37:04,919 [LIGHT APPLAUSE] 1976 01:37:10,624 --> 01:37:16,030 ♪ COME AND SING A SIMPLE SONG OF FREEDOM ♪ 1977 01:37:16,263 --> 01:37:21,468 ♪ SING IT LIKE YOU'VE NEVER SUNG BEFORE ♪ 1978 01:37:22,202 --> 01:37:24,204 ♪ LET IT FILL THE AIR ♪ 1979 01:37:24,204 --> 01:37:27,274 ♪ TELL THE PEOPLE EVERYWHERE ♪ 1980 01:37:27,274 --> 01:37:32,613 ♪ WE, THE PEOPLE HERE, DON'T WANT A WAR ♪ 1981 01:37:32,613 --> 01:37:37,317 ♪ HEY, THERE, MR. BLACK MAN, CAN YOU HEAR ME? ♪ 1982 01:37:37,317 --> 01:37:38,285 [LAUGHTER] 1983 01:37:38,285 --> 01:37:43,457 ♪ I DON'T WANT YOUR DIAMONDS OR YOUR GAME ♪ 1984 01:37:44,524 --> 01:37:46,460 ♪ I JUST WANT TO BE ♪ 1985 01:37:46,460 --> 01:37:49,196 ♪ SOMEONE KNOWN TO YOU AS ME ♪ 1986 01:37:49,196 --> 01:37:52,199 ♪ AND I WILL BET MY LIFE ♪ 1987 01:37:52,199 --> 01:37:55,469 ♪ YOU WANT THE SAME ♪ 1988 01:37:55,469 --> 01:38:01,008 ♪ COME AND SING A SIMPLE SONG OF FREEDOM ♪ 1989 01:38:01,008 --> 01:38:05,613 ♪ SING IT LIKE YOU'VE NEVER SUNG BEFORE ♪ 1990 01:38:06,580 --> 01:38:08,682 ♪ LET IT FILL THE AIR ♪ 1991 01:38:08,682 --> 01:38:12,019 ♪ TELL THE PEOPLE EVERYWHERE ♪ 1992 01:38:12,019 --> 01:38:16,490 ♪ WE, THE PEOPLE HERE, DON'T WANT A WAR ♪ 1993 01:38:16,490 --> 01:38:17,324 [APPLAUSE] 1994 01:38:17,324 --> 01:38:23,263 ♪ 700 MILLION, ARE YOU LISTENING? ♪ 1995 01:38:23,263 --> 01:38:28,168 ♪ MOST OF WHAT YOU READ IS MADE OF LIES ♪ 1996 01:38:29,036 --> 01:38:31,405 ♪ BUT, SPEAKING ONE TO ONE ♪ 1997 01:38:31,405 --> 01:38:34,174 ♪ AIN'T IT EVERYBODY'S SUN ♪ 1998 01:38:34,174 --> 01:38:39,413 ♪ TO WAKE TO IN THE MORNING WHEN WE RISE? ♪ 1999 01:38:40,047 --> 01:38:45,552 ♪ COME AND SING A SIMPLE SONG OF FREEDOM ♪ 2000 01:38:45,552 --> 01:38:50,925 ♪ SING IT LIKE YOU'VE NEVER SUNG BEFORE ♪ 2001 01:38:51,558 --> 01:38:53,427 ♪ LET IT FILL THE AIR ♪ 2002 01:38:53,427 --> 01:38:56,697 ♪ TELL THE PEOPLE EVERYWHERE ♪ 2003 01:38:56,697 --> 01:39:01,969 ♪ WE, THE PEOPLE HERE, DON'T WANT A WAR ♪ 2004 01:39:01,969 --> 01:39:07,074 ♪ NOW, NO DOUBT SOME FOLKS ENJOY DOING BATTLE ♪ 2005 01:39:07,507 --> 01:39:13,213 ♪ LIKE PRESIDENTS, PRIME MINISTERS AND KINGS ♪ 2006 01:39:13,213 --> 01:39:15,048 JESUS CHRIST, STEVE, WHERE THE HELL YOU BEEN? 2007 01:39:15,048 --> 01:39:16,316 TRAFFIC GETTIN' OUT OF L.A. 2008 01:39:16,316 --> 01:39:17,250 YOU GOTTA GET IN HERE. 2009 01:39:17,250 --> 01:39:18,084 WHY, WHAT THE HELL'S GOIN' ON? 2010 01:39:18,084 --> 01:39:18,985 YOU'RE NOT GONNA BELIEVE IT. HE'S BACK. 2011 01:39:18,985 --> 01:39:24,691 ♪ LEAVE THE PEOPLE BE WHO LOVE TO SING ♪ 2012 01:39:24,691 --> 01:39:29,329 ♪ COME AND SING A SIMPLE SONG OF FREEDOM ♪ 2013 01:39:29,329 --> 01:39:30,263 ♪ FREEDOM ♪ 2014 01:39:30,263 --> 01:39:34,701 ♪ SING IT LIKE YOU'VE NEVER SUNG BEFORE ♪ 2015 01:39:34,701 --> 01:39:36,169 ♪ FREEDOM ♪ 2016 01:39:36,169 --> 01:39:38,171 ♪ LET IT FILL THE AIR ♪ 2017 01:39:38,171 --> 01:39:41,508 ♪ TELL THE PEOPLE EVERYWHERE ♪ 2018 01:39:41,508 --> 01:39:46,446 ♪ WE, THE PEOPLE HERE, DON'T WANT A WAR ♪ 2019 01:39:46,446 --> 01:39:49,349 ♪ I SAID, LET IT FILL THE AIR ♪ 2020 01:39:49,349 --> 01:39:52,652 ♪ TELL THE PEOPLE EVERYWHERE ♪ 2021 01:39:52,652 --> 01:40:01,461 ♪ WE, THE PEOPLE HERE, DON'T WANT A WAR ♪ 2022 01:40:01,461 --> 01:40:03,597 ♪ FREEDOM ♪ 2023 01:40:04,231 --> 01:40:06,600 ♪ FREEDOM ♪ 2024 01:40:07,267 --> 01:40:09,403 ♪ FREEDOM ♪ 2025 01:40:09,603 --> 01:40:12,039 ♪ FREEDOM ♪ 2026 01:40:12,039 --> 01:40:14,274 ♪ FREEDOM ♪ 2027 01:40:14,274 --> 01:40:18,245 PEOPLE HEAR WHAT THEY SEE. 2028 01:40:18,445 --> 01:40:20,347 ♪ FREEDOM ♪ 2029 01:40:21,181 --> 01:40:23,150 ♪ FREEDOM ♪ 2030 01:40:23,150 --> 01:40:26,220 [ON SPEAKER] ♪ WHOA, FREEDOM ♪ 2031 01:40:26,686 --> 01:40:29,023 ♪ FREEDOM ♪ 2032 01:40:29,256 --> 01:40:31,625 ♪ FREEDOM ♪ 2033 01:40:32,392 --> 01:40:34,595 ♪ FREEDOM ♪ 2034 01:40:35,228 --> 01:40:37,398 ♪ FREEDOM ♪ 2035 01:40:38,098 --> 01:40:40,234 ♪ FREEDOM ♪ 2036 01:40:40,667 --> 01:40:43,037 ♪ FREEDOM ♪ 2037 01:40:43,470 --> 01:40:45,506 ♪ FREEDOM ♪ 2038 01:40:46,073 --> 01:40:47,641 [ON SPEAKER] ♪ FREEDOM ♪ 2039 01:40:47,641 --> 01:40:50,744 [SONG ENDS, APPLAUSE] 2040 01:40:51,812 --> 01:40:54,381 WE LOVE YOU, BOBBY! 2041 01:40:54,381 --> 01:40:56,349 YEAH, BOB! 2042 01:40:56,349 --> 01:40:58,085 YEAH! 2043 01:40:59,619 --> 01:41:00,720 THANK YOU. 2044 01:41:00,720 --> 01:41:02,756 THANK YOU. 2045 01:41:04,858 --> 01:41:07,494 THANK YOU. PLEASE SIT DOWN. 2046 01:41:08,161 --> 01:41:08,928 THANK YOU VERY MUCH. 2047 01:41:08,928 --> 01:41:09,863 YOU'VE BEEN A WONDERFUL AUDIENCE. 2048 01:41:09,863 --> 01:41:13,266 IT'S BEEN DELIGHTFUL TO BE BACK IN LAS VEGAS. 2049 01:41:13,266 --> 01:41:16,370 I HOPE YOU'VE HAD LUCK AT THE TABLES. 2050 01:41:17,537 --> 01:41:18,872 UH... 2051 01:41:18,872 --> 01:41:21,875 I MAY NOT BE PERFORMING FOR A WHILE. 2052 01:41:21,875 --> 01:41:23,643 I'M GOING TO TAKE A LITTLE BREAK. 2053 01:41:23,643 --> 01:41:26,446 AND AS A RESULT, I MAY NOT GET A CHANCE 2054 01:41:26,446 --> 01:41:29,649 TO PUBLICLY DO SOMETHING 2055 01:41:29,649 --> 01:41:34,688 THAT I'VE WANTED TO DO FOR A VERY LONG TIME... 2056 01:41:35,422 --> 01:41:37,390 AND THAT IS TO... 2057 01:41:37,390 --> 01:41:40,427 INTRODUCE TO YOU... 2058 01:41:40,427 --> 01:41:43,397 THE WOMAN WHO RAISED ME. 2059 01:41:44,498 --> 01:41:46,900 MY MOTHER... 2060 01:41:46,900 --> 01:41:49,736 NINA CASSOTTO MAFFIA. 2061 01:41:49,736 --> 01:41:52,472 PLEASE TAKE A BOW, MA. 2062 01:41:52,472 --> 01:41:54,475 TAKE A BOW. 2063 01:42:03,216 --> 01:42:05,218 THAT'S MY SON. 2064 01:42:05,218 --> 01:42:06,219 ALL RIGHT! 2065 01:42:06,219 --> 01:42:08,122 THAT'S MY SON. 2066 01:42:14,895 --> 01:42:16,396 I WANT TO DO A SONG 2067 01:42:16,396 --> 01:42:19,666 THAT HAS BEEN SPECIALLY WRITTEN FOR TONIGHT. 2068 01:42:19,666 --> 01:42:21,368 [PIANO PLAYS] 2069 01:42:21,368 --> 01:42:23,570 ITS LYRICS HAVE BEEN CHANGED. 2070 01:42:23,570 --> 01:42:26,306 IT WAS AN OLD BOB HOPE NUMBER, ACTUALLY, 2071 01:42:26,306 --> 01:42:27,941 BUT WE'D LIKE TO DO IT FOR YOU TONIGHT 2072 01:42:27,941 --> 01:42:29,409 AS OUR WAY OF CLOSING 2073 01:42:29,409 --> 01:42:30,877 AND SAYING GOOD NIGHT. 2074 01:42:30,877 --> 01:42:33,180 AS SOON AS RICHIE'S FINISHED 2075 01:42:33,180 --> 01:42:35,916 WITH THAT THING HE'S COMPOSING OVER THERE. 2076 01:42:35,916 --> 01:42:40,654 IT GOES SOMETHING LIKE THIS... 2077 01:42:44,324 --> 01:42:48,629 ♪ OFF COMES THE MAKEUP ♪ 2078 01:42:49,396 --> 01:42:55,402 ♪ OFF COMES THE CLOWN'S DISGUISE ♪ 2079 01:42:55,769 --> 01:43:00,774 ♪ THE CURTAIN'S FALLIN' ♪ 2080 01:43:00,774 --> 01:43:08,248 ♪ THE MUSIC SOFTLY DIES ♪ 2081 01:43:08,248 --> 01:43:15,789 ♪ BUT I HOPE YOU'RE SMILIN' ♪ 2082 01:43:16,656 --> 01:43:26,333 ♪ AS YOU'RE FILING OUT THE DOOR ♪ 2083 01:43:26,333 --> 01:43:31,705 ♪ AS THEY SAY IN THIS BIZ ♪ 2084 01:43:33,907 --> 01:43:36,643 ♪ THAT'S ALL THERE IS ♪ 2085 01:43:36,643 --> 01:43:42,582 ♪ THERE ISN'T ANYMORE ♪ 2086 01:43:42,582 --> 01:43:49,256 ♪ WE'VE SHARED A MOMENT ♪ 2087 01:43:50,357 --> 01:43:59,700 ♪ AND AS THE MOMENT ENDS ♪ 2088 01:44:00,500 --> 01:44:04,938 ♪ I GOT A FUNNY FEELING ♪ 2089 01:44:05,405 --> 01:44:10,277 ♪ WE'RE PARTING OUT AS FRIENDS ♪ 2090 01:44:16,483 --> 01:44:21,454 ♪ YOUR CHEERS AND LAUGHTER ♪ 2091 01:44:21,454 --> 01:44:25,859 ♪ WILL LINGER AFTER ♪ 2092 01:44:25,859 --> 01:44:32,799 ♪ THEY'VE TORN DOWN THESE DUSTY WALLS ♪ 2093 01:44:32,799 --> 01:44:39,506 ♪ IF I HAD THIS TO DO AGAIN ♪ 2094 01:44:39,506 --> 01:44:47,681 ♪ AND THE EVENING WERE NEW AGAIN ♪ 2095 01:44:47,681 --> 01:44:55,322 ♪ I WOULD SPEND IT WITH YOU AGAIN ♪ 2096 01:44:55,322 --> 01:45:03,430 ♪ BUT NOW THE CURTAIN FALLS ♪ 2097 01:45:04,097 --> 01:45:09,669 ♪ YOUR CHEERS AND LAUGHTER ♪ 2098 01:45:09,669 --> 01:45:14,074 ♪ WILL LINGER AFTER ♪ 2099 01:45:14,074 --> 01:45:20,747 ♪ THEY'VE TORN DOWN ♪ 2100 01:45:20,747 --> 01:45:27,821 ♪ THESE DUSTY WALLS ♪ 2101 01:45:28,722 --> 01:45:31,024 ♪ PEOPLE SAY ♪ 2102 01:45:31,024 --> 01:45:37,364 ♪ I WAS MADE FOR THIS ♪ 2103 01:45:37,364 --> 01:45:44,804 ♪ NOTHING ELSE WOULD I TRADE FOR THIS ♪ 2104 01:45:44,804 --> 01:45:46,806 ♪ AND JUST THINK ♪ 2105 01:45:46,806 --> 01:45:54,948 ♪ I GET PAID FOR THIS ♪ 2106 01:45:58,985 --> 01:46:01,821 WAIT A MINUTE. WAIT A MINUTE. 2107 01:46:01,821 --> 01:46:03,156 WHERE YOU GOING? 2108 01:46:03,156 --> 01:46:04,624 NO, THAT'S IT, KID. 2109 01:46:04,624 --> 01:46:06,960 YOU CAN'T GO. THAT'S NOT THE END. 2110 01:46:06,960 --> 01:46:09,996 LET ME TELL YOU HOW IT GOES. 2111 01:46:09,996 --> 01:46:11,698 THE MAN WE THOUGHT WAS OUR FATHER 2112 01:46:11,698 --> 01:46:13,032 TURNED OUT TO BE OUR GRANDFATHER. 2113 01:46:13,032 --> 01:46:15,602 AND THE GUY WE THOUGHT WAS OUR BROTHER-IN-LAW 2114 01:46:15,602 --> 01:46:16,836 IS REALLY OUR STEP-FATHER. 2115 01:46:16,836 --> 01:46:19,038 AND THE WOMAN WE THOUGHT WAS OUR SISTER 2116 01:46:19,038 --> 01:46:19,939 TURNED OUT TO BE OUR MOTHER. 2117 01:46:19,939 --> 01:46:22,041 AND BECAUSE SHE SLEPT WITH HALF THE BRONX, 2118 01:46:22,041 --> 01:46:23,810 GOD KNOWS WHO OUR REAL FATHER WAS. 2119 01:46:23,810 --> 01:46:25,478 RIGHT. SO NOW WE KNOW IT. 2120 01:46:25,478 --> 01:46:26,245 NOW WE'RE DONE. 2121 01:46:26,245 --> 01:46:29,616 NO, NOT YOU. I'M THE ONE WHO GOES. 2122 01:46:30,417 --> 01:46:31,151 DON'T YOU GET IT? 2123 01:46:31,151 --> 01:46:32,685 BOBBY DARIN DOESN'T DIE. 2124 01:46:32,685 --> 01:46:34,554 WHAT ARE YOU TALKING ABOUT? 2125 01:46:34,554 --> 01:46:35,688 DON'T YOU REMEMBER? 2126 01:46:35,688 --> 01:46:37,657 MEMORIES ARE LIKE MOONBEAMS. 2127 01:46:37,657 --> 01:46:40,960 WE DO WITH THEM WHAT WE WANT. 2128 01:46:40,960 --> 01:46:41,794 JUST LISTEN. 2129 01:46:41,794 --> 01:46:44,864 LISTEN, OK? IT'S NOT THE WAY IT GOES. 2130 01:46:44,864 --> 01:46:48,501 ♪ AS LONG AS YOU'RE SINGIN' ♪ 2131 01:46:48,501 --> 01:46:50,170 ♪ THEN THE WORLD'S ALL RIGHT ♪ 2132 01:46:50,170 --> 01:46:52,906 ♪ AND EVERYTHING'S SWINGIN' ♪ 2133 01:46:52,906 --> 01:46:57,710 ♪ AS LONG AS YOU'RE SINGIN' YOUR SONG ♪ 2134 01:46:57,710 --> 01:47:01,080 ♪ AS LONG AS YOU'RE SINGIN' ♪ 2135 01:47:01,080 --> 01:47:06,152 ♪ THERE'S A BELL UP IN YOUR BRAIN THAT'S RINGIN' ♪ 2136 01:47:06,152 --> 01:47:10,824 ♪ MAKING' A CRAZY DING-DONG ♪ 2137 01:47:10,824 --> 01:47:15,094 ♪ AND IF THIS BAND DON'T DESERT US ♪ 2138 01:47:15,094 --> 01:47:18,198 ♪ THEN THERE'S NOTHIN' IN THE WORLD ♪ 2139 01:47:18,198 --> 01:47:19,032 ♪ CAN HURT US ♪ 2140 01:47:19,032 --> 01:47:22,135 Together: ♪ LONG AS WE'RE SINGIN' ♪ 2141 01:47:22,135 --> 01:47:26,540 ♪ OUR SONG ♪ 2142 01:47:28,241 --> 01:47:32,078 ♪ GIVE ME TRUMPETS LEGATO ♪ 2143 01:47:32,078 --> 01:47:35,081 ♪ PUT SOME SAXES WITH 'EM ♪ 2144 01:47:35,081 --> 01:47:38,585 ♪ STRINGS PIZZICATO ♪ 2145 01:47:38,585 --> 01:47:40,553 ♪ ADD SOME RHYTHM ♪ 2146 01:47:40,553 --> 01:47:44,724 [DRUM FILL] 2147 01:47:45,592 --> 01:47:48,695 Together: ♪ AS LONG AS WE'RE SINGIN' ♪ 2148 01:47:48,695 --> 01:47:50,263 ♪ THEN THE WORLD'S ALL RIGHT ♪ 2149 01:47:50,263 --> 01:47:52,832 ♪ AND EVERYTHING'S SWINGIN' ♪ 2150 01:47:52,832 --> 01:47:55,668 ♪ LONG AS WE'RE SINGIN' OUR-- ♪ 2151 01:47:55,668 --> 01:47:58,671 ♪ LONG AS WE'RE SINGIN' OUR-- ♪ 2152 01:47:58,671 --> 01:48:03,776 ♪ LONG AS WE'RE SINGIN' ♪ 2153 01:48:03,776 --> 01:48:06,779 ♪ OUR ♪ 2154 01:48:06,779 --> 01:48:11,117 ♪ SONG ♪ 2155 01:49:24,023 --> 01:49:28,295 HEY, HANG ON TO THIS FOR ME. 2156 01:49:50,083 --> 01:49:53,019 ♪ MAKIN' MUSIC ♪ 2157 01:49:53,019 --> 01:49:55,755 ♪ IS MORE TO ME THAN A PLEASURE ♪ 2158 01:49:55,755 --> 01:49:57,991 ♪ 'CAUSE ME AND MUSIC ♪ 2159 01:49:57,991 --> 01:50:02,895 ♪ WE GO TOGETHER LIKE NOTES IN A MEASURE ♪ 2160 01:50:02,895 --> 01:50:05,231 ♪ AS LONG AS I'M SINGIN' ♪ 2161 01:50:05,231 --> 01:50:06,733 ♪ THEN THE WORLD'S ALL RIGHT ♪ 2162 01:50:06,733 --> 01:50:08,134 ♪ AND EVERYTHING'S SWINGIN' ♪ 2163 01:50:08,134 --> 01:50:10,970 ♪ LONG AS I'M SINGIN' MY-- ♪ 2164 01:50:10,970 --> 01:50:13,373 ♪ LONG AS I'M SINGIN' MY-- ♪ 2165 01:50:13,373 --> 01:50:16,976 ♪ LONG AS I'M SINGIN' ♪ 2166 01:50:16,976 --> 01:50:19,245 ♪ MY ♪ 2167 01:50:19,245 --> 01:50:28,188 ♪ SONG ♪ 2168 01:50:29,389 --> 01:50:33,226 [CHEERING AND APPLAUSE ] 2169 01:50:34,861 --> 01:50:38,164 ♪ SOME OF THESE DAYS ♪ 2170 01:50:38,164 --> 01:50:42,268 ♪ YOU'RE GONNA MISS ME, BABY ♪ 2171 01:50:43,169 --> 01:50:46,439 ♪ SOME OF THESE DAYS ♪ 2172 01:50:46,439 --> 01:50:50,710 ♪ YOU'LL FEEL SO LONELY ♪ 2173 01:50:50,710 --> 01:50:54,781 ♪ YOU'RE GONNA MISS MY HUGGIN' ♪ 2174 01:50:54,781 --> 01:50:58,785 ♪ YOU'LL MISS MY KISSIN' ♪ 2175 01:50:58,785 --> 01:51:02,922 ♪ YOU MAY EVEN MISS ME, BABY ♪ 2176 01:51:02,922 --> 01:51:07,026 ♪ WHEN I'M GONE AWAY ♪ 2177 01:51:07,026 --> 01:51:11,030 ♪ YOU'RE GONNA FEEL LONELY ♪ 2178 01:51:11,030 --> 01:51:15,034 ♪ AND WANT ME ONLY ♪ 2179 01:51:15,034 --> 01:51:18,404 ♪ 'CAUSE YOU KNOW, HONEY ♪ 2180 01:51:18,404 --> 01:51:22,842 ♪ YOU ALWAYS GOT YOUR WAY ♪ 2181 01:51:22,842 --> 01:51:27,180 ♪ SAY, BABY, IF YOU REALLY WANT ME, OH, YEAH ♪ 2182 01:51:27,180 --> 01:51:30,917 ♪ YOU KNOW IT'S GONNA GRIEVE ME ♪ 2183 01:51:30,917 --> 01:51:35,288 ♪ YOU'RE GONNA MISS YOUR BONY LITTLE DADDY ♪ 2184 01:51:35,288 --> 01:51:39,192 ♪ COMES ONE OF THESE--YEAH! ♪ 2185 01:51:39,192 --> 01:51:42,028 ♪ SAID SOME OF THESE DAYS ♪ 2186 01:51:42,028 --> 01:51:43,262 AW, DO IT, SOPHIE! 2187 01:51:43,262 --> 01:51:47,300 ♪ YOU'RE GONNA MISS ME, HONEY ♪ 2188 01:51:47,300 --> 01:51:51,838 ♪ AND I'M TALKIN' 'BOUT DAYS ♪ 2189 01:51:51,838 --> 01:51:55,842 ♪ WHEN YOU FEEL ALL BLUE ♪ 2190 01:51:55,842 --> 01:51:59,412 ♪ YOU'RE GONNA MISS MY HUGGIN' ♪ 2191 01:51:59,412 --> 01:52:03,916 ♪ YOU'RE GONNA MISS MY KISSIN' ♪ 2192 01:52:03,916 --> 01:52:07,920 ♪ YOU MAY EVEN MISS ME, BABY ♪ 2193 01:52:07,920 --> 01:52:12,191 ♪ WHEN I'M LONG GONE AWAY ♪ 2194 01:52:12,191 --> 01:52:16,362 ♪ I HOPE YOU FEEL LONELY ♪ 2195 01:52:16,362 --> 01:52:20,099 ♪ AND WANT ME ONLY ♪ 2196 01:52:20,099 --> 01:52:23,369 ♪ 'CAUSE YOU KNOW, LOVER ♪ 2197 01:52:23,369 --> 01:52:28,307 ♪ YOU ALWAYS HAD YOUR WAY ♪ 2198 01:52:28,307 --> 01:52:35,081 ♪ AND IF-A YOU LEAVE ME ♪ 2199 01:52:35,081 --> 01:52:42,789 ♪ YOU KNOW IT'S GONNA GRIEVE ME ♪ 2200 01:52:42,789 --> 01:52:47,827 ♪ YOU'LL MISS-A YOUR BROWN-EYED DADDY ♪ 2201 01:52:47,827 --> 01:52:48,427 GRAB IT NOW! 2202 01:52:48,427 --> 01:52:52,198 ♪ SOME OF THESE DAYS ♪ 2203 01:53:24,597 --> 01:53:27,366 CAPTIONING MADE POSSIBLE BY LIONS GATE ENTERTAINMENT 2204 01:53:27,366 --> 01:53:29,402 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--